Recommendations based on "Brazen My Unorthodox Journey from Long Sleeves to Lingerie"

This searing and intimate novel in verse follows a sixteen-year-old girl coping with sexual abuse as she grapples with how to reclaim her story, her anger, and her body in a world that seems determined to punish her for the sin of surviving."This is more than a story about sexual violence—this book is about race, sexuality, love, and how anger can be a catalyst for healing."—Gabrielle Union, bestselling author, actress, and producerSixteen-year-old Alicia Rivers has a reputation that precedes her. But there’s more to her story than the whispers that follow her throughout the hallways at school—whispers that splinter into a million different insults that really mean: a girl who has had sex. But what her classmates don't know is that Alicia was sexually abused by a popular teacher, and that trauma has rewritten every cell in her body into someone she doesn't recognize. To the world around her, she’s been cast, like the mythical Medusa, as not the victim but the monster of her own story: the slut who asked for it.Alicia was abandoned by her best friend, quit the track team, and now spends her days in detention feeling isolated and invisible. When mysterious letters left in her locker hint at another victim, Alicia struggles to keep up the walls she's built around her trauma. At the same time, her growing attraction to a new girl in school makes her question what those walls are really keeping out."[This] fierce and brightly burning feminist roar…paints a devastating and haunting portrait of a vulnerable young woman discovering the power of her voice, her courage, and her rage." —Samira Ahmed, New York Times bestselling author of Internment and Hollow Fires

"Girls Girls Girls floored me. . . . It's completely extraordinary." —Catherine Newman, New York Times bestselling author of SandwichA vibrant queer Jewish debut "teeming with heart, angst, love, and self discovery" (Emily Austin) about a young woman who, caught between the expectations of others and her own evolving desires, is forced to make a series of fraught life-altering decisions.It’s the summer of ’96 and best friends (and secret girlfriends) Hannah and Sam are driving across the country from Long Beach, New York, to the fabled queer paradise of San Francisco, free from the harsh gazes of their neighbors and the stifling demands of Hannah’s devout Orthodox Jewish mother. In San Francisco, they will finally be together as a real couple, out in the open, around other queer people. Even if the move means leaving behind Hannah’s beloved Bubbe.When the financial strains of West Coast living push the girls to start stripping at The Chez Paree—yet another secret Hannah must keep from her family—Hannah feels trapped. Sam wants her at the club, but Hannah hates stripping nearly as much as she hates disappointing Sam. Then Hannah meets Chris, an older butch lesbian, who is immediately taken with her. Desperate to stay in San Francisco, but away from the leering men at the club, Hannah proposes an escort arrangement.But as Hannah falls deeper into Chris’ world and Sam starts to meet new queer friends, a rift forms between them. Without Sam, who is Hannah? And what becomes of San Francisco to Hannah alone—a space rich with queer possibility, or an intimidating, unfamiliar place, just as lonely as the one she’d left behind? An achingly tender and resonant story of survival, first love, and growing up queer in the ’90s, Girls Girls Girls is a piercing exploration of the choices we make in the thrilling and often confounding search for ourselves and home.

A moving exploration of how gay men construct their identities, fight to be themselves, and live authenticallyIt goes without saying that even today, it’s not easy to be gay in America. While young gay men often come out more readily, even those from the most progressive of backgrounds still struggle with the legacy of early-life stigma and a deficit of self-acceptance, which can fuel doubt, regret, and, at worst, self-loathing. And this is to say nothing of the ongoing trauma wrought by AIDS, which is all too often relegated to history. Drawing on his work as a clinical psychologist during and in the aftermath of the epidemic, Walt Odets reflects on what it means to survive and figure out a way to live in a new, uncompromising future, both for the men who endured the upheaval of those years and for the younger men who have come of age since then, at a time when an HIV epidemic is still ravaging the gay community, especially among the most marginalized.Through moving stories―of friends and patients, and his own―Odets considers how experiences early in life launch men on trajectories aimed at futures that are not authentically theirs. He writes to help reconstruct how we think about gay life by considering everything from the misleading idea of “the homosexual,” to the diversity and richness of gay relationships, to the historical role of stigma and shame and the significance of youth and of aging. Crawling out from under the trauma of destructive early-life experience and the two epidemics, and into a century of shifting social values, provides an opportunity to explore possibilities rather than live with limitations imposed by others. Though it is drawn from decades of private practice, activism, and life in the gay community, Odets’s work achieves remarkable universality. At its core, Out of the Shadows is driven by his belief that it is time that we act based on who we are and not who others are or who they would want us to be. We―particularly the young―must construct our own paths through life. Out of the Shadows is a necessary, impassioned argument for how and why we must all take hold of our futures.

The gay male world today is characterized by seductive beauty, artful creativity, flamboyant sexuality, and, encouragingly, unprecedented acceptability in society. Yet despite the progress of the recent past, gay men still find themselves asking, "Are we really better off?" The inevitable byproduct of growing up gay in a straight world continues to be the internalization of shame, a shame gay men may strive to obscure with a fa?ade of beauty, creativity, or material success. Drawing on contemporary psychological research, the author's own journey to be free of anger and of shame, as well as the stories of many of his friends and clients, The Velvet Rage outlines the three distinct stages to emotional well-being for gay men. Offering profoundly beneficial strategies to stop the insidious cycle of avoidance and self-defeating behavior, The Velvet Rage is an empowering book that will influence the public discourse on gay culture, and positively change the lives of gay men who read it.

Brings together a wealth of research and an expansive selection of photographs to create an enduring account of America's first-known trans network, Casa Susanna.

