Recommendations based on "Beloved A Novel"

“Papa explains the war like this: ‘When the elephants dance, the chickens must be careful.’ The great beasts, as they circle one another, shaking the trees and trumpeting loudly, are the Amerikanos and the Japanese as they fight. And our Philippine Islands? We are the small chickens.”Once in a great while comes a storyteller who can illuminate worlds large and small, magical and true to life. When the Elephants Dance introduces us to the incandescent voice of Tess Uriza Holthe, who sets her remarkable first novel in the waning days of World War II, as the Japanese and the Americans engage in a fierce battle for possession of the Philippine Islands. The Karangalan family and their neighbors huddle for survival in the cellar of a house a few miles from Manila. Outside the safety of their little refuge the war rages on—fiery bombs torch the beautiful Filipino countryside, Japanese soldiers round up and interrogate innocent people, and from the hills guerillas wage a desperate campaign against the enemy. Inside the cellar, these men, women, and children put their hopes and dreams on hold as they wait out the war, only emerging to look for food, water, and medicine.Through the eyes of three narrators, thirteen-year-old Alejandro Karangalan, his spirited older sister Isabelle, and Domingo, a passionate guerilla commander, we see how ordinary people must learn to live in the midst of extraordinary uncertainty, how they must find hope for survival where none seems to exist. They find this hope in the dramatic history of the Philippine Islands and the passion and bravery of its people. Crowded together in the cellar, the Karangalans and their friends and neighbors tell magical stories to one another based on Filipino myth and legend to fuel their courage, pass the time, and teach important lessons. The group is held spellbound by these stories, which feature a dazzling array of ghosts, witches, supernatural creatures, and courageous Filipinos who changed the course of history with their actions. These profoundly moving stories transport the listeners from the chaos of the war around them and give them new resolve to fight on.With When the Elephants Dance Holthe has not only written a gripping narrative of how Alejandro, Isabelle, Domingo and their community fight for survival, but a loving tribute to the magical realism that infuses Filipino culture. The stories shared by her characters are based on the same tales handed down to Holthe from her Filipino father and lola, her grandmother. This stunning debut novel is the first to celebrate in such richness and depth the spirit of the Filipino people and their fascinating story and marks the introduction of a talented new author who will join the ranks of writers such as Arundhati Roy, Manil Suri, and Amy Tan.

'A tender and touching love story, beautifully told' Observer 10 Best Debut Novelists of 2021'A beautiful and powerful novel about the true and sometimes painful depths of love' Candice Carty-Williams, bestselling author of QUEENIE'An unforgettable debut... it's Sally Rooney meets Michaela Coel meets Teju Cole' New York Times'A love song to Black art and thought' Yaa Gyasi, bestselling author of HOMEGOING and TRANSCENDENT KINGDOMTwo young people meet at a pub in South East London. Both are Black British, both won scholarships to private schools where they struggled to belong, both are now artists - he a photographer, she a dancer - trying to make their mark in a city that by turns celebrates and rejects them. Tentatively, tenderly, they fall in love. But two people who seem destined to be together can still be torn apart by fear and violence.At once an achingly beautiful love story and a potent insight into race and masculinity, Open Water asks what it means to be a person in a world that sees you only as a Black body, to be vulnerable when you are only respected for strength, to find safety in love, only to lose it. With gorgeous, soulful intensity, Caleb Azumah Nelson has written the most essential British debut of recent years.'An amazing debut novel. You should read this book. Let's hear it for Caleb Azumah Nelson, also known as the future' Benjamin Zephaniah'A very touching and heartfelt book' Diana Evans, award-winning author of ORDINARY PEOPLE'A lyrical modern love story, brilliant on music and art, race and London life, I enjoyed it hugely' David Nicholls, author of ONE DAY and SWEET SORROW'Caleb is a star in the making' Nikesh Shukla, editor of THE GOOD IMMIGRANT and BROWN BABY'A stunning piece of art' Bolu Babalola, bestselling author of LOVE IN COLOUR'For those that are missing the tentative depiction of love in Normal People, Caleb Azumah Nelson's Open Water is set to become one of 2021's unmissable books. Utterly transporting, it'll leave you weeping and in awe.' Stylist'An exhilarating new voice in British fiction' Vogue'A poetic novel about Black identity and first love in the capital from one of Britain's most exciting young voices' Harper's Bazaar'An intense, elegant debut' Guardian

Effia and Esi: two sisters with two very different destinies. One sold into slavery; one a slave trader's wife. The consequences of their fate reverberate through the generations that follow. Taking us from the Gold Coast of Africa to the cotton-picking plantations of Mississippi; from the missionary schools of Ghana to the dive bars of Harlem, spanning three continents and seven generations, Yaa Gyasi has written a miraculous novel - the intimate, gripping story of a brilliantly vivid cast of characters and through their lives the very story of America itself.Epic in its canvas and intimate in its portraits, Homegoing is a searing and profound debut from a masterly new writer.

