Recommendations based on "Conquest Book 1, The Chronicles of the Invaders"

Thirteen hundred gates have opened to solar systems around the galaxy. But as humanity builds its interstellar empire in the alien ruins, the mysteries and threats grow deeper.In the dead systems where gates lead to stranger things than alien planets, Elvi Okoye begins a desperate search to discover the nature of a genocide that happened before the first human beings existed, and to find weapons to fight a war against forces at the edge of the imaginable. But the price of that knowledge may be higher than she can pay.At the heart of the empire, Teresa Duarte prepares to take on the burden of her father's godlike ambition. The sociopathic scientist Paolo Cortázar and the Mephistophelian prisoner James Holden are only two of the dangers in a palace thick with intrigue, but Teresa has a mind of her own and secrets even her father the emperor doesn't guess.And throughout the wide human empire, the scattered crew of the Rocinante fights a brave rear-guard action against Duarte's authoritarian regime. Memory of the old order falls away, and a future under Laconia's eternal rule -- and with it, a battle that humanity can only lose - seems more and more certain. Because against the terrors that lie between worlds, courage and ambition will not be enough...

Breq and her crew must stand against an old and powerful enemy and fight for their own destinies in the stunning conclusion to the New York Times bestselling trilogy. A must read for fans of Ursula K. Le Guin and James S. A. Corey.For a moment, things seemed to be under control for Breq, the soldier who used to be a warship. Then a search of Athoek Station's slums turns up someone who shouldn't exist, and a messenger from the mysterious Presger empire arrives, as does Breq's enemy, the divided and quite possibly insane Anaander Mianaai -- ruler of an empire at war with itself.Breq refuses to flee with her ship and crew, because that would leave the people of Athoek in terrible danger. The odds aren't good, but that's never stopped her before."There are few who write science fiction like Ann Leckie can. There are few who ever could." -- John Scalzi

Gathered together in one hardcover volume: three timeless novels from the founding father of science fiction.The first great novel to imagine time travel, The Time Machine (1895) follows its scientist narrator on an incredible journey that takes him finally to Earth’s last moments—and perhaps his own. The scientist who discovers how to transform himself in The Invisible Man (1897) will also discover, too late, that he has become unmoored from society and from his own sanity. The War of the Worlds (1898)—the seminal masterpiece of alien invasion adapted by Orson Welles for his notorious 1938 radio drama, and subsequently by several filmmakers—imagines a fierce race of Martians who devastate Earth and feed on their human victims while their voracious vegetation, the red weed, spreads over the ruined planet.Here are three classic science fiction novels that, more than a century after their original publication, show no sign of losing their grip on readers’ imaginations.

Humanity’s complex relationship with technology spirals out of control in this first book of an all-new series from “the owner of the most powerful imagination in science fiction” (Ken Follett).“How far ‘space opera’ has come! The Old Masters of sci-fi would admire the scope and sweep of Salvation.”—The Wall Street JournalIn the year 2204, humanity is expanding into the wider galaxy in leaps and bounds. Cutting-edge technology of linked jump gates has rendered most forms of transportation—including starships—virtually obsolete. Every place on Earth, every distant planet humankind has settled, is now merely a step away from any other. All seems wonderful—until a crashed alien spaceship of unknown origin is found on a newly located world eighty-nine light-years from Earth, carrying a cargo as strange as it is horrifying. To assess the potential of the threat, a high-powered team is dispatched to investigate. But one of them may not be all they seem. . . .Bursting with tension and big ideas, Peter F. Hamilton’s Salvation is the first book of an all-new series that highlights the inventiveness of an author at the top of his game.Praise for Salvation“[A] vast, intricate sci-fi showstopper . . . The journey grips just as hard as the reveal.”—Daily Mail (U.K.)“Exciting, wildly imaginative and quite possibly Hamilton’s best book to date.”—SFX“Dynamic, multifaceted characters, strong mind-expanding concepts, and impressive flair for language [make Salvation a] rare celestial event. . . . One of Britain’s bestselling sci-fi authors has launched an addictive new book as the initial stage of what is sure to be an intriguing new series called the Salvation Sequence.”—SyFyWire“Peter Hamilton just keeps getting better and better with each book, more assured and more craftsmanly adroit, and more inventive. [Salvation is] a bravura performance from start to finish. . . . Hamilton is juggling chainsaws while simultaneously doing needlepoint over a shark tank. It’s a virtuoso treat, and I for one can hardly wait for Salvation Lost.”—Paul Di Filippo, Locus“Peter F. Hamilton is known as one of the world’s greatest sci-fi writers for a reason. . . . Salvation is well worth the effort and a great introduction to some good old-fashioned space opera.”—Fantasy Book Review

Most of Neal Asher's stories are set in a galactic future-scape called 'The Polity', and with this collection of marvellously inventive and action-packed short stories, he takes us further into the manifold diversities of that amazing universe. No one does monsters better than Neal Asher, so be prepared to revisit the lives and lifestyles of such favourites as the gabbleduck and the hooder, to savour alien poisons, the walking dead, the Sea of Death, and the putrefactor symbiont. Through these stories, welcome to a universe of unbridled imagination, each one of them a delight in itself.Contents:Softly Spoke the Gabbleduck [Polity Universe] (2005) / novelette by Neal AsherPutrefactors [Polity Universe] (1999) / novelette by Neal AsherGarp and Geronamid [Polity Universe] (2005) / novelette by Neal Asher (variant of Garp & Geronamid)The Sea of Death [Polity Universe] (2001) / short story by Neal AsherAlien Archaeology [Polity Universe] (2007) / novella by Neal AsherAcephalous Dreams [Polity Universe] (2005) / novelette by Neal AsherSnow in the Desert [Polity Universe] (2002) / novelette by Neal AsherChoudapt [Polity Universe] (2000) / novelette by Neal AsherAdaptogenic [Polity Universe] (1994) / short story by Neal AsherThe Gabble [Polity Universe] (2006) / novelette by Neal Asher.

