Recommendations based on "Coventry"

From one of the great thinkers and writers of our time, comes the unmissable final instalment in Deborah Levy's critically acclaimed 'Living Autobiography'.'I began to wonder what myself and all unwritten and unseen women would possess in their property portfolios at the end of their lives. Literally, her physical property and possessions, and then everything else she valued, though it might not be valued by society. What might she claim, own, discard and bequeath? Or is she the real estate, owned by patriarchy? In this sense, Real Estate is a tricky business. We rent it and buy it, sell and inherit it - but we must also knock it down.'Following the critical acclaim of Things I Don't Want to Know and The Cost of Living, this final volume of Deborah Levy's 'Living Autobiography' is an exhilarating, thought-provoking and boldly intimate meditation on home and the spectres that haunt it.

'Unmissable. Like chancing upon an oasis, you want to drink it slowly... Subtle, unpredictable, surprising' GuardianThings I Don't Want to Know is the first in Deborah Levy's essential three-part 'Living Autobiography' on writing and womanhood.Taking George Orwell's famous essay, 'Why I Write', as a jumping-off point, Deborah Levy offers her own indispensable reflections of the writing life. With wit, clarity and calm brilliance, she considers how the writer must stake claim to that contested territory as a young woman and shape it to her need. Things I Don't Want to Know is a work of dazzling insight and deep psychological succour, from one of our most vital contemporary writers.'Superb sharpness and originality of imagination. An inspiring work of writing' Marina Warner

This volume combines two books which were among the greatest contributions to feminist literature this century. Together they form a brilliant attack on sexual inequality. A Room of One's Own, first published in 1929, is a witty, urbane and persuasive argument against the intellectual subjection of women, particularly women writers. The sequel, Three Guineas, is a passionate polemic which draws a startling comparison between the tyrannous hypocrisy of the Victorian patriarchal system and the evils of fascism.

'Utterly, agonisingly compulsive ... a masterpiece' Liz Jensen, GuardianFollowing one woman's journey from a troubled girlhood in working-class Copenhagen through her struggle to live on her own terms, The Copenhagen Trilogy is a searingly honest, utterly immersive portrayal of love, friendship, art, ambition and the terrible lure of addiction, from one of Denmark's most celebrated twentieth-century writers.'Sharp, tough and tender ... wrenching sadness and pitch-black comedy ... Ditlevsen can pivot from hilarity to heartbreak in a trice' Boyd Tonkin Spectator'Astonishing, honest, entirely revealing and, in the end, devastating. Ditlevsen's trilogy is remarkable not only for its honesty and lyricism; these are books that journey deep into the darkest reaches of human experience and return, fatally wounded, but still eloquent' Observer'The best books I have read this year. These volumes slip in like a stiletto and do their work once inside. Thrilling' New Statesman

Joan Didion’s hugely influential collection of essays which defines, for many, the America which rose from the ashes of the Sixties. We tell ourselves stories in order to live. The princess is caged in the consulate. The man with the candy will lead the children into the sea. In this now legendary journey into the hinterland of the American psyche, Didion searches for stories as the Sixties implode. She waits for Jim Morrison to show up, visits the Black Panthers in prison, parties with Janis Joplin and buys dresses with Charles Manson’s girls. She and her reader emerge, cauterized, from this devastating tour of that age of self discovery into the harsh light of the morning after.

'Three bicycles. Seven ghosts. A crumbling apartment block on the hill. Fame. Tenderness. The statue of Peter Pan. Silk. Melancholy. The banana tree. A Pandemic. A love story.'From one of the great thinkers and writers of our time, comes the highly anticipated final installment in Deborah Levy's critically acclaimed 'Living Autobiography''I can't think of any writer aside from Virginia Woolf who writes better about what it is to be a woman' Observer on The Cost of LivingFollowing the international critical acclaim of The Cost of Living, this final volume of Deborah Levy's 'Living Autobiography' is an exhilarating, thought-provoking and boldly intimate meditation on home and the spectres that haunt it.'I began to wonder what myself and all unwritten and unseen women would possess in their property portfolios at the end of their lives. Literally, her physical property and possessions, and then everything else she valued, though it might not be valued by society. What might she claim, own, discard and bequeath? Or is she the real estate, owned by patriarchy? In this sense, Real Estate is a tricky business. We rent it and buy it, sell and inherit it - but we must also knock it down.''Wise, subtle and ironic, Levy's every sentence is a masterpiece of clarity and poise... A brilliant writer' Daily Telegraph on The Cost of Living'Extraordinary and beautiful, suffused with wit and razor-sharp insights' Financial Times on The Cost of Living

The Penguin English Library Edition of Wives and Daughters by Elizabeth Gaskell "Eh, miss, but that be a rare young lady! She do have such pretty coaxing ways ..." Seventeen-year-old Molly Gibson worships her widowed father. But when he decides to remarry, Molly's life is thrown off course by the arrival of her vain, shallow and selfish stepmother. There is some solace in the shape of her new stepsister Cynthia, who is beautiful, sophisticated and irresistible to every man she meets. Soon the girls become close, and Molly finds herself cajoled into becoming a go-between in Cynthia's love affairs. But in doing so, Molly risks ruining her reputation in the gossiping village of Hollingford - and jeopardizing everything with the man she is secretly in love with. The Penguin English Library - 100 editions of the best fiction in English, from the eighteenth century and the very first novels to the beginning of the First World War.

Vita Sackville-West, novelist, poet, and biographer, is best known as the friend of Virginia Woolf, who transformed her into an androgynous time-traveler in Orlando. The story of Sackville-West's marriage to Harold Nicolson is one of intrigue and bewilderment. In Portrait of a Marriage, their son Nigel combines his mother's memoir with his own explanations and what he learned from their many letters. Even during her various love affairs with women, Vita maintained a loving marriage with Harold. Portrait of a Marriage presents an often misunderstood but always fascinating couple."Portrait of a Marriage is as close to a cry from the heart as anybody writing in English in our time has come, and it is a cry that, once heard, is not likely ever to be forgotten. . . . Unexpected and astonishing."—Brendan Gill, New Yorker"The charm of this book lies in the elegance of its narration, the taste with which their son has managed to convey the real, enduring quality of his parents' love for each other."—Doris Grumbach, New Republic

'A landmark of feminist thought and a rhetorical masterpiece' Guardian Ranging from the silent fate of Shakespeare's gifted imaginary sister to Jane Austen, Charlotte Brontë and the effects of poverty and sexual constraint on female creativity, A Room of One's Own, based on a lecture given by Woolf at Girton College, Cambridge, is one of the great feminist polemics. Published almost a decade later, Three Guineas breaks new ground in its discussion of men, militarism and women's attitudes towards war. These two pieces reveal Virginia Woolf's indomitable spirit, sophisticated wit and genius as an essayist. Edited with an Introduction and Notes by Michèle Barrett

From the bestselling author of Autumn and Winter, as well as the Baileys Prize-winning How to be both, comes the next installment in the remarkable, once-in-a-generation masterpiece, the Seasonal Quartet.What unites Katherine Mansfield, Charlie Chaplin, Shakespeare, Rilke, Beethoven, Brexit, the present, the past, the north, the south, the east, the west, a man mourning lost times, a woman trapped in modern times?Spring. The great connective.With an eye to the migrancy of story over time, and riffing on Pericles, one of Shakespeare's most resistant and rollicking works, Ali Smith tells the impossible tale of an impossible time. In a time of walls and lockdown Smith opens the door.The time we're living in is changing nature. Will it change the nature of story?Hope springs eternal.