"A dozen interlinked, music-oriented stories set in Port Harcourt, Nigeria, where Garricks was raised... Each songlike story feels like a breakout hit encapsulating the brokenness and the beauty in life’s soundtrack."—Booklist, starred review“Beautifully woven . . . a magical delight.”—Hari Kunzru, author of White TearsA Broken People’s Playlist is set to the soundtrack of life, comprised of twelve music-inspired tales about love, the human condition, micro-moments, and the search for meaning and sometimes, redemption. It is also Chimeka Garricks’s love letter to his native city, Port Harcourt, introducing us to a cast of indelible characters in these loosely interlocked tales.There is the teenage wannabe-DJ eager to play his first gig even as his family disastrously falls apart—who reappears many years later as an unhappy middle-aged man drunk-calling his ex-wife; a man who throws a living funeral for his dying brother; three friends who ponder penis captivus and one’s peculiar erectile dysfunction; a troubled woman who tries to find her peace-place in the world, helped by a headful of songs and a pot of ginger tea.Infused with the author’s resonant and evocative storytelling, each page holds “the depth of a novel” (Hari Kunzru); a character, a moment that will—like a favorite song—long linger in the heart and mind.

New York Times Bestseller • TIME Magazine’s Best Nonfiction Book of 2018 • New York Public Library’s Best Book of 2018 • NPR’s Book Concierge Best Book of 2018 • Economist Book of the Year • SELF.com’s Best Books of 2018 • Audible’s Best of the Year • BookRiot’s Best Audio Books of 2018 • The Atlantic’s Books Briefing: History, Reconsidered • Atlanta Journal Constitution, Best Southern Books 2018 • The Christian Science Monitor’s Best Books 2018 •“A profound impact on Hurston’s literary legacy.”―New York Times“One of the greatest writers of our time.”―Toni Morrison“Zora Neale Hurston’s genius has once again produced a Maestrapiece.”―Alice WalkerA major literary event: a newly published work from the author of the American classic Their Eyes Were Watching God, with a foreword from Pulitzer Prize-winning author Alice Walker, brilliantly illuminates the horror and injustices of slavery as it tells the true story of one of the last-known survivors of the Atlantic slave trade―abducted from Africa on the last "Black Cargo" ship to arrive in the United States.In 1927, Zora Neale Hurston went to Plateau, Alabama, just outside Mobile, to interview eighty-six-year-old Cudjo Lewis. Of the millions of men, women, and children transported from Africa to America as slaves, Cudjo was then the only person alive to tell the story of this integral part of the nation’s history. Hurston was there to record Cudjo’s firsthand account of the raid that led to his capture and bondage fifty years after the Atlantic slave trade was outlawed in the United States.In 1931, Hurston returned to Plateau, the African-centric community three miles from Mobile founded by Cudjo and other former slaves from his ship. Spending more than three months there, she talked in depth with Cudjo about the details of his life. During those weeks, the young writer and the elderly formerly enslaved man ate peaches and watermelon that grew in the backyard and talked about Cudjo’s past―memories from his childhood in Africa, the horrors of being captured and held in a barracoon for selection by American slavers, the harrowing experience of the Middle Passage packed with more than 100 other souls aboard the Clotilda, and the years he spent in slavery until the end of the Civil War.Based on those interviews, featuring Cudjo’s unique vernacular, and written from Hurston’s perspective with the compassion and singular style that have made her one of the preeminent American authors of the twentieth-century, Barracoon masterfully illustrates the tragedy of slavery and of one life forever defined by it. Offering insight into the pernicious legacy that continues to haunt us all, black and white, this poignant and powerful work is an invaluable contribution to our shared history and culture.

'A scorching portrayal of a woman's life . . . the female, feminist counterpart to Things Fall Apart' Bernardine Evaristo'God, when will you create a woman who will be fulfilled in herself, a full human being, not anybody's appendage? ... when will I be free?' There is no greater honour for a woman in an Ibo village than to have children - especially sons. Unable to conceive in her first marriage, Nnu Ego is sent away to a new husband in the city of Lagos, where she finally succeeds in becoming a mother. But things are changing, and a war that unfolds thousands of miles away threatens her family's fortunes and her entire way of life. In a world where motherhood is everything, what will be left for her at the end of it all? 'Sparkling intelligence and a certain kind of honest, lived, intimate insight into working-class colonial Nigeria' Chimamanda Ngozi Adichie

