Recommendations based on "Cedric Price"

An instant classic—a lively new introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramović's performance art to today's biennale circuit and million-dollar auctions.Encountering a work of contemporary art, a viewer might ask, "What does it mean?" "Is it really art?" and "Why does it cost so much?" These are not the questions that E. H. Gombrich set out to answer in his magisterial The Story of Art. Contemporary art seems totally unlike what came before it, departing from the road map supplied by Raphael, Dürer, Rembrandt, and other European masters.In The Story of Contemporary Art, Tony Godfrey picks up where Gombrich left off, offering a lively introduction to contemporary art that stretches from Andy Warhol's Brillo boxes to Marina Abramović's performance art to today's biennale circuit and million-dollar auctions. Godfrey, a curator and writer on contemporary art, chronicles important developments in pop art, minimalism, conceptualism, installation art, performance art, and beyond.

Gerhard Richter is one of the most important and influential artists of the post-war era. For decades he has sought innovative ways to make painting more relevant, often through a multifaceted dialogue with photography. Today Richter is most widely recognized for the photo-paintings he made during the 1960s that rely on images culled from mass media and pop culture. Always fascinated with the limits and uncertainties of representation, he has since then produced landscapes, abstractions, glass and mirror constructions, prints, sculptures, and installations.Though Richter has been known in the United States for quite some time, the highly successful retrospective of his work at the MoMA in 2002 catapulted him to unprecedented fame. Enter noted curator Dietmar Elger, who here presents the first biography of this contemporary artist. Written with full access to Richter and his archives, this fascinating book offers unprecedented insight into his life and work. Elger explores Richter’s childhood in Nazi Germany; his years as a student and mural painter in communist East Germany; his time in the West during the turbulent 1960s and ’70s, when student protests, political strife, and violence tore the Federal Republic of Germany apart; and his rise to international acclaim during the 1980s and beyond.Richter has always been a difficult personality to parse and the seemingly contradictory strands of his artistic practice have frustrated and sometimes confounded critics. But the extensive interviews on which this book is based disclose a Richter who is far more candid, personal, and vivid than ever before. The result is a book that will be the foundational portrait of this artist for years to come.

2004 Film Art: An Introduction Seventh Edition (P) by David Bordwell & Kristin Thompson ***ISBN-13: 9780072484557 ***532 Pages

This is the first of two volumes of the only English edition of Hegel's Aesthetics, the work in which he gives full expression to his seminal theory of art. The substantial Introduction is his best exposition of his general philosophy of art. In Part I he considers the general nature of art as a spiritual experience, distinguishes the beauty of art and the beauty of nature, and examines artistic genius and originality. Part II surveys the history of art from the ancient world through to the end of the eighteenth century, probing the meaning and significance of major works. Part III (in the second volume) deals individually with architecture, sculpture, painting, music, and literature; a rich array of examples makes vivid his exposition of his theory.

In an intimate talk with his protégé, the great sculptor offers candid, wide-ranging comments on a diverse range of topics: the meaning of art; other famed artists; the relationship of sculpture to poetry, painting, and music; his philosophy of life; and much more. Seventy-six black-and-white illustrations of Rodin's sculptures, drawings, and prints are included.

Claude Monet is considered one of the most influential artists of all time. He is a founder of the French Impressionist art movement, and today his paintings sell for millions of dollars. While Monet was alive, however, his work was often criticized and he struggled financially. With over one hundred black-and-white illustrations, this book unveils a true portrait of the artist!

Proust's binoculars, 1964 / Roger Shattuck The crisis of the ancien scopic régime, 1993 / Martin Jay Memory images, 1927 / Siegfried Kracauer Space and the collective memory, 1925 / Maurice Halbwachs Outmoded spaces, 1993 / Hal Foster House and universe, 1958 / Gaston Bachelard Realms of memory, 1984 / Pierre Nora Memories and images, 2004 / Paul Ricoeur The infinite line, 2004 / Briony Fer The sadness of the machine, 2001 / Ollivier Dyens Garden center '44, 1944-72 / Joseph Cornell Places (notes on a work in progress), 1974 / Georges Perec Perec: uncovering the infra-ordinary, 2006 / Michael Sheringham In conversation with W.J.T. Mitchell, 1994 / Robert Morris Idris Khan, 2010 / Francis Hodgson The journey-form (3): temporal bifurcations, 2009 / Nicolas Bourriaud Clarice Lispector: the approach, 1979 / Hélène Cixous Uta Barth, 2000 / Margaret Sundell Resistance to replication, 2007 / Margaret Iversen Analogue, chance and memory, 2011 / Michael Newman The ontology of performance: representation without reproduction, 1993 / Peggy Phelan Apparition, 2003 / Roger Malbert Addict-love, 2008 / Tom Burr Portrait of an image: a portfolio by Roni Horn, 2005 / Lauren Sedofsky Past future/split attention, 1972 / Dan Graham Subject as object, 2001 / Anne Rorimer On Kent State (1970), 1972 / Richard Hamilton The industrialization of memory, 1996 / Bernard Stiegler Pierre Huyghe: The third memory (1999), 2007 / Tom McDonough Documents into monuments: archives as meditations on time, 2008 / Okwui Enwezor Crystals, 2005 / Daniel Birnbaum Kota Ezawa: Lennon Sontag Beuys (2004), 2005 / Megan Ratner Living with ghosts: from appropriation to invocation in contemporary art, 2007 / Jan Verwoert Retro/Necro: from beyond the grave of the politics of re-enactment, 2007 / Pia & Galia Kollective Marina Abramovic's Time, 2010 / Abigail Levine One-person protests: notes about going (back) there, 2008 / Johanna Burton Strange temporalities, 1994 / Victor Burgin Make me stop smoking, 2006 / Rabih Mroué Lost in narration: in conversation with Anthony Downey, 2012 / Rabih Mroué The anarchive, 2008 / Tom McDonough Negative images, 2006 / Lisa Saltzman In the dark regions of the world, 2000 / Hans Rudolf Reust Latent archives, roving lens, 2006 / Uriel Orlow Kutlug Ataman: Küba, 2005 / Peter Suchin Being-political, 2010 / T.J. Demos Stan Douglas' Inconsolable memories, 2006 / Sylvie Fortin.

