Recommendations based on "Gabriel Garcia Marquez's Love in the Time of Cholera"

“A masterpiece of supernatural horror.”—The Washington Post“An enchanting, shattering, once-in-a-lifetime reading experience.”—The New York Times (Editors’ Choice)ONE OF TIME AND THE ATLANTIC’S TEN BEST NOVELS OF THE YEAR • ONE OF THE NEW YORK TIMES’S TEN BEST HORROR BOOKS OF THE YEAR • LONGLISTED FOR THE DUBLIN LITERARY AWARD • GOOD MORNING AMERICA BUZZ PICKA woman’s mysterious death puts her husband and son on a collision course with her demonic family in the first novel to be translated into English by the International Booker Prize–shortlisted author of The Dangers of Smoking in Bed—“the most exciting discovery I’ve made in fiction for some time” (Kazuo Ishiguro).A BEST BOOK OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, Esquire, Publishers Weekly, BookPage, Book Riot, PopSugar, The New York Public Library, Chicago Public Library, Polygon, Tordotcom, Lit Hub, Electric Lit, Commonweal, CrimeReads“A magnificent accomplishment.”—Alan Moore, author of Watchmen“A masterpiece of literary horror.”—Publishers Weekly, starred review“One of Latin America’s most exciting authors.”—Silvia Moreno-GarciaA young father and son set out on a road trip, devastated by the death of the wife and mother they both loved. United in grief, the pair travel to her ancestral home, where they must confront the terrifying legacy she has bequeathed: a family called the Order that commits unspeakable acts in search of immortality.For Gaspar, the son, this maniacal cult is his destiny. As the Order tries to pull him into their evil, he and his father take flight, attempting to outrun a powerful clan that will do anything to ensure its own survival. But how far will Gaspar’s father go to protect his child? And can anyone escape their fate?Moving back and forth in time, from London in the swinging 1960s to the brutal years of Argentina’s military dictatorship and its turbulent aftermath, Our Share of Night is a novel like no other: a family story, a ghost story, a story of the occult and the supernatural, a book about the complexities of love and longing with queer subplots and themes. This is the masterwork of one of Latin America’s most original novelists, “a mesmerizing writer,” says Dave Eggers, “who demands to be read.”

New York Times Bestseller • Read With Jenna Book Club Pick as seen on Today • Winner of the Los Angeles Times Christopher Isherwood Prize for Autobiography • Winner of the American Library Association Alex AwardA young poet tells the inspiring story of his migration from El Salvador to the United States at the age of nine in this “gripping memoir” (NPR) of bravery, hope, and finding family.Finalist for the PEN/John Kenneth Galbraith Award for Nonfiction • One of the New York Public Library’s Ten Best Books of the YearLonglisted for the Andrew Carnegie Medal for Excellence and the PEN/Open Book Award“I read Solito with my heart in my throat and did not burst into tears until the last sentence. What a person, what a writer, what a book.”—Emma Straub“A riveting tale of perseverance and the lengths humans will go to help each other in times of struggle.”—Dave EggersONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, NPR, The Washington Post, San Francisco Chronicle, Vulture, She Reads, Kirkus ReviewsTrip. My parents started using that word about a year ago—“one day, you’ll take a trip to be with us. Like an adventure.”Javier Zamora’s adventure is a three-thousand-mile journey from his small town in El Salvador, through Guatemala and Mexico, and across the U.S. border. He will leave behind his beloved aunt and grandparents to reunite with a mother who left four years ago and a father he barely remembers. Traveling alone amid a group of strangers and a “coyote” hired to lead them to safety, Javier expects his trip to last two short weeks.At nine years old, all Javier can imagine is rushing into his parents’ arms, snuggling in bed between them, and living under the same roof again. He cannot foresee the perilous boat trips, relentless desert treks, pointed guns, arrests and deceptions that await him; nor can he know that those two weeks will expand into two life-altering months alongside fellow migrants who will come to encircle him like an unexpected family.A memoir as gripping as it is moving, Solito provides an immediate and intimate account not only of a treacherous and near-impossible journey, but also of the miraculous kindness and love delivered at the most unexpected moments. Solito is Javier Zamora’s story, but it’s also the story of millions of others who had no choice but to leave home.

