Recommendations based on "Gaza: An Inquest into Its Martyrdom | Paperback | Norman G. Finkelstein"

Punishing Places applies a unique spatial analysis to mass incarceration in the United States. It demonstrates that our highest imprisonment rates are now in small cities, suburbs, and rural areas. Jessica Simes argues that mass incarceration should be conceptualized as one of the legacies of U.S. racial residential segregation, but that a focus on large cities has diverted vital scholarly and policy attention away from communities affected most by mass incarceration today. This book presents novel measures for estimating the community-level effects of incarceration using spatial, quantitative, and qualitative methods. This analysis has broad and urgent implications for policy reforms aimed at ameliorating the community effects of mass incarceration and promoting alternatives to the carceral system.

“Brilliantly written, vivid, a powerful and often uncomfortable true story that deserves to be read and remembered. It beautifully captures the strength of the bond between a father and son.”--Heather Morris, author of #1 New York Times bestseller The Tattooist of AuschwitzThe #1 Sunday Times bestseller—a remarkable story of the heroic and unbreakable bond between a father and son that is as inspirational as The Tattooist of Auschwitz and as mesmerizing as The Choice.Where there is family, there is hopeIn 1939, Gustav Kleinmann, a Jewish upholster from Vienna, and his sixteen-year-old son Fritz are arrested by the Gestapo and sent to Germany. Imprisoned in the Buchenwald concentration camp, they miraculously survive the Nazis’ murderous brutality.Then Gustav learns he is being sent to Auschwitz—and certain death.For Fritz, letting his father go is unthinkable. Desperate to remain together, Fritz makes an incredible choice: he insists he must go too. To the Nazis, one death camp is the same as another, and so the boy is allowed to follow.Throughout the six years of horror they witness and immeasurable suffering they endure as victims of the camps, one constant keeps them alive: their love and hope for the future.Based on the secret diary that Gustav kept as well as meticulous archival research and interviews with members of the Kleinmann family, including Fritz’s younger brother Kurt, sent to the United States at age eleven to escape the war, The Boy Who Followed His Father into Auschwitz is Gustav and Fritz’s story—an extraordinary account of courage, loyalty, survival, and love that is unforgettable.

A harrowing account of the Armenian genocide documented through the stories of those who managed to survive and descendants who refuse to forgetThe grandchild of Armenians who escaped widespread massacres during the Ottoman Empire a century ago, Varujan Vosganian grew up in Romania hearing firsthand accounts of horrific killings, burned villages, and massive deportations. In this moving chronicle of unimaginable tragedy, the author transforms true events into a work of fiction firmly grounded in survivor testimonies and historical documentation.Across Syrian desert refugee camps, Russian tundra, and Romanian villages, the book chronicles individual lives destroyed by ideological and authoritarian oppression. But this novel tells an even wider human story. Evocative of all the great sufferings that afflicted the twentieth century—world wars, concentration camps, common graves, statelessness—this book belongs to all peoples whose voices have been lost. Hailed for its documentary value and sensitive authenticity, Vosganian’s work has become an international phenomenon.

Poland suffered terribly under the Nazis, and they waged a ferocious guerrilla war. In August 1944,15-year-old Resistance volunteer Andrew Borowiec lobbed a grenade onto German soldiers. "I felt I had come of age. I was a soldier and I'd just tried to kill some of our enemies." The Warsaw Uprising lasted for 63 days. The insurgents were mostly poorly equipped locals, some younger than Andrew. Over that summer he faced danger at every moment. Wounded the day after his 16th birthday, he was captured in a makeshift hospital. From one of the most harrowing episodes of World War II, this is an extraordinary tale recounted by one of the few remaining veterans of Poland's bravest summer.

This history of the foundational war in the Arab-Israeli conflict is groundbreaking, objective, and deeply revisionist. A riveting account of the military engagements, it also focuses on the war's political dimensions. Benny Morris probes the motives and aims of the protagonists on the basis of newly opened Israeli and Western documentation. The Arab side—where the archives are still closed—is illuminated with the help of intelligence and diplomatic materials.Morris stresses the jihadi character of the two-stage Arab assault on the Jewish community in Palestine. Throughout, he examines the dialectic between the war's military and political developments and highlights the military impetus in the creation of the refugee problem, which was a by-product of the disintegration of Palestinian Arab society. The book thoroughly investigates the role of the Great Powers—Britain, the United States, and the Soviet Union—in shaping the conflict and its tentative termination in 1949. Morris looks both at high politics and general staff decision-making processes and at the nitty-gritty of combat in the successive battles that resulted in the emergence of the State of Israel and the humiliation of the Arab world, a humiliation that underlies the continued Arab antagonism toward Israel.

