Recommendations based on "Enter the Body"

#1 NEW YORK TIMES, WALL STREET JOURNAL, AND BOSTON GLOBE BESTSELLER • One of the most acclaimed books of our time: an unforgettable memoir about a young woman who, kept out of school, leaves her survivalist family and goes on to earn a PhD from Cambridge University“Extraordinary . . . an act of courage and self-invention.”—The New York TimesNAMED ONE OF THE TEN BEST BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW • ONE OF PRESIDENT BARACK OBAMA’S FAVORITE BOOKS OF THE YEAR • BILL GATES’S HOLIDAY READING LIST • FINALIST: National Book Critics Circle’s Award In Autobiography and John Leonard Prize For Best First Book • PEN/Jean Stein Book Award • Los Angeles Times Book PrizeBorn to survivalists in the mountains of Idaho, Tara Westover was seventeen the first time she set foot in a classroom. Her family was so isolated from mainstream society that there was no one to ensure the children received an education, and no one to intervene when one of Tara’s older brothers became violent. When another brother got himself into college, Tara decided to try a new kind of life. Her quest for knowledge transformed her, taking her over oceans and across continents, to Harvard and to Cambridge University. Only then would she wonder if she’d traveled too far, if there was still a way home.“Beautiful and propulsive . . . Despite the singularity of [Westover’s] childhood, the questions her book poses are universal: How much of ourselves should we give to those we love? And how much must we betray them to grow up?”—VogueONE OF THE BEST BOOKS OF THE YEAR: The Washington Post, O: The Oprah Magazine, Time, NPR, Good Morning America, San Francisco Chronicle, The Guardian, The Economist, Financial Times, Newsday, New York Post, theSkimm, Refinery29, Bloomberg, Self, Real Simple, Town & Country, Bustle, Paste, Publishers Weekly, Library Journal, LibraryReads, Book Riot, Pamela Paul, KQED, New York Public Library

NATIONAL BESTSELLER • Soon to be a Hulu Original series • The internationally acclaimed author of Wild collects the best of The Rumpus's Dear Sugar advice columns plus never-before-published pieces. Rich with humor and insight—and absolute honesty—this "wise and compassionate" (New York Times Book Review) book is a balm for everything life throws our way. Life can be hard: your lover cheats on you; you lose a family member; you can’t pay the bills—and it can be great: you’ve had the hottest sex of your life; you get that plum job; you muster the courage to write your novel. Sugar—the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild—is the person thousands turn to for advice.

Bestselling author and renowned professor Mary Karr offers a master class in the essential elements of great memoir—delivered with her signature wit, insight, and candor.Credited with sparking the current memoir explosion, Mary Karr’s The Liars’ Club spent more than a year at the top of the New York Times list. She followed with two other smash bestsellers: Cherry and Lit, which were critical hits as well.For thirty years Karr has also taught the form, winning teaching prizes at Syracuse. (The writing program there produced such acclaimed authors as Cheryl Strayed, Keith Gessen, and Koren Zailckas.) In The Art of Memoir, she synthesizes her expertise as professor and therapy patient, writer and spiritual seeker, recovered alcoholic and “black belt sinner,” providing a unique window into the mechanics and art of the form that is as irreverent, insightful, and entertaining as her own work in the genre.Anchored by excerpts from her favorite memoirs and anecdotes from fellow writers’ experience, The Art of Memoir lays bare Karr’s own process. (Plus all those inside stories about how she dealt with family and friends get told— and the dark spaces in her own skull probed in depth.) As she breaks down the key elements of great literary memoir, she breaks open our concepts of memory and identity, and illuminates the cathartic power of reflecting on the past; anybody with an inner life or complicated history, whether writer or reader, will relate.Joining such classics as Stephen King’s On Writing and Anne Lamott’s Bird by Bird, The Art of Memoir is an elegant and accessible exploration of one of today’s most popular literary forms—a tour de force from an accomplished master pulling back the curtain on her craft.