A NEW YORKER BEST BOOK OF THE YEARA WALL STREET JOURNAL TOP 10 BOOK OF THE YEARONE OF NPR’S “BOOKS WE LOVE”“A tender and funny story about love, family and the peculiar position of being a stepparent…[Chilean Poet]broadens the author’s scope and quite likely his international reputation.” —Los Angeles Times“Zambra [is] one of the most brilliant Latin American writers of his generation.” —The New York Review of Books“Zambra's books have long shown him to be a writer who, at the sentence level, is in a world all his own.” —Juan Vidal, NPR.orgA writer of “startling talent” (The New York Times Book Review), Alejandro Zambra returns with his most substantial work yet: a story of fathers and sons, ambition and failure, and what it means to make a familyAfter a chance encounter at a Santiago nightclub, aspiring poet Gonzalo reunites with his first love, Carla. Though their desire for each other is still intact, much has changed: among other things, Carla now has a six-year-old son, Vicente. Soon the three form a happy sort-of family—a stepfamily, though no such word exists in their language.Eventually, their ambitions pull the lovers in different directions—in Gonzalo’s case, all the way to New York. Though Gonzalo takes his books when he goes, still, Vicente inherits his ex-stepfather’s love of poetry. When, at eighteen, Vicente meets Pru, an American journalist literally and figuratively lost in Santiago, he encourages her to write about Chilean poets—not the famous, dead kind, your Nerudas or Mistrals or Bolaños, but rather the living, striving, everyday ones. Pru’s research leads her into this eccentric community—another kind of family, dysfunctional but ultimately loving. Will it also lead Vicente and Gonzalo back to each other?In Chilean Poet, Alejandro Zambra chronicles with enormous tenderness and insight the small moments—sexy, absurd, painful, sweet, profound—that make up our personal histories. Exploring how we choose our families and how we betray them, and what it means to be a man in relationships—a partner, father, stepfather, teacher, lover, writer, and friend—it is a bold and brilliant new work by one of the most important writers of our time.

Part memoir, part lies, this imaginative tale is a story about loving a woman made of paper, about the wounds made by first love and sharp objects.

In this exhaustive and enlightening biography—nearly two decades in the making—Gerald Martin dexterously traces the life and times of one of the twentieth century’s greatest literary titans, Nobel Prize-winner Gabriel García Márquez.Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez’s closest friends, family members, fellow authors, and detractors—as well as the many hours Martin spent with ‘Gabo’ himself—the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez’s powerful journalism, as enthralling as any of his acclaimed and beloved fiction.

In this exhaustive and enlightening biography—nearly two decades in the making—Gerald Martin dexterously traces the life and times of one of the twentieth century’s greatest literary titans, Nobel Prize-winner Gabriel García Márquez.   Martin chronicles the particulars of an extraordinary life, from his upbringing in backwater Colombia and early journalism career, to the publication of One Hundred Years of Solitude at age forty, and the wealth and fame that followed. Based on interviews with more than three hundred of Garcia Marquez’s closest friends, family members, fellow authors, and detractors—as well as the many hours Martin spent with ‘Gabo’ himself—the result is a revelation of both the writer and the man. It is as gripping as any of Gabriel García Márquez’s powerful journalism, as enthralling as any of his acclaimed and beloved fiction.

“Here is poetry of courage and passion, which manages to be tender and achingly sensual and what is often called ‘political’ at the same time. This is a major new voice.” — Margaret AtwoodThe Country Between Us opens with a series of poems about El Salvador, where Carolyn Forché worked as a journalist and was closely involved with the political struggle in that tortured country in the late 1970's. Forché's other poems also tend to be personal, immediate, and moving. Perhaps the final effect of her poetry is the image of a sensitive, brave, and engaged young woman who has made her life a journey. She has already traveled to many places, as these poems indicate, but beyond that is the sense of someone who is, in Ignazio Silone's words, coming from far and going far.

