Recommendations based on "Focus"

The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

“Wordsworth, Whitman, William Carlos Williams, and the Beats in their respective generations moved poetry toward a more natural language. Bukowski moved it a little farther.” –Los Angeles Times Book ReviewIn what is widely hailed as the best of his many novels, Charles Bukowski details the long, lonely years of his own hardscrabble youth in the raw voice of alter ego Henry Chinaski. From a harrowingly cheerless childhood in Germany through acne-riddled high school years and his adolescent discoveries of alcohol, woman, and the Los Angeles Public Library's collection of D.H. Lawrence, Ham on Rye offers a crude, brutal, and savagely funny portrait of an outcast's coming-of-age during the desperate days of the Great Depression.

Pull on your wellies, grab your flat cap and join Jeremy Clarkson in this hilarious and fascinating behind-the-scenes look at the farm we're all obsessed with.Welcome to Clarkson's farm.An idyllic spot offering picturesque views across the Cotswolds, bustling hedgerows and natural springs, it's the perfect plot of land for someone to delegate the actual, you know, farming to someone else while he galivants around the world in cars.Until one day, Jeremy decided he would do the farming itself.After all, how hard could it be? . . .Faced with suffocating red tape, biblical weather, local objections, a global pandemic and his own frankly staggering ignorance of how to 'do farming', Jeremy soon realises that turning the farm around is going to take more than splashing out on a massive tractor.Fortunately, there's help at hand from a large and (mostly) willing team, including girlfriend Lisa, Kaleb the Tractor Driver, Cheerful Charlie, Ellen the Shepherd and Gerald, his Head of Security and Dry Stone Waller.Between them, they enthusiastically cultivate crops, rear livestock and hens, keep bees, bottle spring water and open a farm shop. But profits remain elusive.And yet while the farm may be called Diddly Squat for good reason, Jeremy soon begins to understand that it's worth a whole lot more to him than pounds, shillings and pence . . .

For every Terry Pratchett fan, an absolute must-have, giftable book—favorite quotations from his beloved Discworld canon. Gleaned from more than two decades' worth of Discworld tales, here is an essential compendium of insightful musings, witty commentary, and sagacious observations by New York Times bestselling author Terry Pratchett, compiled by Pratchett expert Stephen Briggs. • In the bathtub of history the truth is harder to hold than the soap, and much more difficult to find... • All assassins had a full-length mirror in their rooms, because it would be a terrible insult to anyone to kill them when you were badly dressed. Filled with wonderful bon mots, double entendres, not to mention breathtaking insights, The Wit and Wisdom of Discworld is a compendium of the wittiest, pithiest, and wisest quotations from Terry Pratchett’s madcap universe—a place that looks, sounds, and smells suspiciously like our own. “Pratchett has created an alternate universe full of trolls, dwarfs, wizards, and other fantasy elements, and he uses that universe to reflect on our own culture with entertaining and gloriously funny results. It’s an accomplishment nothing short of magical.”—Chicago Tribune

How could you refuse the polite invitation of begoggled Danny Wallace in Join Me ? You don't know what you could be missing out on. It's all about living for the moment in this quirky, seemingly pointless yet addictive narrative. Finding himself with too much time on his hands after quitting his BBC job, Danny revels in "sitting around in his pants" and generally taking a break from the responsibilities of working life. Danny attends the funeral of his great uncle Gallus and finds out that he had set up a commune of like-minded people to escape Swiss small town small-mindedness in the 1940s. Intrigued by this idea, on his return to London Danny places a cryptic advert in the classified ads paper Loot and gets some surprising results. His Norwegian radio-producer girlfriend Hanne is bemused and infuriated that this has become more than a transient interest; it takes over his life--and hers. The number of "joinees"--people replying to his ad--escalates as word gets out about this new "happy cult", but without a clue about what he wants to achieve, or do with all his newfound friends, Danny has to think fast as dissent rises in the ranks. Now the reluctant leader of a troop of random hopefuls, he maintains their interest with obscure e-mails and watches as his joinees meet and bond. Whatever he had created, it was bigger than he had anticipated. From an initially puerile idea, it had grown into something of a social experiment--why were people willing to take the risk? What was lacking in their lives that they thought they might get out of contacting a stranger? Taking risks, no matter how big or small, is the essential crux of the matter here and of course, nothing ventured, nothing gained. -- Angela Boodoo

