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By Jane Austen, John Davie (editor)

Austen's last novel is the crowning achievement of her matchless career. Her heroine, Anne Elliot, a woman of integrity, breeding and great depth of emotion, stands in stark contrast to the brutality and hypocrisy of Regency England. Includes a new Introduction by Margaret Drabble, famed novelist and editor of The Oxford Companion to the English Language.

By Jane Austen

Emma, perhaps the most technically accomplished of all of Austen’s novels, is also, after Pride and Prejudice, her most popular one. Its numerous film and television adaptations testify to the world’s enduring affection for the headstrong, often misguided Emma Woodhouse and her many romantic schemes. Like the previous volumes in Harvard’s celebrated annotated Austen series, Emma: An Annotated Edition is a beautiful and illuminating gift edition that will be treasured by readers.Stimulating and helpful annotations appear in the book’s margins, offering information, definitions, and commentary. In his Introduction, Bharat Tandon suggests several ways to approach the novel, enabling a larger appreciation of its central concerns and accomplishments. Appearing throughout the book are many illustrations, often in color, which help the reader to better picture the Regency-era world that serves as the stage for Emma’s matchmaking adventures.Whether explaining the intricacies of early nineteenth-century dinner etiquette or speculating on Highbury’s deliberately imprecise geographical location, Tandon serves as a delightful and entertaining guide. For those coming to the novel for the first time or those returning to it, Emma: An Annotated Edition offers a valuable portal to Austen’s world.

By Jennifer L. Holm

From School Library Journal Gr 6-10-Jennifer Holm's adventure story (HarperCollins, 2001) features a mid-19th century girl who grows from an 11-year-old tomboy, to a proper young lady in her mid-teens, and to an accomplished--albeit self-conscious--young woman who is able to withstand physical, emotional, spiritual, and social hardships. As the only child and only family of a Philadelphia doctor, Jane is first diverted from her natural course, which tends toward indulging in cherry pies and rough-housing with local boys, by the shame heaped on her by a snooty neighbor girl. Jane enrolls in Miss Hepplewhite's ridiculously pompous and airless "school" to improve her etiquette, embroidery skills and, ultimately, marriageability. Jane is in love with William, the young man who is interning with her father. When he heads West, Jane's heart goes with him. Several years later, in answer to his marriage proposal, Jane takes a four-month sail to reach William in the Pacific Northwest. During the trip, Mary, the servant girl, dies. When she arrives, William is away, and Jane finds a ragtag community of white male settlers (called "Boston" people by the natives) and Chinook Indians. In addition to enduring the tortures of frontier living, the teasing of the white men, and the cultural misunderstandings that impede her friendships with the Chinooks, Jane is haunted by Mary. Jessalyn Gilsig reads Jane's first person narrative with just the right amount of sprightliness and sardonic self revelation. The novel is littered with plot twists, foreshadowing, and purposefully one-dimensional characters. Jane's strength gives it substance, lifting her above the clutter of adventures in a literary, as well as a storied, manner.Francisca Goldsmith, Berkeley Public Library, CACopyright 2002 Cahners Business Information, Inc. Product Description After moving to the Northwest to be with her true love, prim and proper sixteen-year-old Jane Peck of Philadelphia learns that living in the Washington Territory is something vastly different from her home back East and so must find the strength necessary to meet the many unexpected challenges ahead of her. By the author of Our Only May Amelia.

By Rory Muir

What happened when Jane Austen’s heroines and heroes were finally wed?Marriage is at the centre of Jane Austen’s novels. The pursuit of husbands and wives, advantageous matches, and, of course, love itself, motivate her characters and continue to fascinate readers today. But what were love and marriage like in reality for ladies and gentlemen in Regency England?Rory Muir uncovers the excitements and disappointments of courtship and the pains and pleasures of marriage, drawing on fascinating first-hand accounts as well as novels of the period. From the glamour of the ballroom to the pressures of careers, children, managing money, and difficult in-laws, love and marriage came in many guises: some wed happily, some dared to elope, and other relationships ended with acrimony, adultery, domestic abuse, or divorce. Muir illuminates the position of both men and women in marriage, as well as those spinsters and bachelors who chose not to marry at all.This is a richly textured account of how love and marriage felt for people at the time—revealing their unspoken assumptions, fears, pleasures, and delights.