Dance's galvanizing and transformative presence in art and theory over the last decade becomes part of a broader investigation of its dialogue with modernism's legacies.This collection surveys the choreographic turn in the artistic imagination from the 1950s onwards, and in doing so outlines the philosophies of movement instrumental to the development of experimental dance. By introducing and discussing the concepts of embodiment and corporeality, choreopolitics, and the notion of dance in an expanded field, Dance establishes the aesthetics and politics of dance as a major impetus in contemporary culture. It offers testimonies and writings by influential visual artists whose work has taken inspiration from dance and choreography.Dance—because of its ephemerality, corporeality, precariousness, scoring, and performativity—is arguably the art form that most clearly engages the politics of aesthetics in contemporary culture. Dance's ephemerality suggests the possibility of an escape from the regimes of commodification and fetishization in the arts. Its corporeality can embody critiques of representation inscribed in bodies and subjects. Its precariousness underlines the fragility of contemporary states of being. Scoring links it with conceptual art, as language becomes the articulator for possible as well as impossible modes of action. Finally, because dance always establishes a contract, or promise, between its choreographic planning and its actualization in movement, it reveals an essential performativity in its aesthetic project—a central concern for both art and critical thought in our time.This title is published in collaboration with Sadler's Wells, London.

A survey of contemporary art and theory that proposes alternatives to outdated linear models of timeWhat does 'contemporary' actually mean? This is among the fundamental questions about the nature and politics of time that philosophers, artists and more recently curators have investigated over the past two decades. If clock time--a linear measurement that can be unified, followed and owned--is largely the invention of capitalist modernity and binds us to its strictures, how can we extricate ourselves and discover alternative possibilities of experiencing time? Recent art has explored such diverse registers of temporality as wasting and waiting, regression and repetition, d j vu and seriality, unrealized possibility and idleness, non-consummation and counter-productivity, the belated and the premature, the disjointed and the out-of-sync--all of which go against sequentialist time and index slips in chronological experience. While such theorists as Giorgio Agamben and Georges Didi-Huberman have proposed "anachronistic" or "heterochronic" readings of history, artists have opened up the field of time to the extent that the very notion of the contemporary is brought into question. This collection surveys contemporary art and theory that proposes a wealth of alternatives to outdated linear models of time.Artists surveyed include Marina Abramovic, Francis Alÿs, Matthew Buckingham, Janet Cardiff, Paul Chan, Olafur Eliasson, Bea Fremderman, Toril Johannessen, On Kawara, Joachim Koester, Christian Marclay, nova Milne, Trevor Paglen, Katie Patterson, Raqs Media Collective, Dexter Sinister, Simon Starling, Hito Steyerl, Hiroshi Sugimoto, Tehching Hsieh, Time/Bank, Mark von SchlegellWriters include Giorgio Agamben, Mieke Bal, Geoffrey Batchen, Hans Belting, Walter Benjamin, Franco Berardi, Daniel Birnbaum, Georges Didi-Huberman, Dogen Zenji, Peter Galison, Boris Groys, Brian Dillon, Elena Filipovic, Joshua Foer, Elizabeth Grosz, Adrian Heathfield, Rachel Kent, Bruno Latour, George Kubler, Doreen Massey, Alexander Nagel, Jean-Luc Nancy, Daniel Rosenberg, Michel Serres, Michel Siffre, Nancy Spector, Nato Thompson, Christopher Wood, George Woodcock

Texts examine how the encounter of ethics and aesthetics has become central to the contested space of much recent art.The boundary of a contemporary art object or project is no longer something that exists only in physical space; it also exists in social, political, and ethical space. Art has opened up to transnational networks of producers and audiences, migrating into the sphere of social and distributive systems, whether in the form of "relational aesthetics" or other critical reinventions of practice. Art has thus become increasingly implicated in questions of ethics. In this volume, artist and writer Walead Beshty evaluates the relation of ethics to aesthetics, and demonstrates how this encounter has become central to the contested space of much recent art. He brings together theoretical foundations for an ethics of aesthetics; appraisals of art that engages with ethical issues; statements and examples of methodologies adopted by a diverse range of artists; and examinations of artworks that question the ethical conditions in which contemporary art is produced and experienced. Artists surveyed include Tania Bruguera, Christoph B chel, Paul Chan, Lygia Clark, Danh Vo, Dexter Sinister, Andrea Fraser, Liam Gillick, David Hammons, Thomas Hirschhorn, Khaled Hourani, Sharon Lockhart, Kerry James Marshall, Renzo Martens, Boris Mikhailov, H lio Oiticica, Seth Price, Walid Raad, Martha Rosler, Tino Sehgal, Allan Sekula, Santiago Sierra, Rirkrit TiravanijaWriters include Giorgio Agamben, Ariella Azoulay, Alain Badiou, Roland Barthes, David Beech, Claire Bishop, Nicolas Bourriaud, Simon Critchley, T.J. Demos, Maurizio Lazzarato, Jean-Fran ois Lyotard, Jacques Ranci re, Jan Verwoert