Recommendations based on "Bohemia in London"

“Brooks’ chronological and cross-disciplinary leaps are thrilling.” —The New York Times Book Review“Horse isn’t just an animal story—it’s a moving narrative about race and art.” —TIME“A thrilling story about humanity in all its ugliness and beauty . . . the evocative voices create a story so powerful, reading it feels like watching a neck-and-neck horse race, galloping to its conclusion—you just can’t look away.” —Oprah DailyWinner of the Anisfield-Wolf Book Award, the Dayton Literary Peace Prize, and the Dr. Tony Ryan Book Award · Finalist for the Chautauqua Prize · A Massachusetts Book Award Honor BookA discarded painting in a junk pile, a skeleton in an attic, and the greatest racehorse in American history: from these strands, a Pulitzer Prize winner braids a sweeping story of spirit, obsession, and injustice across American historyKentucky, 1850. An enslaved groom named Jarret and a bay foal forge a bond of understanding that will carry the horse to record-setting victories across the South. When the nation erupts in civil war, an itinerant young artist who has made his name on paintings of the racehorse takes up arms for the Union. On a perilous night, he reunites with the stallion and his groom, very far from the glamor of any racetrack.New York City, 1954. Martha Jackson, a gallery owner celebrated for taking risks on edgy contemporary painters, becomes obsessed with a nineteenth-century equestrian oil painting of mysterious provenance.Washington, DC, 2019. Jess, a Smithsonian scientist from Australia, and Theo, a Nigerian-American art historian, find themselves unexpectedly connected through their shared interest in the horse—one studying the stallion’s bones for clues to his power and endurance, the other uncovering the lost history of the unsung Black horsemen who were critical to his racing success.Based on the remarkable true story of the record-breaking thoroughbred Lexington, Horse is a novel of art and science, love and obsession, and our unfinished reckoning with racism.

Contains the Bryant Spann Memorial Prize in Literature for 1997, an award-winning essay, "The Very Last Hurrah" by Eric Leif Davin.

From one of the most brilliant and provocative literary figures of the past century—a collection of essays, articles, reviews, and interviews that have never before been gathered in a single volume.“An absorbing portrait of Baldwin’s time—and of him.” —New York Review of BooksJames Baldwin was an American literary master, renowned for his fierce engagement with issues haunting our common history. In The Cross of Redemption we have Baldwin discoursing on, among other subjects, the possibility of an African-American president and what it might mean; the hypocrisy of American religious fundamentalism; the black church in America; the trials and tribulations of black nationalism; anti-Semitism; the blues and boxing; Russian literary masters; and the role of the writer in our society.Prophetic and bracing, The Cross of Redemption is a welcome and important addition to the works of a cosmopolitan and canonical American writer who still has much to teach us about race, democracy, and personal and national identity. As Michael Ondaatje has remarked, “If van Gogh was our nineteenth-century artist-saint, Baldwin [was] our twentieth-century one.”

A clear-eyed, uncompromising collection of essays from the "conscience of his generation" and the author of 1984 (V. S. Pritchett). One of the most thought-provoking and vivid essayists of the twentieth century, George Orwell fought the injustices of his time with singular vigor through pen and paper. In this selection of essays, he ranges from reflections on his boyhood schooling and the profession of writing to his views on the Spanish Civil War and British imperialism.The works collected here include “Such, Such Were the Joys,” “Shooting an Elephant,” “Politics and the English Language,” and “Why I Write.” Perfect for those new to Orwell’s work and a wonderful compilation for the experienced Orwell reader, A Collection of Essays is an invaluable anthology.

This revision of the acclaimed and widely assigned Norton Critical Edition of Frederick Douglass’s great autobiography Narrative of the Life of Frederick Douglass, an American Slave, Written by Himself includes key examples of literary and cultural analyses that have engaged scholars over the last three decades. This Norton Critical Edition includes:- Frederick Douglass’s 1845 Narrative, the most influential autobiography of its kind.- A preface and explanatory footnotes by William L. Andrews and William S. McFeely.- Contemporary perspectives by Douglass, Margaret Fuller, James Monroe Gregory, and Elizabeth Cady Stanton.- Essays by William L. Andrews, William S. McFeely, Henry Louis Gates, Jr., Deborah E. McDowell, Houston A. Baker, Jr., Jeannine Marie DeLombard, and Robert D. Richardson, Jr.- A Chronology and a Selected Bibliography.

"Sets out to give an honest and thorough account of this extraordinary man and does so. . . . Arguably the best [biography of Stonewall]." ―Washington Post Book World The charismatic Confederate general Stonewall Jackson, who began his military career in the Mexican War, earned his great fame in the Civil War in a series of brilliantly fought battles. He was given the name Stonewall at the First Battle of Bull Run, when his brigade faced overwhelming odds but held the line. Byron Farwell's engrossing narrative reveals Stonewall Jackson both as a military genius and as a quirky, dark personality radically different from the storybook version that grew up after Jackson's untimely death at Chancellorsville in 1863.

Find out how a journalist and sportsman became one of the most famous American novelists of the twentieth century in this new addition to the #1 New York Times bestselling series!Ernest Hemingway wasn't just a novelist. He was a hunter and a fisherman; he became an ambulance officer in Paris, France, during World War I; and he worked as a reporter during the civil war in Spain in the 1930s. All of these experiences had such an important impact on Ernest's life that he used them as inspiration for some of his most notable works of fiction, including The Sun Also Rises, A Farewell to Arms, and For Whom the Bell Tolls.He wrote short stories, novels, and articles in an understated, direct style, that is still beloved by readers today. Hemingway is remembered as much for his fiction as he is for his adventurous lifestyle.

For over two centuries, America has celebrated the very black culture it attempts to control and repress, and nowhere is this phenomenon more apparent than in the strange practice of blackface performance. Born of extreme racial and class conflicts, the blackface minstrel show sometimes served to usefully intensify these conflicts. Based on the appropriation of black dialect, music, and dance, minstrelsy at once applauded and lampooned black culture, ironically contributing to a "blackening of America". Drawing on recent research in cultural studies and social history, Eric Lott examines the role of the blackface minstrel show in the political struggles of the years leading up to the Civil War. Reading minstrel music, lyrics, jokes, burlesque skits, and illustrations in tandem with working-class racial ideologies and the sex/gender system, Love and Theft argues that blackface minstrelsy both embodied and disrupted the racial tendencies of its largely white, male, working-class audiences. Underwritten by envy as well as repulsion, sympathetic identification as well as fear - a dialectic of "love and theft" - the minstrel show continually transgressed the color line even as it enabled the formation of a self-consciously white working class. Lott exposes minstrelsy as a signifier for multiple breaches: the rift between high and low cultures, the commodification of the dispossessed by the empowered, the attraction mixed with guilt of whites caught in the act of cultural thievery.

Twentieth-anniversary edition of a baseball classic, with a new epilogue by Jim Bouton.When first published in 1970, Ball Four stunned the sports world. The commissioner, executives, and players were shocked. Sportswriters called author Jim Bouton a traitor and "social leper." Baseball commissioner Bowie Kuhn tried to force him to declare the book untrue. Fans, however, loved the book. And serious critics called it an important social document. Today, Jim Bouton is still not invited to Oldtimer's Days at Yankee Stadium. But his landmark book is still being read by people who don't ordinarily follow baseball.

In the period 1880-1960, advertising pervaded every aspect of British life. It was also the period which witnessed the rise of the British Empire. This text traces the historically changing image of non-white people in British advertising during the colonial period. Drawing on archival sources it analyses the various conflicting and changing ideologies of colonialism and racism in British advertising.