Recommendations based on "British Dramatists"

From Holden Caulfield to Moses Herzog, our best literature has been narrated by malcontents. To this lineage add Peter Jernigan, who views the world with ferocious intelligence, grim rapture, and a chainsaw wit that he turns, with disastrous consequences, on his wife, his teenaged son, his dangerously vulnerable mistress—and, not least of all, on himself. This novel is a bravura performance: a funny, scary, mesmerizing study of a man walking off the edge with his eyes wide open—wisecracking all the way.

Summer 2005 finally sees the release of THE HITCHHIKER’S GUIDE TO THE GALAXY movie from Touchstone Pictures. Stars include Martin Freeman as Arthur Dent, Sam Rockwell as Zaphod Beeblebrox, Bill Nighy as Slartibartfast, supercool hip-hop artist Mos Def as Ford Prefect and the gorgeous Zooey Deschanel as Trillian. Completely new characters were developed specially for the film by Douglas Adams before his death and will be played by John Malkovich and Anna Chancellor.Pan`s tie-in edition of this cult classic will include substantial extras from Executive Producer, Robbie Stamp: exclusive cast interviews, stories and photographs from the set.

If puritanism is, as H.L. Mencken once said, the haunting fear that someone, somewhere, may be happy, then this glorious, monumental collection by one of England's most popular humorists is a puritan's nightmare. Focusing primarily on the 19th and 20th century, but with material dating back to Columbus, Frank Muir has packed this volume with enough joy and laughter to sink the Mayflower.The range of comic material is amazing--from the gentle, charming comedy of manners, to biting satire, to outrageous parody. There are excerpts from the novels of Jane Austen, P.G. Wodehouse and Mark Twain, complete short stories by O. Henry and Frank O'Connor, classic tall tales from Australia (including one by "Banjo" Patterson, who also wrote "Waltzing Matilda"), passages from Groucho Marx's correspondence with Warner Brothers, newspaper columns written by Art Buchwald and Myles na Gopaleen (the novelist Flann O'Brien), a selection of Samuel Johnson's comic definitions, plus a sprinkling of egregious puns, witty sayings, and even the clever names of stores (such as the New York restaurant "Just for the Halibut" and the London beauty parlor "Curl Up and Dye"). Muir has gathered work from over two hundred writers and from every English-speaking country. Virtually all of your favorites are here: Jonathan Swift, Jane Austen, Charles Dickens, Laurence Sterne, Anita Loos, Ring Lardner, Alexander Woollcott, Robert Benchley, Dorothy Parker, S.J. Perelman, Damon Runyon, Fran Lebowitz, Joseph Heller, Evelyn Waugh, Garrison Keilor, Erma Bombeck, Tom Wolfe, and countless others. In addition, there are comic pieces from writers you wouldn't expect to find--such as Thomas Hardy or Lawrence Durrell--and many many writers you may not have discovered yet, such as Jerome K. Jerome or Daisy Ashford (who wrote an unintentionally hysterical novel at age nine, which she published in her thirties).Frank Muir is one of Britain's best-loved humorists, the host of a highly popular television show and the prolific author of dozens of hilarious books, including the best-selling The Frank Muir Book. Here he provides not only a painfully funny collection, but also generous introductions to each writer, which are comic gems in themselves. Except for the occasional puritan, this is a book that everyone will enjoy.

Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

'brilliant. A Citizen Kane Of A Novel' Daily Telegraph __________________________________ Meet John James Todd: Scotsman, Auteur, Rousseau-fanatic - And 'subversive Element' Born In 1899, John James Todd Is One Of The Great, Failed Geniuses Of The Last Century. His Reminiscences, Collected In The New Confessions, Take Us From Edinburgh To The Western Front, The Berlin Film-world In The Twenties To Hollywood In The Thirties, Forties And Beyond. Suffering Imprisonment, Shooting, Marriage, Fatherhood, Divorce And Mccarthyism, Todd Is A Hostage To Good Fortune, Ill-judgement, Bad Luck, The Vast Sweep Of History And The Cruel, Cruel Hand Of Fate . . . __________________________________ 'a Magnificent Feat Of Storytelling And Panoramic Reconstruction' Observer 'paced And Plotted With Sinewy, Unfailing Skill . . . Boyd Has Given Us A Work Of Rich, Ripe And Immensely Enjoyable Entertainment' Sunday Times 'simply The Best Realistic Storyteller Of His Generation' Independent

