Recommendations based on "Four Treasures of the Sky"

For fans of Jasmine Warga and Thanhhà Lại, this is a stunning novel in verse about a young Taiwanese immigrant to America who is confronted by the stark difference between dreams and reality.Anna can’t wait to move to the beautiful country—the Chinese name for America. Although she’s only ever known life in Taiwan, she can’t help but brag about the move to her family and friends.But the beautiful country isn’t anything like Anna pictured. Her family can only afford a cramped apartment, she’s bullied at school, and she struggles to understand a new language. On top of that, the restaurant that her parents poured their savings into is barely staying afloat. The version of America that Anna is experiencing is nothing like she imagined. How will she be able to make the beautiful country her home?This lyrical and heartfelt story, inspired by the author’s own experiences, is about resilience, courage, and the struggle to make a place for yourself in the world.

By turns heartbreaking and hilarious, troubling and uplifting, these "electric" essays come together to create a provocative, conversation-sparking, multivocal portrait of modern America (The Washington Post). From Trump's proposed border wall and travel ban to the marching of white supremacists in Charlottesville, America is consumed by tensions over immigration and the question of which bodies are welcome. In this much-anticipated follow-up to the bestselling UK edition, hailed by Zadie Smith as "lively and vital," editors Nikesh Shukla and Chimene Suleyman hand the microphone to an incredible range of writers whose humanity and right to be here is under attack. Chigozie Obioma unpacks an Igbo proverb that helped him navigate his journey to America from Nigeria. Jenny Zhang analyzes cultural appropriation in 90s fashion, recalling her own pain and confusion as a teenager trying to fit in. Fatimah Asghar describes the flood of memory and emotion triggered by an encounter with an Uber driver from Kashmir. Alexander Chee writes of a visit to Korea that changed his relationship to his heritage. These writers, and the many others in this urgent collection, share powerful personal stories of living between cultures and languages while struggling to figure out who they are and where they belong.

A "beautifully rendered" novel about war, migration, and the power of telling our stories, Peach Blossom Spring follows three generations of a Chinese family on their search for a place to call home (Georgia Hunter, New York Times bestselling author).A country at war. A family searching for home.China, 1938. Meilin and her four-year-old son, Renshu, flee their burning city as Japanese forces advance. On the perilous journey that follows, across a China transformed by war, they find comfort and wisdom in their most treasured possession, a beautifully illustrated hand scroll filled with ancient fables.Years later, Renshu has settled in America as Henry Dao. Though his daughter, Lily, is desperate to understand her heritage, he refuses to talk about his childhood in China. How can he tell his story when he's left so much behind?Spanning continents and generations, Peach Blossom Spring is a bold and moving story about the haunting power of our past, the sacrifices we make to protect our children, and one family's search for a place to call home.A BOOK OF THE MONTH CLUB PICK AND NOMINEE FOR "BOOK OF THE YEAR"NOMINATED FOR THE GOODREADS CHOICE "BEST BOOK OF THE YEAR""An accomplished first novel." —New York Times Book Review"A stunning achievement . . . I absolutely adored this novel about love and war, migration and belonging.” —Christy Lefteri, author of The Beekeeper of Aleppo"I so enjoyed this book." —Alisa Chang, NPR's All Things Considered"Magical and powerful, Peach Blossom Spring brings to life the costs of wars and conflicts while illuminating the spirit of human survival.”―Nguyễn Phan Quế Mai, author of The Mountains Sing“Expansive, atmospheric, and affecting.” —Susie Yang, author of White Ivy

