Recommendations based on "Downturn Abbey"

"Outlandish fun. . . . Making Money balances satire, knockabout farce and close observation of human — and non-human — foibles with impressive dexterity and deceptive ease. The result is another ingenious entertainment from the preeminent comic fantasist of our time.” — Washington PostThe hero of Going Postal returns in the 36th installment of Sir Terry Pratchett's beloved Discworld series! Moist von Lipwig, condemned prisoner turned postal worker extraordinaire, is now in charge of a different branch of the government: overseeing the printing of Ankh-Morpork’s first paper currency.Amazingly, former arch-swindler-turned-Postmaster General Moist von Lipwig has somehow managed to get the woefully inefficient Ankh-Morpork Post Office running like . . . well, not like a government office at all. Now the supreme despot Lord Vetinari is asking Moist if he'd like to make some real money. Vetinari wants Moist to resuscitate the venerable Royal Mint—so that perhaps it will no longer cost considerably more than a penny to make a penny.Moist doesn't want the job. However, a request from Ankh-Morpork's current ruling tyrant isn't a "request" per se, more like a "once-in-a-lifetime-offer-you-can-certainly-refuse-if-you-feel-you've-lived-quite-long-enough." So Moist will just have to learn to deal with elderly Royal Bank chairman Topsy (née Turvy) Lavish and her two loaded crossbows, a face-lapping Mint manager, and a chief clerk who's probably a vampire. But he'll soon be making lethal enemies as well as money, especially if he can't figure out where all the gold has gone.The Discworld novels can be read in any order, but Making Money is the second book in the Moist von Lipwig series.

Wodehouse died before finishing this novel, first published in 1977. Containing the bare-bones narrative and dialogue of the first 16 chapters, its story keeps to the Blandings formula: a pretty niece brought to the castle to separate her from an "impossible" (ie poor) suitor in London.

"A celebration of Tim Curry's life's work -- including the iconic Dr. Frank-N-Further in "The Rocky Horror Picture Show" -- and a testament to his profound impact on the entertainment industry as we know it today, There are few stars in Hollywood today that can boast the kind of resume Emmy award-winning actor Tim Curry has built over the past five decades. From his breakout role as Dr. Frank-N-Furter in "The Rocky Horror Picture Show" to his iconic depiction as the sadistic clown Pennywise in It to his critically acclaimed role as the original King Arthur in both the Broadway and West End versions of Spamalot, Curry redefined what it meant to be a "character actor," potraying heroes and villains alike with complexity, nuance, and a genuine understanding of human darkness. He's had dozens of roles across movies, tv shows, and musicals; lent his instantly recognizable voice to dozens of voice roles, audiobooks, and videogames; and he's changed the lives of countless fans in the process. Now, in his memoir, Curry takes readers behind-the-scenes of his rise to fame from his early beginnings as a military BRAT with difficult family dynamics, to his formative years in boarding school and university, to the moment when he hit the stage for the first time. He goes in-depth about what it was like to work on some of the most emblematic works of the 20th century, constantly switching between a camera and a live audience. He also explores the voicework that defined his later career and provided him with a chance to pivot after surviving a catastrophic stroke in 2012 that nearly took his life. With the upcoming 50th anniversary of "The Rocky Horror Picture Show" and the 40th anniversary of Clue, there's never been a better time for Tim to share his story with the world"-- Provided by publisher.