If puritanism is, as H.L. Mencken once said, the haunting fear that someone, somewhere, may be happy, then this glorious, monumental collection by one of England's most popular humorists is a puritan's nightmare. Focusing primarily on the 19th and 20th century, but with material dating back to Columbus, Frank Muir has packed this volume with enough joy and laughter to sink the Mayflower.The range of comic material is amazing--from the gentle, charming comedy of manners, to biting satire, to outrageous parody. There are excerpts from the novels of Jane Austen, P.G. Wodehouse and Mark Twain, complete short stories by O. Henry and Frank O'Connor, classic tall tales from Australia (including one by "Banjo" Patterson, who also wrote "Waltzing Matilda"), passages from Groucho Marx's correspondence with Warner Brothers, newspaper columns written by Art Buchwald and Myles na Gopaleen (the novelist Flann O'Brien), a selection of Samuel Johnson's comic definitions, plus a sprinkling of egregious puns, witty sayings, and even the clever names of stores (such as the New York restaurant "Just for the Halibut" and the London beauty parlor "Curl Up and Dye"). Muir has gathered work from over two hundred writers and from every English-speaking country. Virtually all of your favorites are here: Jonathan Swift, Jane Austen, Charles Dickens, Laurence Sterne, Anita Loos, Ring Lardner, Alexander Woollcott, Robert Benchley, Dorothy Parker, S.J. Perelman, Damon Runyon, Fran Lebowitz, Joseph Heller, Evelyn Waugh, Garrison Keilor, Erma Bombeck, Tom Wolfe, and countless others. In addition, there are comic pieces from writers you wouldn't expect to find--such as Thomas Hardy or Lawrence Durrell--and many many writers you may not have discovered yet, such as Jerome K. Jerome or Daisy Ashford (who wrote an unintentionally hysterical novel at age nine, which she published in her thirties).Frank Muir is one of Britain's best-loved humorists, the host of a highly popular television show and the prolific author of dozens of hilarious books, including the best-selling The Frank Muir Book. Here he provides not only a painfully funny collection, but also generous introductions to each writer, which are comic gems in themselves. Except for the occasional puritan, this is a book that everyone will enjoy.

At fourteen, Adrian Mole's life continues to be nothing but a set of tragic circumstances: His tempestuous relationship with an alluring schoolmate tortures him, while his intellectualism continues to be ignored by the British press. Despite it all he remains as agonizingly funny as ever in this, the second of his diaries.

Lemony Snicket's work is filled with bitter truths, like: 'It is always cruel to laugh at people, of course, although sometimes if they are wearing an ugly hat it is hard to control yourself.' Or: 'It is very easy to say that the important thing is to try your best, but if you are in real trouble the most important thing is not trying your best, but getting to safety.'For all of life's ups and downs, its celebrations and its sorrows, here is a book to commemorate it all – especially for those not fully soothed by chicken soup. Witty and irreverent, Horseradish is a book with universal appeal, a delightful vehicle to introduce Snicket's uproariously unhappy observations to a crowd not yet familiar with the Baudelaires' misadventures.

"Maupin's San Francisco saga careens beautifully on." —New York Times Book Review The fourth novel in the beloved Tales of the City series, Armistead Maupin’s best-selling San Francisco saga. When an ordinary househusband and his ambitious wife decide to start a family, they discover there’s more to making a baby than meets the eye. Help arrives in the form of a grieving gay neighbor, a visiting monarch, and the dashing young lieutenant who defects from her yacht. Bittersweet and profoundly affecting, Babycakes was the first piece of fiction to acknowledge the arrival of AIDS.

Also known as Dulcimer Street, Norman Collins's London Belongs to Me is a Dickensian romp through working-class London on the eve of the Second World War. This Penguin Modern Classics edition includes an introduction by Ed Glinert, author of The London Compendium. It is 1938 and the prospect of war hangs over every London inhabitant. But the city doesn't stop. Everywhere people continue to work, drink, fall in love, fight and struggle to get on in life. At the lodging-house at No.10 Dulcimer Street, Kennington, the buttoned-up clerk Mr Josser returns home with the clock he has received as a retirement gift. The other residents include faded actress Connie; tinned food-loving Mr Puddy; widowed landlady Mrs Vizzard (whose head is turned by her new lodger, a self-styled 'Professor of Spiritualism'); and flashy young mechanic Percy Boon, whose foray into stolen cars descends into something much, much worse... Norman Collins (1907-1982) was a British writer, and later a radio and television executive, who was responsible for creating Woman's Hour on BBC Radio 4, and became one of the major figures behind the establishment of the Independent Television (ITV) network in the UK. In all Norman Collins wrote 16 novels and two plays, including London Belongs to Me (1945), The Governor's Lady (1968) and The Husband's Story (1978). If you enjoyed London Belongs to Me, you might like Sam Selvon's The Lonely Londoners, also available in Penguin Modern Classics. 'One of the great city novels: a sprawling celebration of the comedy, the savagery, the eccentricity and the quiet heroism at the heart of ordinary London life' Sarah Waters, author of The Night Watch