How does one of the greatest storytellers of our time write her own life? The long-awaited memoir from the author of The Handmaid's Tale and The Testaments, one of our most lauded and influential cultural figures. 'Every writer is at least two beings: the one who lives, and the one who writes. Though everything written must have passed through their minds, or mind, they are not the same.' Raised by ruggedly independent, scientifically minded parents - entomologist father, dietician mother - Atwood spent most of each year in the wild forest of northern Quebec. This childhood was unfettered and nomadic, sometimes isolated (on her eighth birthday: 'It sounds forlorn. It was forlorn. It gets more forlorn.'), but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking seminal moments to the books that have shaped our literary landscape, from the cruel year that spawned Cat's Eye to the Orwellian 1980s Berlin where she wrote The Handmaid's Tale. In pages bursting with bohemian gatherings, her magical life with the wildly charismatic writer Graeme Gibson and major political turning points, we meet poets, bears, Hollywood actors and larger-than-life characters straight from the pages of an Atwood novel. As we travel with her along the course of her life, more and more is revealed about her writing, the connections between real life and art - and the workings of one of our greatest imaginations.

The author of the New York Times bestseller Broken Open returns with a visceral and profound memoir of two sisters who, in the face of a bone marrow transplant—one the donor and one the recipient—begin a quest for acceptance, authenticity, and most of all, love. A mesmerizing and courageous memoir: the story of two sisters uncovering the depth of their love through the life-and-death experience of a bone marrow transplant. Throughout her life, Elizabeth Lesser has sought understanding about what it means to be true to oneself and, at the same time, truly connected to the ones we love. But when her sister Maggie needs a bone marrow transplant to save her life, and Lesser learns that she is the perfect match, she faces a far more immediate and complex question about what it really means to love—honestly, generously, and authentically. Hoping to give Maggie the best chance possible for a successful transplant, the sisters dig deep into the marrow of their relationship to clear a path to unconditional acceptance. They leave the bone marrow transplant up to the doctors, but take on what Lesser calls a "soul marrow transplant," examining their family history, having difficult conversations, examining old assumptions, and offering forgiveness until all that is left is love for each other’s true selves. Their process—before, during, and after the transplant—encourages them to take risks of authenticity in other aspects their lives. But life does not follow the storylines we plan for it. Maggie’s body is ultimately too weak to fight the relentless illness. As she and Lesser prepare for the inevitable, they grow ever closer as their shared blood cells become a symbol of the enduring bond they share. Told with suspense and humor, Marrow is joyous and heartbreaking, incandescent and profound. The story reveals how even our most difficult experiences can offer unexpected spiritual growth. Reflecting on the multifaceted nature of love—love of other, love of self, love of the world—Marrow is an unflinching and beautiful memoir about getting to the very center of ourselves.

NEW YORK TIMES BESTSELLER • A deeply moving memoir of illness and recovery that traces one young woman’s journey from diagnosis to remission to re-entry into “normal” life—from the founder of The Isolation Journals and a subject of the Netflix documentary American SymphonyONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The Washington Post, Bloomberg, The Rumpus, She Reads, Library Journal, Booklist“I was immersed for the whole ride and would follow Jaouad anywhere. . . . Her writing restores the moon, lights the way as we learn to endure the unknown.”—Chanel Miller, The New York Times Book Review  “Beautifully crafted . . . affecting . . . a transformative read . . . Jaouad’s insights about the self, connectedness, uncertainty and time speak to all of us.”—The Washington Post In the summer after graduating from college, Suleika Jaouad was preparing, as they say in commencement speeches, to enter “the real world.” She had fallen in love and moved to Paris to pursue her dream of becoming a war correspondent. The real world she found, however, would take her into a very different kind of conflict zone. It started with an itch—first on her feet, then up her legs, like a thousand invisible mosquito bites. Next came the exhaustion, and the six-hour naps that only deepened her fatigue. Then a trip to the doctor and, a few weeks shy of her twenty-third birthday, a diagnosis: leukemia, with a 35 percent chance of survival. Just like that, the life she had imagined for herself had gone up in flames. By the time Jaouad flew home to New York, she had lost her job, her apartment, and her independence. She would spend much of the next four years in a hospital bed, fighting for her life and chronicling the saga in a column for The New York Times. When Jaouad finally walked out of the cancer ward—after countless rounds of chemo, a clinical trial, and a bone marrow transplant—she was, according to the doctors, cured. But as she would soon learn, a cure is not where the work of healing ends; it’s where it begins. She had spent the past 1,500 days in desperate pursuit of one goal—to survive. And now that she’d done so, she realized that she had no idea how to live. How would she reenter the world and live again? How could she reclaim what had been lost? Jaouad embarked—with her new best friend, Oscar, a scruffy terrier mutt—on a 100-day, 15,000-mile road trip across the country. She set out to meet some of the strangers who had written to her during her years in the hospital: a teenage girl in Florida also recovering from cancer; a teacher in California grieving the death of her son; a death-row inmate in Texas who’d spent his own years confined to a room. What she learned on this trip is that the divide between sick and well is porous, that the vast majority of us will travel back and forth between these realms throughout our lives. Between Two Kingdoms is a profound chronicle of survivorship and a fierce, tender, and inspiring exploration of what it means to begin again.