"An important contribution to the history of show business and to the saga of American comedy and comedians, comics and comicality."--James ThurberWith impeccable timing, outrageous humor, irreverent wit, and a superb sense of the ridiculous, Groucho tells the saga of the Marx Brothers: the poverty of their childhood in New York's Upper East Side; the crooked world of small-time vaudeville (where they learned to carry blackjacks); how a pretzel magnate and the graceless dancer of his dreams led to the Marx Brothers' first Broadway hit, I'll Say She Is!; how the stock market crash in 1929 proved a godsend for Groucho (even though he lost nearly a quarter of a million dollars); the adventures of the Marx Brothers in Hollywood, the making of their hilarious films, and Groucho's triumphant television series, You Bet Your Life! Here is the life and lunatic times of the great eccentric genius, Groucho, a.k.a. Julius Henry Marx.

'A beautifully observed and sympathetic tour of modern Britain that runs on the tracks of our years.' David Quantick 'Charming...The accounts will make any fan of railways want to experience these delights for themselves.' - The Independent All aboard for a one-of-a-kind journey by train to some of the most obscure parts of Britain On the 200th birthday of the world's first passenger-carrying railway, Nige Tassell sets out to ride Britain's railway network all the way to its lesser-travelled-to corners, its seldom-visited outposts. From Wick to Penzance and many points in between, he stays on until the end of the line. He is the last man sitting. The sixteen final destinations he visits offer sixteen different stories. By delving into their histories, by speaking to their people and by having a good old-fashioned nose around, Tassell reveals much about places that rarely have light cast upon them - from ferry ports to abandoned resorts, from tiny hamlets to towns being reclaimed by the sea. It's a journey that takes in Harry Potter, Muhammad Ali, goths, Alan Bennett, Vera Brittain, Viz comic, Alex Horne, Nigel Farage. Vikings, John Betjeman, Aneurin Bevan, Tyson Fury, Charlotte Rampling's dad and the weepy judge from The Great Pottery Throwdown. All human life is here. So grab yourself a window seat for an odyssey that tells us much about Britain today. All aboard, all aboard.

This issue of Granta was inspired by the original campaign for the Best Young British Novelists. This book includes the writing from the 20 writers judged in 1983.

“A child’s garden of vices, My Booky Wook is also a relentless ride with a comic mind clearly at the wheel.... The bloke can write. He rhapsodizes about heroin better than anyone since Jim Carroll. With the flick of his enviable pen, he can summarize childhood thus: ‘My very first utterance in life was not a single word, but a sentence. It was, ‘Don’t do that.’... Russell Brand has a compelling story." — New York Times Book Review The gleeful and candid New York Times bestselling autobiography of addiction, recovery, and rise to fame from Russell Brand, star of Forgetting Sarah Marshall and one of the biggest personalities in comedy today. Picking up where he left off in My Booky Wook, movie star and comedian Russell Brand details his rapid climb to fame and fortune in a shockingly candid, resolutely funny, and unbelievably electrifying tell-all: Booky Wook 2. Brand’s performances in Arthur, Get Him to the Greek, and Forgetting Sarah Marshall have earned him a place in fans’ hearts; now, with a drop of Chelsea Handler’s Chelsea Chelsea Bang Bang, a dash of Tommy Lee’s Dirt, and a spoonful of Nikki Sixx’s The Heroin Diaries, Brand goes all the way—exposing the mad genius behind the audacious comic we all know (or think we know) and love (or at least, lust).

After an unexpected and diabolical farewell breakfast conversation with his father, Spud Milton returns to boarding school for his 1993 Matric year, his last as a schoolboy. Armed with a prefects’ tie and a raging libido, Spud soon discovers that being a large(ish) fish in a small pond has its fair share of challenges. He finds himself embroiled in fighting for his own room, directing a house play where both lead actors refuse to learn their lines, and assisting in Vern Blackadder’s dramatic return from the dead with nothing more than a drip cord and a pair of oven gloves. Amidst mounting pressure in the classroom and on the cricket field, Spud prepares to face down the most feared and dreaded challenge of them all—finding a date for the Matric dance. In this hilarious final installment of the Spud series, John Van de Ruit brings to a close his savagely funny blow by blow account of the agonies of growing up. The embarrassments, thrills, defeats, and the sheer-absurdity of daily life are wittily recorded in Spud’s unique voice as he prepares to make his own exit, pursued by a bear.