By Brenda Sneathen Mattox

Life among members of early nineteenth-century British society comes delightfully alive in this charmingly rendered paper doll collection. Pride and Prejudice, Jane Austen's classic tale of romance set in the English countryside, is recalled with the help of eight attractive figures, among them the engaging Bennet sisters — Elizabeth, Jane, and Lydia; Mrs. Bennet, their mother (whose sole occupation seems to be finding suitable husbands for her daughters); Mr. Bingley, an eligible bachelor; Mr. Darcy, a proud and proper gentleman; Lady Catherine, Darcy's haughty aunt; and Mr. Wickham, a dashing regimental officer.A wardrobe of 48 period costumes takes the colorful characters from afternoon teas and weekend visits to neighborhood balls and a family wedding. Included are long-sleeved, Empire-styled dresses for the Bennet ladies to wear to church, along with simple daytime outfits topped by aprons for gardening; elegant evening attire for the ball at Netherfield, splendid bridal gowns edged with ruffles and lace for Jane and Elizabeth, and more. For the men, there are formal evening clothes, lengthy greatcoats, a military uniform, and fashionable morning coats, breeches, and top boots.This charming collection will not only delight fans of the Austen novel — and motion picture — but will also thrill paper doll enthusiasts of all ages.

By David Lodge

David Lodge's Emma was one of the first Macmillan Casebooks and has proved one of the most popular. Three new essays have been added in this new edition, reflecting new critical approaches such as feminism and deconstruction. The new material complements the classic studies by critics such as Arnold Kettle and Lionel Trilling. A revised and extended introduction puts the changing interpretation of Jane Austen's novel in historical context and, together with an updated Bibliography, directs the student to useful further reading.

By Rachel Parris

Just in time for Jane Austen’s 250th birthday, comes the story of Elizabeth Bennet’s best friend, Charlotte Lucas, in this heartfelt and mesmerizing sequel to Pride and Prejudice. It is a truth universally acknowledged that a woman deserves to be the heroine of her own story.  Charlotte Lucas has never been a romantic. Practical to a fault, she accepted Mr. Collins's proposal with clear eyes and a steady heart, trading passion for security. Life at Hunsford Parsonage may be quiet and predictable, but it is hers to manage—and she's determined to make the best of it, whatever her friend Elizabeth Bennet may think.  That is, until an unexpected guest at nearby Rosings Park turns Charlotte's careful world on its head. He sees her, challenges her, and a spark is lit.  Torn between what she must do and what she truly desires, Charlotte finds herself at the center of a story she never expected to be hers. A tale of love, loss, and second chances, Introducing Mrs. Collins is for anyone who wondered if there was more to the sensible character we met in Pride and Prejudice. It is the story of a woman who had written herself out of her own life and is only now daring to want more.

By Stephanie Barron

Jane Austen, secret agent, is despatched to Netley Lodge to investigate suspicions about the mysterious Sophia Challoner. Is Mrs Challoner really a Bonapartist agent? As conspiracy gathers around Jane, the young novelist is put to the ulitmate test: is she ready to die for her country?

By Beth Pattillo

When her life falls apart, English professor Emma Grant heads to England to find the missing letters of Jane Austen, assisted by a mysterious woman whose motives Emma can't fathom. The sudden appearance of her first love makes the search even more complicated in Jane Austen Ruined My Life. Claire Prescott agrees to present her sister's paper for a Jane Austen symposium at Oxford University. Encounters with a dashing stranger and an eccentric woman who claims to have an early draft of Pride and Prejudice send her on an adventure that leads her to a moment of decision in Mr Darcy Broke My Heart. In The Dashwood Sisters Tell All, Ellen and Mimi Dodge honor their mother's dying wish to go on a walking tour of Jane Austen sites, only to discover the diary of Jane's sister, which reveals secrets that nearly tore the Austen sisters apart. Can the diary bring Ellen and Mimi together and guide them to their own happy endings?

By Susannah Fullerton

“The period illustrations and dance diagrams are charming, but Fullerton's discussion of dance in Austen's novels is both incisive and entertaining. From the Netherfield ball in Pride and Prejudice to Anne Elliot playing the piano as her friends dance in Persuasion, Fullerton explains how dancing moves the action forward in each book and what it reveals about various characters. (She even draws heavily on the unfinished The Watsons.) By the end, readers will long to revisit the dance scenes in Austen's world and follow her heroines' practice of talking over the ball afterward with friends over a cup of tea. A beautifully illustrated exploration of dance in the life and novels of Jane Austen. “ -Shelf AwarenessDrawing on contemporary accounts and illustrations, and a close reading of the novels as well as Austen's correspondence, Susannah Fullerton takes the reader through all the stages of a Regency Ball as Jane Austen and her characters would have known it.