Recommendations based on "Fudoki"

Kafka on the Shore follows the fortunes of two remarkable characters. Kafka Tamura runs away from home at fifteen, under the shadow of his father's dark prophesy. The aging Nakata, tracker of lost cats, who never recovered from a bizarre childhood affliction, finds his pleasantly simplified life suddenly turned upside down. Their parallel odysseys are enriched throughout by vivid accomplices and mesmerising dramas. Cats converse with people; fish tumble from the sky; a ghostlike pimp deploys a Hegel-spouting girl of the night; a forest harbours soldiers apparently un-aged since WWII. There is a savage killing, but the identity of both victim and killer is a riddle. Murakami's novel is at once a classic quest, but it is also a bold exploration of mythic and contemporary taboos, of patricide, of mother-love, of sister-love. Above all it is an entertainment of a very high order.

Yasuko hanaoka accidentally kills her ex-husband, when circumstances rose to an unendurable level of ghastly behaviour from him. What follows is an elongated and witty brain-game between the investigator and her accomplice, ishigami, who aided yasuko in covering up the murder. The devotion of suspect x is the story about an ingenious plotter, and clever dr manabu yukawa, who helps in solving the case. Yasuko hanaoka works in a restaurant. She is divorced, and is a single mother to misato. Her ex-husband, togashi, was an abusive man, stalking and extorting money from her. With similar intentions, he showed up at yasuko’s home, this time threatening to kill her and her daughter if she refused to lend him money. What started from denial, reached to a heated argument, and within a short span of time, turned to a nasty fight. In the spur of the moment, yasuko killed togashi. Hearing the commotion in their apartment, tetsuya ishigami came into the picture. Ishigami was a middle-aged, singl

Introducing Little Clothbound Classics: irresistible, mini editions of short stories, novellas and essays from the world's greatest writers, designed by the award-winning Coralie Bickford-Smith.Filled with rich description and luxurious beauty, these ten tales of loss and longing from one of Japan's greatest writers show the pull between duty and desire, ecstasy and death: a mother lost in mourning, a moonlit journey to fulfil a wish, a night of infidelity, a young lieutenant who ends his life.

The classic portrayal of court life in tenth-century JapanWritten by the court gentlewoman Sei Shonagon, ostensibly for her own amusement, The Pillow Book offers a fascinating exploration of life among the nobility at the height of the Heian period, describing the exquisite pleasures of a confined world in which poetry, love, fashion, and whim dominated, while harsh reality was kept firmly at a distance. Moving elegantly across a wide range of themes including nature, society, and her own flirtations, Sei Shonagon provides a witty and intimate window on a woman's life at court in classical Japan.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Noise, an underground music made through an amalgam of feedback, distortion, and electronic effects, first emerged as a genre in the 1980s, circulating on cassette tapes traded between fans in Japan, Europe, and North America. With its cultivated obscurity, ear-shattering sound, and over-the-top performances, Noise has captured the imagination of a small but passionate transnational audience. For its scattered listeners, Noise always seems to be new and to come from somewhere else: in North America, it was called "Japanoise." But does Noise really belong to Japan? Is it even music at all? And why has Noise become such a compelling metaphor for the complexities of globalization and participatory media at the turn of the millennium? In Japanoise, David Novak draws on more than a decade of research in Japan and the United States to trace the "cultural feedback" that generates and sustains Noise. He provides a rich ethnographic account of live performances, the circulation of recordings, and the lives and creative practices of musicians and listeners. He explores the technologies of Noise and the productive distortions of its networks. Capturing the textures of feedback—its sonic and cultural layers and vibrations—Novak describes musical circulation through sound and listening, recording and performance, international exchange, and the social interpretations of media.

Maeda Ai was a prominent literary critic and an influential public intellectual in late-twentieth-century Japan. Text and the City is the first book of his work to appear in English. A literary and cultural critic deeply engaged with European critical thought, Maeda was a brilliant, insightful theorist of modernity for whom the city was the embodiment of modern life. He conducted a far-reaching inquiry into changing conceptions of space, temporality, and visual practices as they gave shape to the city and its inhabitants. James A. Fujii has assembled a selection of Maeda’s essays that question and explore the contours of Japanese modernity and resonate with the concerns of literary and cultural studies today. Maeda remapped the study of modern Japanese literature and culture in the 1970s and 1980s, helping to generate widespread interest in studying mass culture on the one hand and marginalized sectors of modern Japanese society on the other. These essays reveal the broad range of Maeda’s cultural criticism. Among the topics considered are Tokyo; utopias; prisons; visual media technologies including panoramas and film; the popular culture of the Edo, Meiji, and contemporary periods; maps; women’s magazines; and women writers. Integrally related to these discussions are Maeda’s readings of works of Japanese literature including Matsubara Iwagoro’s In Darkest Tokyo, Nagai Kafu’s The Fox, Higuchi Ichiyo’s Growing Up, Kawabata Yasunari’s The Crimson Gang of Asakusa, and Narushima Ryuhoku’s short story “Useless Man.” Illuminating the infinitely rich phenomena of modernity, these essays are full of innovative, unexpected connections between cultural productions and urban life, between the text and the city.

Eleventh-century Japan: After a difficult but successful assignment as provisional governor of Eichigo, Akitada Sugawara is finally allowed to return to Heian Kyo. But instead of a triumphant homecoming accompanied by his beautiful wife and young son, Akitada must ride ahead of his entourage to the sickbed of his dying mother. Fading light and a steady downpour interrupt his journey, forcing him to take refuge in a temple where a brilliantly illustrated hell screen and a piercing cry disturb his restless sleep.Upon his arrival, Akitada finds his mother, sick and bitter, cursing his return, while his youngest sister, Yoshiko, forsakes her own happiness to serve as the old woman’s nurse and maid. Only his sister Akiko seems fortunate---married to a wealthy nobleman, Toshikage, and expecting their first child. But appearances prove to be deceptive, for it is not long before Akitada is asked to help clear his brother-in-law’s name. In the course of his investigation Akitada learns that his night at the temple was disturbed by more than a terrible scream. A woman has been murdered, and because of his reputation for detective work, Akitada must solve another mystery. Personal and professional interests begin to merge as Akitada becomes ensnared in a tangled web of deceit and malevolence that will, in the end, strike very close to home.

For Seikei, the adopted son of the famous samurai Judge Ooka with a knack for solving mysteries, a trip home to see his real family isn’t cause to celebrate. His brother has become mixed up with local criminals who use the family’s tea shop as a front for a smuggling operation. His sister, meanwhile, has fallen in love with an apprentice to a puppet master who stands accused of murder. Somehow, Seikei senses the two are connected. His loyalties divided between his new family and his old, Seikei must find the real killer before it is too late. Set against the eerie backdrop of the old Japanese puppet theaters, where life-sized marionettes were controlled by black-cloaked men, Edgar Award-winners Dorothy and Thomas Hoobler render their most satisfying mystery to date.

In a moment of swift and silent violence, Miyamoto Musashi spilled the best blood of the powerful House of Yoshioka. Now the Yoshiokas are fighting for their future, and Musashi must face his most difficult contest--in a battle that will change his life forever. Previously published by Harper & Row.

The beguiling story of the Minaguchi-ya, an ancient inn on the Tokaido Road, founded on the eve of the establishment of the Tokugawa shogunate. Travelers and guests flow into and past the inn—warriors on the march, lovers fleeing to a new life, pilgrims on their merry expeditions, great men going to and from the capital. The story of the Minaguchi-ya is a social history of Japan through 400 years, a ringside seat to some of the most stirring events of a stirring period.