NATIONAL BESTSELLERAn Atlantic Magazine Best Book of the YearA Publishers Weekly Best Book of the Year"The Melrose Novels are a masterwork for the twenty-first century, written by one of the great prose stylists in England." —Alice Sebold, author of The Lovely BonesSoon to be a Showtime TV series starring Benedict Cumberbatch and Blythe DannerFor more than twenty years, acclaimed author Edward St. Aubyn has chronicled the life of Patrick Melrose, painting an extraordinary portrait of the beleaguered and self-loathing world of privilege. This single volume collects the first four novels—Never Mind, Bad News, Some Hope, and Mother's Milk, a Man Booker finalist—to coincide with the publication of At Last, the final installment of this unique novel cycle.By turns harrowing and hilarious, these beautifully written novels dissect the English upper class as we follow Patrick Melrose's story from child abuse to heroin addiction and recovery. Never Mind, the first novel, unfolds over a day and an evening at the family's chateaux in the south of France, where the sadistic and terrifying figure of David Melrose dominates the lives of his five-year-old son, Patrick, and his rich and unhappy American mother, Eleanor. From abuse to addiction, the second novel, Bad News opens as the twenty-two-year-old Patrick sets off to collect his father's ashes from New York, where he will spend a drug-crazed twenty-four hours. And back in England, the third novel, Some Hope, offers a sober and clean Patrick the possibility of recovery. The fourth novel, the Booker-shortlisted Mother's Milk, returns to the family chateau, where Patrick, now married and a father himself, struggles with child rearing, adultery, his mother's desire for assisted suicide, and the loss of the family home to a New Age foundation.Edward St. Aubyn offers a window into a world of utter decadence, amorality, greed, snobbery, and cruelty—welcome to the declining British aristocracy.

Gussie Fink-Nottle simply must marry Madeline Bassett or Bertrand Wooster will be obliged to proffer the ring in his stead. In a daring attempt at securing the engagement, Jeeves and Bertie visit a rural leper colony.

This issue of Granta was inspired by the original campaign for the Best Young British Novelists. This book includes the writing from the 20 writers judged in 1983.

After an unexpected and diabolical farewell breakfast conversation with his father, Spud Milton returns to boarding school for his 1993 Matric year, his last as a schoolboy. Armed with a prefects’ tie and a raging libido, Spud soon discovers that being a large(ish) fish in a small pond has its fair share of challenges. He finds himself embroiled in fighting for his own room, directing a house play where both lead actors refuse to learn their lines, and assisting in Vern Blackadder’s dramatic return from the dead with nothing more than a drip cord and a pair of oven gloves. Amidst mounting pressure in the classroom and on the cricket field, Spud prepares to face down the most feared and dreaded challenge of them all—finding a date for the Matric dance. In this hilarious final installment of the Spud series, John Van de Ruit brings to a close his savagely funny blow by blow account of the agonies of growing up. The embarrassments, thrills, defeats, and the sheer-absurdity of daily life are wittily recorded in Spud’s unique voice as he prepares to make his own exit, pursued by a bear.

With the sun finally setting on that wondrous earthy paradise that is Blandings, Vicky Underwood finds herself forcibly parted from her beloved, Jeff Bennison. Her Uncle Galahad turns his not inconsiderable talents to reuniting the love-birds. Wodehouse's final chronicle of Blandings is unfinished, but three Wodehouse admirers have supplied a treasure trove of notes and plot details, providing fascinating insights into the mind of the author.

The James Bond epic is the most popular film series in silver screen history: it is estimated that a quarter of the world's population has seen a Bond feature. The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense. Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene -- from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics -- notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history -- half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.

South Dublin's favourite son thought he could face any challenge - until he was asked to cross the bridge over the River Dargle. For Ross O'Carroll-Kelly - schools rugby hero, celebrated bon vivant and lover of beautiful women - life has suddenly become complicated. His father has been accused of rigging a General Election, his seventy-year-old mother is about to bring six surrogate babies into the world, and his daughter is being hailed as 'Ireland's answer to Greta Thunberg', telling everyone who cares to listen that the end of the world is nigh. As if that wasn't bad enough, the Greatest Rugby Player Never to Play for Ireland has a nagging sense that he has to more to contribute to the beautiful game. Now he's been offered a job coaching an underachieving school who've been waiting almost a century for their moment of glory. The challenge is to persuade a collection of jokers, chokers and forty-a-day smokers that they have what it takes to win the Leinster Schools Senior Cup. The only drawback ... the school is in Bray! Praise for the Ross O'Carroll-Kelly series: 'Ross is a national institution ... wicked humour and sharp observation' Irish Times 'One of the funniest writers in the land' Irish Independent 'Extraordinarily accurate and outstandingly funny' Sunday Business Post