Recommendations based on "Blood on the Moon"

Alex Cross was a rising star in the Washington, DC, Police Department when an unknown shooter gunned down his wife, Maria, in front of him. Alex's need for vengeance was placed on hold as he faced another huge challenge-raising his children without their mother.Years later Alex is making a bold move in his life. He has left the FBI and set up practice as a psychologist once again. His life with Nana Mama, Damon, Jannie, and little Alex finally feels like it's in order. He even has a chance at a new love.Then Cross's former partner, John Sampson, calls in a favor. He is tracking a serial rapist in Georgetown, one whose brutal modus operandi includes threatening his victims with terrifying photos. Cross and Sampson need the testimonies of these women to stop the predator, but the rape victims refuse to reveal anything about their attacker.When the case triggers a connection to Maria's death, Alex may have a chance to catch his wife's murderer after all these years. Is this a chance for justice at long last? Or the culminating scene in his own deadly obsession?

Inspector Alan Banks—hailed as “a man for all seasons” by Michael Connelly—must face the music when he becomes embroiled in one of his most perplexing and distressing cases in this haunting page-turner from New York Times bestselling author Peter Robinson.Two women. Two crimes.The first is a poet claiming she was assaulted decades earlier by a man now regarded as one of the country’s national treasures. The second is a girl found on a remote roadside, her body broken, her life snuffed out.For Alan Banks, newly promoted to Detective Superintendent, the first case rips a tunnel into long-ago days of innocence and discovery, of music and light. And in the victim, he sees an opportunity for magic recaptured—if he can bring her assailant to justice.For Detective Inspector Annie Banks, the lifeless young woman poses a baffling mystery—a mystery that will lead her into the unlikeliest of places, interviewing the unlikeliest of suspects.Emotionally resonant and ingeniously plotted, When the Music’s Over begins a new chapter for Banks—and shows Peter Robinson at his tense, triumphant best.

The mutilated body of a young woman. The town doctor lying comatose in the road. A hundred and fifty tablets of Canadian OxyContin. This is the havoc that a merciless killer has wreaked on a sleepy Maine seaport. As detectives Maggie Savage and Michael McCabe investigate, they realize the man they are after does not exist. Nobody knows his real name. Nobody has seen his face. But everybody fears his blade. The only one who may know the murderer's true identity is an eleven-year-old girl—who has vanished into thin air. Taut, twisting, and starring two unforgettable heroes, Darkness First will thrill fans of John Sandford and C. J. Box.

Jane Whitefield takes on the mafia—and its money—in this “downright dazzling” (The New York Times Book Review) crime thriller from the award-winning author of The Butcher’s Boy. “A terrifying ride . . . a terrific, pell-mell book.”—Minneapolis Star-Tribune Even before she heard the teenager’s story, Jane Whitefield’s Native American intuition whispered danger. For a year, Rita Shelford kept house for an old man in Florida. When he disappeared, other men came and tried to kill her. That was before she knew that her employer was the Mafia’s brilliant moneyman, recently reported murdered. Now the mob suspects Rita of stealing the only record of a shady investment worth billions. Unless Jane, Rita’s last hope, can spirit Rita into a new identity, she’s a dead woman. As the mafioso army converges on airports and hotels, highway and city streets, there seems to be no exit—except from life itself. . . .

An explosive novel of betrayal and blood vengeance from the New York Times bestselling author of Long Time Gone. There are those who don't deserve to live -- and the corpse floating in Elliot Bay may have been one of those people. Not surprisingly, many individuals -- too many, in fact -- are eager to take responsibility for the brutal slaying of the hated biotech executive whose alleged crimes ranged from the illegal trading of industrial secrets to rape. For Seattle Detective J.P. Beaumont -- who's drowning in his own life-shattering problems -- a case of seemingly justifiable homicide has sinister undertones, drawing the haunted policeman into a corporate nightmare of double deals, savage jealousies, and real blood spilled far too easily, as it leads him closer to a killer he's not sure he wants to find.

Still reeling from the death of her fiancÉ, Detective Anna Travis has thrown herself into her new role as the chief inspector for London's murder squad. When Scotland Yard's missing persons bureau is unable to locate the son of a court employee, the superintendent—James Langton, Anna's former lover turned sometimes friend—urges her to take on the suspicious assignment. But is this new investigation purely a missing persons case—or a full-blown murder inquiry? An ominous pool of blood with no locatable victim leads Anna on a desperate hunt for a man who has disappeared without a trace. With no body, and increasing pressure to make an arrest, Anna becomes obsessed with the smallest details of the case. Now, one man has vanished, a killer may be loose on the streets, and, as Langton looks on, Anna Travis may be losing control of the investigation—and of herself.