Encouraging Readers To Dream The Impossible, The Darkest Dark Follows A Young Boy Intrigued By Space, But Afraid Of The Dark, Inspired By The Childhood Of Real-life Astronaut Chris Hadfield And Brought To Life By Terry And Eric Fan's Lush, Evocative Illustrations. Chris Loves Rockets And Planets And Pretending He's A Brave Astronaut, Exploring The Universe. Only One Problem. At Night, Chris Doesn't Feel So Brave. He's Afraid Of The Dark. When He Watches The Groundbreaking Moon Landing On Tv, Chris Learns That Space Is The Darkest Dark There Is, And Through That Lesson Discovers That The Dark Isn't Just Scary, But Beautiful And Exciting—especially When You Have Big Dreams To Keep You Company.

Brave New World is a novel written in 1931 by Aldous Huxley and published in 1932. Set in London in the year AD 2540 (632 A.F.—"After Ford"—in the book), the novel anticipates developments in reproductive technology, sleep-learning, psychological manipulation, and classical conditioning that combine profoundly to change society. Huxley answered this book with a reassessment in an essay, Brave New World Revisited (1958), and with Island (1962), his final novel. In 1999, the Modern Library ranked Brave New World fifth on its list of the 100 best English-language novels of the 20th century. In 2003, Robert McCrum writing for The Observer included Brave New World chronologically at number 53 in "the top 100 greatest novels of all time", and the novel was listed at number 87 on the BBC's survey The Big Read. What if the future was a tyranny, but one cleverly person intended to keep the mass of society unaware of this? The people would be provided with several distractions, daily life would be ruled by sex and drugs, and pervasive mass media would suppress the possibility of any original thought: in such a society the ruling elite would not need to fear any kind of rebellion. If you think that Huxley's vision seems to be the way things are in fact turning out, you're not the only one!

“Beautiful science fiction . . . The story of an extraterrestrial visitor from another planet is deigned mainly to say something about life on this one.”—The New York Times“Those who know The Man Who Fell to Earth only from the film version are missing something. This is one of the finest science fiction novels of its period.”—J.R. Dunn, author of Full Tide of NightT. J. Newton is an extraterrestrial who goes to Earth on a desperate mission of mercy. But instead of aid, Newton discovers loneliness and despair that ultimately ends in tragedy.Praise for The Man Who Fell to Earth“An utterly realistic novel about an alien human on Earth . . . Realistic enough to become a metaphor for something inside us all, some existential loneliness.”—Norman Spinrad“Tevis writes . . . with power and poetry and tension.”—The Washington Post Book World“Terrific . . . The Man Who Fell to Earth can be seen as the story of a very hip, space-age Passion—about a savior who comes to Earth not to save us but hos own people and who is, in effect, crucified dead and buried.”—Vincent Canby

“In science fiction there is only a handful of books that stretch the mind—and this is one of them.”—Arthur C. ClarkeIn a moving story of sacrifice and triumph, human scientists establish a relationship with intelligent lifeforms—the cheela—living on Dragon’s Egg, a neutron star where one Earth hour is equivalent to hundreds of their years. The cheela culturally evolve from savagery to the discovery of science, and for a brief time, men are their diligent teachers.Praise for Dragon’s Egg“Bob Forward writes in the tradition of Hal Clement’s Mission of Gravity and carries it a giant step (how else?) forward.”—Isaac Asimov“Dragon’s Egg is superb. I couldn’t have written it; it required too much real physics.”—Larry Niven“This is one for the real science-fiction fan.”—Frank Herbert“Robert L. Forward tells a good story and asks a profound question. If we run into a race of creatures who live a hundred years while we live an hour, what can they say to us or we to them?”—Freeman J. Dyson“Forward has impeccable scientific credentials, and . . . big, original, speculative ideas.”—The Washington Post

Ace paperbacks boxed set of the first four novels by Ursula K. Le Guin in her Hainish series: Rocannon's World, Planet of Exile, City of Illusions, and The Left Hand of Darkness. Print dates are 1976 - 1977. Ace mass paperbacks, cover art by Alex Ebel and uncredited (Rocannon's World), 12mo (6 7/8" x 4.25") Hainish series #1 - #4, followed by The Word for World is Forest, The Dispossessed, and others. The Left Hand of Darkness is now considered a classic, and won the 1969 Nebula Award, the 1970 Hugo Award, and the 1995 James Tiptree, Jr. Award, Retroactive. It was nominated for the 1970 Ditmar Award. Other awards: 1975 Locus Poll Award, All-Time Best Novel (Place: 3), 1987 Locus Poll Award, All-Time Best SF Novel (Place: 2), and the 1998 Locus Poll Award, All-Time Best SF Novel before 1990 (Place: 3).