'A vital work for our times' IRENOSEN OKOJIE 'Beautiful ... this is prose worth spending time with' MARIE CLAIRE 'A gorgeously deeply humane book' NICOLE DENNIS-BENN 'A vivid, stirring revolution' YRSA DALEY-WARD 'The ink practically hovers off the page' KAVEH AKBAR What makes a family? How is it defined and by whom? Is freedom for everyone? Across Lagos, a rolling cast of unforgettable characters seek out love in all its forms, daring to push all other relationships - with partners, family and friends - to the brink in the process. As they form and break unexpected connections, they reveal how they know each other, have loved each other and had their hearts broken in that pursuit. Stubbornly alive and brazenly flawed, they work to establish themselves in the city's worlds of art, music, entertainment and creativity while reckoning with desire, fear, death and God. Here, we witness their collective and individual attempts to grapple with the necessary fictions that they all carry for survival. This is a shimmering, defiant cross-generational portrait of what it means to be queer in contemporary Nigeria. 'Both deeply earnest and unique' VULTURE 'Unabashedly queer, complicated and occasionally outright hopeful' NPR 'Osunde is brilliant at character, giving the cast rich, knotty backstories that unfold in bursts of revelation' TLS 'Necessary Fiction's Nigerians are inseparable from Nigeria itself: brazen, willful, sexy, dynamic, explosive' MARLON JAMES 'Osunde's writing shines ... It's not just beautiful - it's transformative' BASSEY IKPI

On the tenth anniversary of the date that UN peacekeepers landed in Rwanda, Random House Canada is proud to publish the unforgettable first-hand account of the genocide by the man who led the UN mission. Digging deep into shattering memories, General Dallaire has written a powerful story of betrayal, naivete, racism and international politics. His message is simple and undeniable: "Never again." When Lt-Gen. Romeo Dallaire received the call to serve as force commander of the UN intervention in Rwanda in 1993, he thought he was heading off on a modest and straightforward peacekeeping mission. Thirteen months later he flew home from Africa, broken, disillusioned and suicidal, having witnessed the slaughter of 800,000 Rwandans in only a hundred days. In "Shake Hands with the Devil", he takes the reader with him on a return voyage into the hell of Rwanda, vividly recreating the events the international community turned its back on. This book is an unsparing eyewitness account of the failure by humanity to stop the genocide, despite timely warnings. Woven through the story of this disastrous mission is Dallaire's own journey from confident Cold Warrior, to devastated UN commander, to retired general engaged in a painful struggle to find a measure of peace, reconciliation and hope. This book is General Dallaire's personal account of his conversion from a man certain of his worth and secure in his assumptions to a man conscious of his own weaknesses and failures and critical of the institutions he'd relied on. It might not sit easily with standard ideas of military leadership, but understanding what happened to General Dallaire and his mission to Rwanda is crucial to understanding the moral minefields our peacekeepers are forced to negotiate when we ask them to step into the world's dirty wars.

SHORTLISTED FOR THE 2024 WOMEN'S PRIZE FOR NON-FICTION 'Vivid and empowering' GILLIAN ANDERSON 'A stunning book' BERNARDINE EVARISTO 'Dazzling' TARA WESTOVER 'A story about hope, imagination and resilience' GUARDIAN An award-winning, inspiring memoir of family, education and resilience. Born in Montego Bay, Jamaica, where luxury hotels line pristine white sand beaches, Safiya Sinclair grew up guarding herself against an ever-present threat. Her father, a volatile reggae musician and strict believer in a militant sect of Rastafari, railed against Babylon, the corrupting influence of the immoral Western world just beyond their gate. To protect the purity of the women in their family he forbade almost everything. Her mother did what she could to bring joy to her children with books and poetry. But as Safiya's imagination reached beyond its restrictive borders, her burgeoning independence brought with it ever greater clashes with her father. Soon she realised that if she was to live at all, she had to find some way to leave home. But how? How to Say Babylon is an unforgettable story of a young woman's determination to live life on her own terms. A Guardian and Observer summer read. 'I adored this book ... Unforgettable' ELIF SHAFAK 'Electrifying' OBSERVER 'To read it is to believe that words can save' MARLON JAMES 'Breathless, scorching' NEW YORK TIMES

Uranium from Africa has long been a major source of fuel for nuclear power and atomic weapons, including the bomb dropped on Hiroshima. In 2003, after the infamous "yellow cake from Niger," Africa suddenly became notorious as a source of uranium, a component of nuclear weapons. But did that admit Niger, or any of Africa's other uranium-producing countries, to the select society of nuclear states? Does uranium itself count as a nuclear thing? In this book, Gabrielle Hecht lucidly probes the question of what it means for something--a state, an object, an industry, a workplace--to be "nuclear." Hecht shows that questions about being nuclear--a state that she calls "nuclearity"--lie at the heart of today's global nuclear order and the relationships between "developing nations" (often former colonies) and "nuclear powers" (often former colonizers). Hecht enters African nuclear worlds, focusing on miners and the occupational hazard of radiation exposure. Could a mine be a nuclear workplace if (as in some South African mines) its radiation levels went undetected and unmeasured? With this book, Hecht is the first to put Africa in the nuclear world, and the nuclear world in Africa. By doing so, she remakes our understanding of the nuclear age.