The LGBT agenda for too long has been dominated by pragmatic issues like same-sex marriage and gays in the military. It has been stifled by this myopic focus on the present, which is short-sighted and assimilationist. Cruising Utopia seeks to break the present stagnancy by cruising ahead. Drawing on the work of Ernst Bloch, Jose Esteban Munoz recalls the queer past for guidance in presaging its future. He considers the work of seminal artists and writers such as Andy Warhol, LeRoi Jones, Frank O'Hara, Ray Johnson, Fred Herko, Samuel Delany, and Elizabeth Bishop, alongside contemporary performance and visual artists like Dynasty Handbag, My Barbarian, Luke Dowd, Tony Just, and Kevin McCarty in order to decipher the anticipatory illumination of art and its uncanny ability to open windows to the future. In a startling repudiation of what the LGBT movement has held dear, Munoz contends that queerness is instead a futurity bound phenomenon, a "not yet here" that critically engages pragmatic presentism. Part manifesto, part love-letter to the past and the future, Cruising Utopia argues that the here and now are not enough and issues an urgent call for the revivification of the queer political imagination.

In Break Any Woman Down, Dana Johnson explores race, identity, and alienation with unflinching honesty and vibrant language. Hip and seductive, her stories often feature women discovering their identities through sexual and emotional intimacy with the men in their lives. In the title story, La Donna is a black stripper whose white boyfriend, an actor in adult movies, insists that she stop stripping. In "Melvin in the Sixth Grade," eleven-year-old Avery has a crush on a white boy from Oklahoma who, like Avery, is an outsider in their suburban Los Angeles school. "Markers" is as much about a woman's relationship with her mother as it is about the dissolution of her relationship with an older Italian man.Dana Johnson has an intuitive sense of character and a gift for creating authentic voices. She effortlessly captures the rhythmic vernaculars of Los Angeles, the American South, and various immigrant communities as she brings to life the sometimes heavyhearted, but always persevering, souls who live there.

Male homosexual activity in public and semipublic locations is a central but seldom explored dimension of gay culture around the world. The majority of existing research emphasizes the impersonality of such erotic interaction and underscores the element of danger involved. While never denying the danger of anonymous public sex in the age of AIDS, the contributors to Public Sex/Gay Space go beyond narrow moralisms about the need to regulate unsafe sexual practices to discuss the significance of sex in public. William Leap has brought together contributions from such fields as anthropology, sociology, literary criticism, and history to reinvigorate the discussion on this issue, with twelve essays providing a more nuanced portrait of why public sexual activity is such an integral part of gay culture. The authors present rich ethnographic snapshots of male sex in public places--many drawn from interviews with participants or, in some instances, the authors' personal experiences.Contributors investigate a broad cultural spectrum of gay sexual space and activity: in a public park in contemporary Hanoi, at the beachfront community of New York's Fire Island, and in nineteenth-century Amsterdam, for example. They explore issues such as visibility and secrecy, as well as economic status and social class, and interrogate the historical trajectories through which certain locations come to be favored sites for sexual encounters. Together, they offer insight into the ways in which public sex calls into question the very line that divides "public" from "private."

At the Dreamland, women and girls flicker from the shadows to take their proper place in the spotlight. In this lyrical collection, Sonja Livingston weaves together strands of research and imagination to conjure figures from history, literature, legend, and personal memory. The result is a series of essays that highlight lives as varied, troubled, and spirited as America itself. Harnessing the power of language, Livingston breathes life into subjects who led extraordinary lives-as rule-breakers, victims, or those whose differences made them cultural curiosities-bringing together those who slipped through the world largely unseen with those whose images were fleeting or faulty so that they, too, remained relatively obscure. Included are Alice Mitchell, a Memphis society girl who murdered her female lover in 1892; Maria Spelterini, who crossed Niagara Falls on a tightrope in 1876; May Fielding, a "white slave girl" buried in a Victorian cemetery; Valaida Snow, a Harlem Renaissance trumpeter; a child exhibited as Darwin's Missing Link; the sculptors' model Audrey Munson; a Crowwarrior; victims of a 1970s serial killer; the Fox Sisters; and many more.

Caroline ?Tula? Cossey was born with male genitalia but went on to become a beautiful woman with a successful modelling career. My Story is Tula?s candid thought provoking, enlightening, humorous, heart wrenching and motivational account of her struggles: her troubled childhood being bullied and taunted in East Anglia, her dreams of becoming a woman, the operations that liberated her sexually, and the journey from showgirl to James Bond girl to top international model. At the height of her career, Tula had appeared in Vogue, Cosmopolitan and Harper's Bazaar and graced the covers of many top fashion and beauty magazines and top calendars around the world. She was also the first transgendered model to appear in Playboy magazine and was featured on the cover of multiple international editions. After she was twice exposed by the News of the World, Tula?s career plummeted and her marriage to multimillionaire Elias Fattal was annulled. In the spring of 1989, she was forced to make a unique appeal to the European Commission of Human Rights: she was fighting for the legal validation of her marriage as a female and the right to have her birth certificate amended after gender reassignment surgery. Her activism led to appearances on Donahue, Joan Rivers, Howard Stern, Geraldo, Montel Williams, Maury Povich, Arsenio Hall, Neal Boortz, David Frost, Gloria Hunniford, BBC?s Question Time, Jonathan Ross, and numerous other television and radio shows. She has also often been featured on Entertainment Tonight and had a day named after her in Atlanta, Georgia and was given the key to the city. My Story is not just the true account of Tula?s battle for the body she needed to survive and her struggle for the legal rights she deserved as a woman. It is above all an inspirational exemplification of the triumph of the human spirit over seemingly insurmountable adversity and suffering.