Following the success of Forgotten Voices of the Great War, Lyn Smith visits the oral accounts preserved in the Imperial War Museum Sound Archive, to reveal the sheer complexity and horror of one of human history's darkest hours.The great majority of Holocaust survivors suffered considerable physical and psychological wounds, yet even in this dark time of human history, tales of faith, love and courage can be found. As well as revealing the story of the Holocaust as directly experienced by victims, these testimonies also illustrate how, even enduring the most harsh conditions, degrading treatment and suffering massive family losses, hope, the will to survive, and the human spirit still shine through.

Susan Zuccotti narrates the life and work of Père Marie-Benoît, a courageous French Capuchin priest who risked everything to hide Jews in France and Italy during the Holocaust. Who was this extraordinary priest and how did he become adept at hiding Jews, providing them with false papers, and helping them to elude their persecutors? From monasteries first in Marseille and later in Rome, Père Marie-Benoît worked with Jewish co-conspirators to build remarkably effective Jewish-Christian rescue networks. Acting independently without Vatican support but with help from some priests, nuns, and local citizens, he and his friends persisted in their clandestine work until the Allies liberated Rome. After the conflict, Père Marie-Benoît maintained his wartime Jewish friendships and devoted the rest of his life to Jewish Christian reconciliation. Papal officials viewed both activities unfavorably until after the Second Vatican Council (Vatican II), 1962-1965. To tell this remarkable tale, in addition to her research in French and Italian archives, Zuccotti personally interviewed Père Marie-Benoît, his family, Jewish rescuers with whom he worked, and survivors who owed their lives to his network.

My Happy Days in Hell (1962) is Gyorgy Faludy's grimly beautiful autobiography of his battle to survive tyranny and oppression. Fleeing Hungary in 1938 as the German army approaches, acclaimed poet Faludy journeys to Paris, where he finds a lover but merely a cursory asylum. When the French capitulate to the Nazis, Faludy travels to North Africa, then on to America, where he volunteers for military service. Missing his homeland and determined to do the right thing, he returns – only to be imprisoned, tortured, and slowly starved, eventually becoming one of only twenty-one survivors of his camp.

Can we remember other people's memories? The Generation of Postmemory argues we can: that memories of traumatic events live on to mark the lives of those who were not there to experience them. Children of survivors and their contemporaries inherit catastrophic histories not through direct recollection but through haunting postmemories—multiply mediated images, objects, stories, behaviors, and affects passed down within the family and the culture at large. In these new and revised critical readings of the literary and visual legacies of the Holocaust and other, related sites of memory, Marianne Hirsch builds on her influential concept of postmemory. The book's chapters, two of which were written collaboratively with the historian Leo Spitzer, engage the work of postgeneration artists and writers such as Art Spiegelman, W.G. Sebald, Eva Hoffman, Tatana Kellner, Muriel Hasbun, Anne Karpff, Lily Brett, Lorie Novak, David Levinthal, Nancy Spero and Susan Meiselas. Grappling with the ethics of empathy and identification, these artists attempt to forge a creative postmemorial aesthetic that reanimates the past without appropriating it. In her analyses of their fractured texts, Hirsch locates the roots of the familial and affiliative practices of postmemory in feminism and other movements for social change. Using feminist critical strategies to connect past and present, words and images, and memory and gender, she brings the entangled strands of disparate traumatic histories into more intimate contact. With more than fifty illustrations, her text enables a multifaceted encounter with foundational and cutting edge theories in memory, trauma, gender, and visual culture, eliciting a new understanding of history and our place in it.

Anne Applebaum wields her considerable knowledge of a dark chapter in human history and presents a collection of the writings of survivors of the Gulag, the Soviet concentration camps. Although the opening of the Soviet archives to scholars has made it possible to write the history of this notorious concentration camp system, documents tell only one side of the story. "Gulag Voices" now fills in the other half.The backgrounds of the writers reflect the extraordinary diversity of the Gulag itself. Here are the personal stories of such figures as Dmitri Likhachev, a renowned literary scholar; Anatoly Marchenko, the son of illiterate laborers; and Alexander Dolgun, an American citizen. These remembrances many of them appearing in English for the first time, each chosen for both literary and historical value collectively spotlight the strange moral universe of the camps, as well as the relationships that prisoners had with one another, with their guards, and with professional criminals who lived beside them.A vital addition to the literature of this era, annotated for a generation that no longer remembers the Soviet Union, "Gulag Voices" will inform, interest, and inspire, offering a source for reflection on human nature itself."