Recommendations based on "Collected Stories of William Faulkner"

When Black Boy exploded onto the literary scene in 1945, it caused a sensation. Orville Prescott of the New York Times wrote that "if enough such books are written, if enough millions of people read them maybe, someday, in the fullness of time, there will be a greater understanding and a more true democracy." Opposing forces felt compelled to comment: addressing Congress, Senator Theodore Bilbo of Mississippi argued that the purpose of this book "was to plant seeds of hate and devilment in the minds of every American." From 1975 to 1978, Black Boy was banned in schools throughout the United States for "obscenity" and "instigating hatred between the races."This new edition of the once controversial, now classic American autobiography measures the brutality and rawness of the Jim Crow South against the sheer desperate will it took to survive as "black boy." Richard Wright grew up in the woods of Mississippi, with poverty, hunger, fear, and hatred. He lied, stole, and raged at those about him; at six he was "a drunkard," hanging about taverns. Surly, brutal, cold, suspicious, and self-pitying, he was surrounded on one side by whites who were either indifferent to him, pitying, or cruel, and on the other by blacks who resented anyone trying to rise above the common lot. At the end of Black Boy, Wright sits poised with pencil in hand, determined to "hurl words into this darkness and wait for an echo."Wright's eloquent account is at once a profound indictment and an unashamed confession -- a poignant and disturbing record of social injustice and human suffering.HarperCollins is proud to celebrate the sixtieth anniversary of the book's publication with this special hardcover edition, which utilizes the restored text established by The Library of America and features a new foreword by Edward P. Jones, author of the Pulitzer Prize-winning novel The Known World.

Contains the Bryant Spann Memorial Prize in Literature for 1997, an award-winning essay, "The Very Last Hurrah" by Eric Leif Davin.

"Altogether superb: an accessible, fluent account that advances scholarship while building a worthy memorial to the victims of two and a half centuries past." —Kirkus Reviews (starred review) In 1755, New England troops embarked on a "great and noble scheme" to expel 18,000 French-speaking Acadians ("the neutral French") from Nova Scotia, killing thousands, separating innumerable families, and driving many into forests where they waged a desperate guerrilla resistance. The right of neutrality; to live in peace from the imperial wars waged between France and England; had been one of the founding values of Acadia; its settlers traded and intermarried freely with native Mikmaq Indians and English Protestants alike. But the Acadians' refusal to swear unconditional allegiance to the British Crown in the mid-eighteenth century gave New Englanders, who had long coveted Nova Scotia's fertile farmland, pretense enough to launch a campaign of ethnic cleansing on a massive scale. John Mack Faragher draws on original research to weave 150 years of history into a gripping narrative of both the civilization of Acadia and the British plot to destroy it.

This Collection Of Letters Forms A Fascinating Day-by-day Account Of Steinbeck's Writing Of East Of Eden, His Longest And Most Ambitious Novel. The Letters, Ranging Over Many Subjects - Textual Discussion, Trial Flights Of Workmanship, Family Matters - Provide An Illuminating Perspective On Steinbeck, The Creative Genius, And A Private Glimpse Of Steinbeck, The Man.

The year is 1870, and Fool's Crow, so called after he killed the chief of the Crows during a raid, has a vision at the annual Sun Dance ceremony. The young warrior sees the end of the Indian way of life and the choice that must be made: resistance or humiliating accommodation."A major contibution to Native American literature." —Wallace Stegner.

Most of Jim Corbett's books contain collections of stories that recount adventures tracking and shooting man-eaters in the Indian Himalaya. This volume, however, consists of a single story, often considered the most exciting of all Corbett's jungle tales. He gives a carefully-detailed account of a notorious leopard that terrorized life in the hills of the colonial United Provinces. This story represents Corbett's most sustained and unique effort.

Unsurpassed as a gripping tale of historical adventure, Men Against the Sea is the epic account of the eighteen loyal men set adrift on the high seas after the mutiny on the Bounty.With Captain Bligh at the helm of a 23-foot open launch, the loyal sailors are alone on uncharted waters, struggling to survive on scant rations and taking pains to avoid war canoes and inhabited islands under cover of night. Their 3,600-mile voyage from the island of Tofoa in the Friendly Archipelago to the Dutch East Indies remains to this day one of the greatest feats of courage and endurance in maritime history."Splendid...Nordhoff and Hall have done a magnificent job in narrative Captain Bligh's remarkable feat." --Chicago Tribune

For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes served to usefully intensify these conflicts. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America". Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear - a dialectic of "love and theft" - the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.

A brief biography of the slave who escaped to freedom with his family and other runaway slaves on a captured Confederate gunboat.

The Pulitzer Prize–winning author of The Cain Mutiny delivers an "enormously entertaining" portrait of "a Bronx Tom Sawyer" ( San Francisco Chronicle). City Boy is Herman Wouk's sharp and moving novel of boyhood. A hilarious and often touching tale of an urban kid's adventures and misadventures on the street, in school, in the countryside, always in pursuit of Lucille, a heartless redhead personifying all the girls who torment and fascinate pubescent lads of eleven.