Sandman Slim investigates Death’s death in this hip, propulsive urban fantasy through a phantasmagoric LA rife with murder, mayhem, and magic. James Stark has met his share of demons and angels, on earth and beyond. Now, he’s come face to face with the one entity few care to meet: Death. Someone has tried to kill Death—ripping the heart right out of him—or rather the body he’s inhabiting. Death needs Sandman Slim’s help: he believes anyone who can beat Lucifer and the old gods at their own game is the only one who can solve his murder. Stark follows a sordid trail deep into LA’s subterranean world, from vampire-infested nightclubs to talent agencies specializing in mad ghosts, from Weimar Republic mystical societies to sleazy supernatural underground fight and sex clubs. Along the way he meets a mysterious girl—distinguished by a pair of graveyard eyes—as badass as Slim: she happens to be the only person who ever outwitted Death. But escaping her demise has had dire consequences for the rest of the world . . . and a few others. For years, Slim has been fighting cosmic forces bent on destroying Heaven, Hell, and Earth. This time, the battle is right here on the gritty streets of the City of Angels, where a very clever, very ballsy killer lies in wait.

The internationally acclaimed author of the L.A. Quartet and The Underworld USA Trilogy, James Ellroy, presents another literary noir masterpiece of historical paranoia.In this savagely audacious novel, James Ellroy plants a pipe bomb under the America in the 1960s, lights the fuse, and watches the shrapnel fly. On November 22, 1963 three men converge in Dallas. Their job: to clean up the JFK hit’s loose ends and inconvenient witnesses. They are Wayne Tedrow, Jr., a Las Vegas cop with family ties to the lunatic right; Ward J. Littell, a defrocked FBI man turned underworld mouthpiece; and Pete Bondurant, a dope-runner and hit-man who serves as the mob’s emissary to the anti-Castro underground.It goes bad from there. For the next five years these night-riders run a whirlwind of plots and counter-plots: Howard Hughes’s takeover of Vegas, J. Edgar Hoover’s war against the civil rights movement, the heroin trade in Vietnam, and the murders of Martin Luther King, Jr. and Bobby Kennedy. Wilder than L. A. Confidential, more devastating than American Tabloid, The Cold Six Thousand establishes Ellroy as one of our most fearless novelists.

Dan Shepherd is used to putting his life on the line. It goes with the territory when you're an undercover cop. Now working for Britain's top anti-organized crime agency, Shepherd is pitting his wits against the toughest criminals in the country. But when the man who once saved his life is kidnapped in the badlands of Iraq, thrown into a basement, and threatened with execution, Shepherd has to decide whether his loyalties lie with his country, his career, or his friend. Shepherd and his former SAS colleagues realize that the hostage has been abandoned by the British government and that, officially, nothing is being done to rescue him. And with the execution only days away, Shepherd knows that the only way to save his friend's life is to put himself on the firing line in the most dangerous city in the world--Baghdad.

A CLASSIC NOVEL BY THE MASTER OF HARD-BOILED CRIME, THE HIGH WINDOW IS RAYMOND CHANDLER'S THIRD STORY FEATURING LACONIC PI PHILIP MARLOWE. 'He lay crumpled on his back. Very lonely, very dead. The safe door was wide open. A metal drawer was pulled out. It was empty now. There may have been money in it once.'Los Angeles PI Philip Marlowe's on a case: his client, a dried-up husk of a woman, wants him to recover a rare gold coin called a Brasher Doubloon, missing from her late husband's collection. That's the simple part. It becomes more complicated when Marlowe finds that everyone who handles the coin suffers a run of very bad luck: they always end up dead. That's also unlucky for a private investigator, because leaving a trail of corpses around LA puts cops' noses seriously out of joint. If Marlowe doesn't wrap this one up fast, he's going to end up either in jail or in a wooden box in the ground . . . 'Chandler's books should be read and judged, not as escapist literature, but as works of art' W.H. Auden 'Chandler grips the mind from the first sentence' Daily Telegraph 'One of the greatest crime writers, who set standards others still try to attain' Sunday Times 'Chandler is an original stylist, creator of a character as immortal as Sherlock Holmes' Anthony Burgess