Recommendations based on "Blast from the Past (Geronimo Stilton #84)"

From one of our greatest living writers comes a sweeping novel of unrequited love and exile, war and family.The Magician tells the story of Thomas Mann, whose life was filled with great acclaim and contradiction. He would find himself on the wrong side of history in the First World War, cheerleading the German army, but have a clear vision of the future in the second, anticipating the horrors of Nazism. He would have six children and keep his homosexuality hidden; he was a man forever connected to his family and yet bore witness to the ravages of suicide. He would write some of the greatest works of European literature, and win the Nobel Prize, but would never return to the country that inspired his creativity. Through one life, Colm Toibin tells the breathtaking story of the twentieth century.___________________________________***Praise for Colm Tóibín***'A celebration of what novels can do' Observer'Devastatingly human . . . savage, sordid and hauntingly believable' Guardian'Tremendous, richly beautiful, wonderful . . . it does everything we ought to ask of a great novel' Tessa Hadley'Subtle and enthralling' Sunday Times

Please Read Notes: Brand New, International Softcover Edition, Printed in black and white pages, minor self wear on the cover or pages, Sale restriction may be printed on the book, but Book name, contents, and author are exactly same as Hardcover Edition. Fast delivery through DHL/FedEx express.

A visionary work that combines speculative fiction with deep philosophical inquiry, The Sparrow tells the story of a charismatic Jesuit priest and linguist, Emilio Sandoz, who leads a scientific mission entrusted with a profound task: to make first contact with intelligent extraterrestrial life. The mission begins in faith, hope, and beauty, but a series of small misunderstandings brings it to a catastrophic end.Praise for The Sparrow“A startling, engrossing, and moral work of fiction.”—The New York Times Book Review“Important novels leave deep cracks in our beliefs, our prejudices, and our blinders. The Sparrow is one of them.”—Entertainment Weekly“Powerful . . . The Sparrow tackles a difficult subject with grace and intelligence.”—San Francisco Chronicle“Provocative, challenging . . . recalls both Arthur C. Clarke and H. G. Wells, with a dash of Ray Bradbury for good measure.”—The Dallas Morning News“[Mary Doria] Russell shows herself to be a skillful storyteller who subtly and expertly builds suspense.”—USA Today

Brian Attebery's "strategy of fantasy" include not only the writer's strategies for inventing believable impossibiltes, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebury examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantasic fiction exhibits a remarkable capacity for reinventing narrative concentions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admited into a story.

Their eyes met across a crowded room. She was just a poor servant girl and he was the son of a rich industrialist. Er, no, this is a Christopher Brookmyre novel, although the eyes meeting across a crowded room part is true. Where it differs from the fairy tales is that the room in question was crowded with hostages and arme d bank-robbers, and his eyes were the only part of him she could see behind the mask. He is an art-thief par excellence and she is a connoisseur of crooks. Her job is to hunt him to extinction; his is to avoid being caught and he also has a secret agenda more valuable than anything he might steal. There are risks he can take without jeopardising his plans. He can afford to play cat-and-mouse with the female cop who's on his tail; it might even arguably be necessary. What he can't afford is to let her get too close: he could could end up in jail or, even more scary, he could end up in love

Dazzling, enchanting and epic, The Bells is the confession of a thief, kidnapper and unlikely lover — a boy with the voice of an angel whose exquisite sense of hearing becomes both his life's tragic curse and its greatest blessing.Moses Froben was born in a belfry high in the Swiss Alps, the bastard son of a deaf-mute woman banished to the church tower to ring each day the Loudest and Most Beautiful Bells in the land. His life is simple but he is content, until the day his father recognizes Moses's singular sense of hearing and its power to expose his sins. Cast into the world with only his ears to protect and guide him, Moses finds refuge in the choir of the great Abbey of St. Gall and becomes its star singer, only to endure the horrifying act of castration meant to preserve his angelic voice and turn him into a musico.In a letter to his son, Moses recounts his humble birth in eighteenth-century Switzerland and his life as a novice monk, and tells of the two noble friends — and a forbidden lover — whom he cherished during his chaotic years in Mozart's Vienna as apprentice to the great Gaetano Guadagni, and even as he ascended Europe's most celebrated stages as Lo Svizzero. But in this letter he will also reveal the astonishing secrets of his past and answer the question that has shadowed his fame: how did Moses Froben, world-renowned musico, come to raise a son who by all rights he could never have sired?

Artemis is no stranger to trouble. In fact he's a magnet for it. Now his mother is gravely ill. Artemis Fowl must travel back through time to steal the cure from the clutches of the young criminal mastermind ... Artemis Fowl. That's right, with fairy ally Captain Holly Short by his side, Artemis is going back in time to do battle with himself. Suggested level: intermediate, junior secondary.

Pod, Homily, and Arrietty Clock -- the family of tiny Borrowers -- think they have at last found an ideal home. They've moved into a house in a miniature village built as a hobby by a retired railroad man. The village is the perfect size for the Borrowers, and after the hardships they've faced, the Clocks gratefully settle into the luxury of having a "proper" house. The easy life makes them careless. Or, rather, it makes Arrietty careless. She befriends a "human bean," and the next thing Arrietty knows, she and her family have been kidnapped. Their captors are a greedy married couple, called the Platters, who have big plans for the little people. They have created their own miniature village in a glass case and plan to imprison the Borrowers within -- like animals in a zoo -- for the rest of their lives.

Tolly comes to live with his great-grandmother at the ancient house of Green Knowe and becomes friends with three children who lived there in the seventeenth century. "L.M. Boston's classic is a sophisticated mood piece disguised as a children's ghost story. As young Toseland goes to live with his grandmother in the family's ancestral home, the reader is plunged immediately into the world of Green Knowe. Like Toseland, who actually rows up to his new home in the midst of a flood, we have a hard time finding our bearings. Toseland discovers a funny kind of grandmother awaiting him--one who speaks elliptically of the children and animals she keeps around the house: they might be memories, they might be ghosts. It's never quite clear where real life leaves off and magic begins. Toseland admires a deer: "A deer seems more magic than a horse." His grandmother is quick to respond: "Very beautiful fairy-tale magic, but a horse that thinks the same thoughts that you do is like strong magic wine, a love philtre for boys. With this meshing of the magical and the real, Boston evokes a childlike world of wonder. She compounds the effect by combining gorgeous images and eerily evocative writing. Toseland goes out on a snowy morning: "In front of him, the world was an unbroken dazzling cloud of crystal stars, except for the moat, which looked like a strip of night that had somehow sinned and had no stars in it." The loosely plotted story is given more resonance still through liberal use of biblical imagery and Anglo-Saxon mythology. For those willing to suspend their disbelief and read carefully, the world of Green Knowe offers a wondrous escape." Source: www.amazon.com.

This last installment of the beloved series recounts the long-ago beginnings of Green Knowe, a time when Roger, the son of a Norman lord, was the first child to live in the grand old manor. Roger finds some ancient stones on the grounds, which magically transport him back and forth in time so he can meet and befriend Toby, Linnet, Susan, and Tolly--the future inhabitants of Green Knowe and the heroes of the five other magical books in the series.