GOOD MORNING AMERICA BUZZ PICK • The Pulitzer Prize–winning playwright and co-writer of In the Heights tells her lyrical story of coming of age against the backdrop of an ailing Philadelphia barrio, with her sprawling Puerto Rican family as a collective muse.LONGLISTED FOR THE ANDREW CARNEGIE MEDAL • ONE OF THE BEST BOOKS OF THE YEAR: NPR, New York Public Library, BookPage, and BookRiot • “Quiara Alegría Hudes is in her own league. Her sentences will take your breath away. How lucky we are to have her telling our stories.”—Lin-Manuel Miranda, award-winning creator of Hamilton and In the HeightsQuiara Alegría Hudes was the sharp-eyed girl on the stairs while her family danced their defiance in a tight North Philly kitchen. She was awed by her mother and aunts and cousins, but haunted by the unspoken, untold stories of the barrio—even as she tried to find her own voice in the sea of language around her, written and spoken, English and Spanish, bodies and books, Western art and sacred altars. Her family became her private pantheon, a gathering circle of powerful orisha-like women with tragic real-world wounds, and she vowed to tell their stories—but first she’d have to get off the stairs and join the dance. She’d have to find her language.Weaving together Hudes’s love of music with the songs of her family, the lessons of North Philly with those of Yale, this is a multimythic dive into home, memory, and belonging—narrated by an obsessed girl who fought to become an artist so she could capture the world she loved in all its wild and delicate beauty.

An epic yet intimate novel about a Colombian man caught up in the sweep of global historical and ideological revolutions.The Colombian film director, Sergio Cabrera, is in Barcelona for a retrospective of his work. It's a hard time for him: his father, famous actor Fausto Cabrera, has just died; his marriage is in crisis; and his home country has rejected peace agreements that might have ended more than fifty years of war. In the course of a few intense days, as his films are on exhibit, Sergio recalls the events that marked his family's unusual and dramatic lives: especially his father's, his sister Marianella's and his own.Growing up in Colombia as the children of famous actors, Sergio and Marianella were privileged and artistic, until their parents became disillusioned with bourgeois conventions and moved the entire family to China. Mao’s Cultural Revolution was underway and the family lived in an entirely ex-pat hotel where they learned Chinese and joined the revolution, became members of the Red Guard, and trained as guerilla fighters. When they returned to Colombia to support the revolution there, they were sent into the countryside to join the guerilla force, were shot at and nearly died. Out of these lives molded by ideology and zealotry, came an artistic second life for Sergio as he escaped the movement and became his country’s most celebrated film director.From the Spanish Civil War to the exile of his family to Latin America, and from the Cultural Revolution in China to the guerrilla movements of 1960s Colombia, Sergio and his family's experience is extraordinary by any standards. Equal parts family saga and epic historical novel, Retrospective reveals the story of one man and his family -- based on real people and events -- and a devastating portrait of the forces that shaped their lives, and for half a century turned the world upside down.

Longlisted for the National Book Award Longlisted for the 2024 National Book Critics Circle Award for Criticism Shortlisted for the 2025 Housatonic Book Award for Nonfiction Shortlisted for the Reading the West Book Award in Memoir A brilliant, singular collection of essays that looks to music, fantasy, and pop culture—from Beyoncé to Game of Thrones—to excavate and reimagine what has been disappeared by migration and colonialism. Upon becoming a new mother, Vanessa Angélica Villarreal was called to Mexico to reconnect with her ancestors and recover her grandmother’s story, only to return to the sudden loss of her marriage, home, and reality. In Magical/Realism, Villarreal crosses into the erasure of memory and self, fragmented by migration, borders, and colonial and intimate violence, reconstructing her story with pieces of American pop culture, and the music, video games, and fantasy that have helped her make sense of it all. The border between the real and imagined is a speculative space where we can remember, or re-world, what has been lost—and each chapter engages in this essential project of world-building. In one essay, Villarreal examines her own gender performativity through Nirvana and Selena; in another, she offers a radical but crucial racial reading of Jon Snow in Game of Thrones; and throughout the collection, she explores how fantasy can help us interpret and heal when grief feels insurmountable. She reflects on the moments of her life that are too painful to remember—her difficult adolescence, her role as the eldest daughter of Mexican immigrants, her divorce—and finds a way to archive her history and map her future(s) with the hope and joy of fantasy and magical thinking. Magical/Realism is a wise, tender, and essential collection that carves a path toward a new way of remembering and telling our stories—broadening our understanding of what memoir and cultural criticism can be.