Ruth, An Only Child Of Kenyan Immigrant Parents, Lives In An Emotionally Cold Household And Attends The Local Catholic Girl's School On A Scholarship. Maria, A Beautiful Orphan Whose Panamanian Mother Dies By Suicide And Is Taken Care Of By An Ill Aunt, Is Also One Of The Only Other Students Of Color At The School. When Ruth Becomes Drawn Into Maria's Orbit, And They Fall Into An Easy, Yet Intense, Friendship, Ruth's World Opens Up. While Maria Eases Into Her Full Self, Embracing Her Queerness And Her Own Creative Pursuits, Ruth Is Mostly Content To Follow Her Around: To College And Then Into The Early-90s Art World Of New York City. There, The Push And Pull Of Female Ambition And Friendship Tear, And Come Back Together, Over The Years As Maria Finds Success In The Art World And While Ruth Stumbles Along The Fringes Of It While Deciding To Go Down A More Traditional Path Of Marriage. As Their Lives Converge And Diverge, It Culminates In One Final Confrontation. What Does It Mean To Be An Artist? To Be True To Oneself? Marking The Arrival Of A Sensational New Literary Talent, Lonely Crowds Interrogates The Nature Of Friendship, Desire, And Time, Challenging Us To Reckon Honestly With Our Own Ambitions And The Lives We Hope To Lead-- Provided By Publisher.

SHORTLISTED FOR THE WOMEN'S PRIZESet against the backdrop of developing modern China, this mesmerizing literary debut is part coming-of-age tale, part family and social drama, as it follows two generations searching for belonging and opportunity in a rapidly changing world—perfect for readers of Behold the Dreamers, White Ivy, and The Leavers.Shanghai, 2007: Fourteen-year-old Alva has always longed for more. Raised by her American expat mother, she’s never known her Chinese father, and is certain a better life awaits them in America. But when her mother announces her engagement to their wealthy Chinese landlord, Lu Fang, Alva’s hopes are dashed, and so she plots for the next best thing: the American School in Shanghai. Upon admission, though, Alva is surprised to discover an institution run by an exclusive community of expats and the ever-wilder thrills of a city where foreigners can ostensibly act as they please.1985: In the seaside city of Qingdao, Lu Fang is a young, married man and a lowly clerk in a shipping yard. Though he once dreamed of a bright future, he is one of many casualties in his country’s harsh political reforms. So when China opens its doors to the first wave of foreigners in decades, Lu Fang’s world is split wide open after he meets an American woman who makes him confront difficult questions about his current status in life, and how much will ever be enough.In a stunning reversal of the east-to-west immigrant narrative and set against China’s political history and economic rise, River East, River West is an intimate family drama and a sharp social novel. Alternating between Alva and Lu Fang’s points of view, this is a profoundly moving exploration of race and class, cultural identity and belonging, and the often-false promise of the American Dream.

Winner of the National Book Award, a Newbery Honor, and a #1 New York Times bestseller!Inspired by the author's childhood experience as a refugee—fleeing Vietnam after the fall of Saigon and immigrating to Alabama—this coming-of-age debut told in verse has been celebrated for its touching child's-eye view of family and immigration.This Harper Classic edition includes an author's note explaining how and why Thanhha Lai translated her personal experiences into this book, an interview with the author, an activity you can do with your family, tips on writing poetry, and discussion questions.Hà has only ever known Saigon: the thrills of its markets, the joy of its traditions, and the warmth of her friends close by. But now the Vietnam War has reached her home. Hà and her family are forced to flee as Saigon falls, and they board a ship headed toward hope—toward America.Inside Out and Back Again is the moving story of one girl's year of change, dreams, grief, and healing. This book was named to multiple state lists, received four starred reviews, and was hailed as a best book of the year by Publishers Weekly, Kirkus, School Library Journal, and the Chicago Public Library.

A piercing debut collection of poems exploring gender, race, and violence from a sensational new talent In her arresting collection, urgently relevant for our times, poet Emily Jungmin Yoon confronts the histories of sexual violence against women, focusing in particular on Korean so-called “comfort women,” women who were forced into sexual labor in Japanese-occupied territories during World War II. In wrenching language, A Cruelty Special to Our Species unforgettably describes the brutalities of war and the fear and sorrow of those whose lives and bodies were swept up by a colonizing power, bringing powerful voice to an oppressed group of people whose histories have often been erased and overlooked. “What is a body in a stolen country,” Yoon asks. “What is right in war.” Moving readers through time, space, and different cultures, and bringing vivid life to the testimonies and confessions of the victims,Yoon takes possession of a painful and shameful history even while unearthing moments of rare beauty in acts of resistance and resilience, and in the instinct to survive and bear witness.