The multi-award-winning meditation on survival, care and the place of literature in an unequal world'Around that time my daughter and I had this exchange:Anne, imagine if the world had nothing in it.Do you mean nothing at all - just darkness - or a world without objects?I mean a world without things: no houses, chairs, or cars. A world with only people and trees and dirt.What do you think would happen?People would make things. We would make things with trees and dirt.'When the cold comes, when our needs announce themselves, it is with clothing, with possessions, in literature, through dreams - in all the forms and categories that shape, contain and constrain - that we keep ourselves alive. Yet, in a society in which some are rich and some are poor, who gets to dream, and who invents our forms? This is a book made of money and the lack of money; of writing and of not-writing; of illness and of care; of low-rent apartments, cake-baking mothers, Socratic daughters and bodies that refuse to become information.

NEW YORK TIMES BESTSELLER • NAMED A NOTABLE BOOK OF THE YEAR BY THE NEW YORK TIMES AND THE WASHINGTON POST • How does the greatest writer of our time tell her own story? "The most spectacular, hilarious, and generous autobiography of the last quarter century–or ever."—The Boston Globe Raised by scientifically minded parents, Margaret Atwood spent most of each year in the wild forest of northern Quebec: a vast playground for her entomologist father and independent, resourceful mother. It was an unfettered and nomadic childhood, sometimes isolated but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking key moments to the books that have shaped our literary landscape, from the cruel school year that would become Cat’s Eye to the unease of 1980s Berlin, where she began The Handmaid’s Tale. In pages alive with the natural world, reading and books, major political turning points, and her lifelong love for the charismatic writer Graeme Gibson, we meet poets, bears, Hollywood stars, and larger-than-life characters straight from the pages of an Atwood novel. As she explores her past, Atwood reveals more and more about her writing, the connections between real life and art—and the workings of one of our very greatest imaginations.

In this darkly comic exploration of loss, intimacy, and motherhood, three women are joined by a baby who never lived. Morgan, in her middle years, is the grieving mother of a stillborn child. Elena, the failed midwife, burdened by guilt, is considering a career change. Dolores, eighteen, is pregnant with a baby she does not want. Meanwhile, Constantinople, the child who wasn’t meant to be, wanders lost in search of his mother, trying to make sense of the world while making an unlikely appearance in each woman’s personal drama.   Poignant, lyrical, ingeniously absurd, and outrageously funny, Jen Silverman’s Still is a brave and remarkable exploration of grief and family. It is the seventh winner of the DC Horn Foundation/Yale Drama Series Prize, selected this year by Marsha Norman, the Pulitzer Prize–winning author of Getting Out; ’night, Mother; and other acclaimed theatrical works.

THE SUNDAY TIMES BESTSELLER 'Essential, clever and kind' Alain de Botton 'I am a huge admirer of Julia's work' Elizabeth Day____________________ In her bestselling follow-up to Grief Works and This Too Shall Pass, much-loved psychotherapist Julia Samuel invites us into her sessions as she explores the relationships that have the power to touch us and hurt us most: those with our family. Through eight beautifully told case studies, covering a variety of families across multiple generations, she analyses common issues from losing a parent to children leaving home, and from separation to step-relationships. In doing so she shows how much is, in fact, inherited -- and how much can be healed when it is faced together. Every Family Has A Story provides the tools that will help with this work of improving our relationships. Its twelve touchstones for family well-being show how to communicate effectively, set boundaries, fight productively and allow change. This is a wise and insightful exploration of modern life that will help us create the families we wish for.____________________ 'Julia Samuel writes with unfailing grace, tenderness and consummate storytelling. Everyone who reads this will learn something profound' Rachel Clarke 'Julia Samuel offers vivid insights in a book for all families... I was utterly drawn in' Kathryn Mannix 'Fascinating... Julia Samuel's compassionate work never fails to inform, comfort and make me think' Pandora Sykes 'A wise and important book, full of insight into the pain and beauty at the heart of family life... I loved it' Clover Stroud 'Julia Samuel is so wise and compassionate. I love every word she writes' Cathy Rentzenbrink