No one would believe me but at times I would choose wartime in Saigon over peacetime in Alabama. For all the ten years of her life, HÀ has only known Saigon: the thrills of its markets, the joy of its traditions, the warmth of her friends close by . . . and the beauty of her very own papaya tree. But now the Vietnam War has reached her home. HÀ and her family are forced to flee as Saigon falls, and they board a ship headed toward hope. In America, HÀ discovers the foreign world of Alabama: the coldness of its strangers, the dullness of its food, the strange shape of its landscape . . . and the strength of her very own family. This is the moving story of one girl's year of change, dreams, grief, and healing as she journeys from one country to another, one life to the next.

"We Were Dreamers is the superhero origin story of Simu Liu, Marvel Cinematic Universe's first leading Asian superhero, who grew up torn between China and Canada, until he found the courage to dream like his parents before him. Witty, honest, inspiring and relatable, We Were Dreamers weaves together the narratives of two generations in a Chinese immigrant family who are inextricably tied to one another even as they are torn apart by deep cultural misunderstanding. Let's just say, it's really hard to be seen as cool amongst your peers when your parents assign you hours of extra homework every night. And it's similarly hard to admit to those parents, years later, not only that you've lost your respectable accounting job--the one they invested hundreds of thousands of dollars in to prepare you for--but also that you kinda want to be an actor. Going beyond his own experiences, Simu tells the story of his parents' decision to leave him behind to be raised by his grandparents while they sought a future in North America, and of the shock and loss he experienced when the father he hardly even remembered showed up one day to take him away from the only home he had ever known. He offers a no-holds-barred look at the struggles he and his parents experienced as they tried to become a family while dealing with culture gaps, racism and wildly conflicting definitions of success. And he shares many entertaining stories of his own incredible path to success, from the acting gigs he landed through Craigslist ads to dressing up as Spider-Man at kids' birthday parties and serving as Pete Wentz's stunt double on a Fall Out Boy music video. Ultimately, it is Simu's singular determination to make his dreams come true that not only leads him to succeed as an actor but also opens the door to reconciliation with his parents. For by the time he is thirty--the same age his parents were when they immigrated--he recognizes that he and his parents have much in common, most notably their courage to dream, and to dream big. We Were Dreamers is a story about growing up as a third-culture kid, about losing and finding family, and about making your own luck. More than one family's story, it is part of a larger narrative about Asian Canadian culture--a colorful and nuanced tale that is worthy of being told and deserving of a wide readership"--Publisher's description.

A powerful tale of trauma and endurance that transformed a nation’s understanding of Korean comfort women During the Pacific War, more than 200,000 Korean girls were forced into sexual servitude for Japanese soldiers. They lived in horrific conditions in “comfort stations” across Japanese-occupied territories. Barely 10 percent survived to return to Korea, where they lived as social outcasts. Since then, self-declared comfort women have come forward only to have their testimonies and calls for compensation largely denied by the Japanese government. Kim Soom tells the story of a woman who was kidnapped at the age of thirteen while gathering snails for her starving family. The horrors of her life as a sex slave follow her back to Korea, where she lives in isolation gripped by the fear that her past will be discovered. Yet, when she learns that the last known comfort woman is dying, she decides to tell her there will still be “one left” after her passing, and embarks on a painful journey. One Left is a provocative, extensively researched novel constructed from the testimonies of dozens of comfort women. The first Korean novel devoted to this subject, it rekindled conversations about comfort women as well as the violent legacies of Japanese colonialism. This first-ever English translation recovers the overlooked and disavowed stories of Korea’s most marginalized women.