Recommendations based on "Being Elisabeth Elliot The Authorized Biography: Elisabeth's Later Years"

A literary treasure of over one hundred unpublished letters from seminal American author and National Book Award-winner, Flannery O'Connor, the subject of the biographical film, "Wildcat" (2024) starring Maya Hawke (directed by Ethan Hawke).Good Things Out of Nazareth contains many of O'Connor's previously unpublished letters. These epistolary gems deepen our knowledge of this master of the short story in ongoing "revelations" The letters enable "moviegoers" just discovering O'Connor, as well as her enduring readers to deepen their understanding as O'Connor traces her efforts in the 1960s to write the searing stories later featured in "Wildcat." The letters reveal O'Connor's own comments about her fiction and the writings of her peers.. The collection also contains the beautiful letters from O'Connor's Jesuit priest/ friend consoling those mourning her death..Good Things is the only collection that features invaluable historical context of the tumultuous times when O'Connor was writing in the 1960s. The editor, Ben Boatwright Alexander, studied with one of O'Connor's teachers himself. He knew some of her literary friends and visited with O'Connor's family in Milledgeville, Georgia. He even read in 2004 at a literary event "Good Country People" aloud in the wee hours at O'Connor's house, Andalusia. These rare experiences enable Dr. Alexander to provide an historical backdrop to O'Connor's letters little known or taught today. His collection forms a riveting literary portrait of O'Connor as well as her friends--— such as fellow believers, Walker Percy (The Moviegoer) and Caroline Gordon (None Shall Look), famed publisher, Robert Giroux and movie critic, Stanley Kauffmann. Here we find their joys and loves, as well as their trials and tribulations as they struggle with doubt and illness while relying on faith to chart a path in an uncertain world.Praise for Good Things Out of Nazareth"An epistolary group portrait that will appeal to readers interested in the Catholic underpinnings of O'Connor's life and work . . . These letters by the National Book Award-winning short story writer and her friends alternately fit and break the mold. Anyone looking for Southern literary gossip will find plenty of barbs. . . . But there's also higher-toned talk on topics such as the symbolism in O'Connor's work and the nature of free will."—Kirkus Reviews"A fascinating set of Flannery O'Connor's correspondence . . . The compilation is highlighted by gems from O'Connor's writing mentor, Caroline Gordon. . . . While O'Connor's milieu can seem intimidatingly insular, the volume allows readers to feel closer to the writer, by glimpsing O'Connor's struggles with lupus, which sometimes leaves her bedridden or walking on crutches, and by hearing her famously strong Georgian accent in the colloquialisms she sprinkles throughout the letters. . . . This is an important addition to the knowledge of O'Connor, her world, and her writing."—Publishers Weekly

NEW YORK TIMES BESTSELLER • A deeply moving memoir of illness and recovery that traces one young woman’s journey from diagnosis to remission to re-entry into “normal” life—from the founder of The Isolation Journals and a subject of the Netflix documentary American Symphony ONE OF THE BEST BOOKS OF THE YEAR: The New York Times Book Review, The Washington Post, Bloomberg, The Rumpus, She Reads, Library Journal, Booklist “I was immersed for the whole ride and would follow Jaouad anywhere. . . . Her writing restores the moon, lights the way as we learn to endure the unknown.”—Chanel Miller, The New York Times Book Review “Beautifully crafted . . . affecting . . . a transformative read . . . Jaouad’s insights about the self, connectedness, uncertainty and time speak to all of us.”—The Washington Post In the summer after graduating from college, Suleika Jaouad was preparing, as they say in commencement speeches, to enter “the real world.” She had fallen in love and moved to Paris to pursue her dream of becoming a war correspondent. The real world she found, however, would take her into a very different kind of conflict zone. It started with an itch—first on her feet, then up her legs, like a thousand invisible mosquito bites. Next came the exhaustion, and the six-hour naps that only deepened her fatigue. Then a trip to the doctor and, a few weeks shy of her twenty-third birthday, a diagnosis: leukemia, with a 35 percent chance of survival. Just like that, the life she had imagined for herself had gone up in flames. By the time Jaouad flew home to New York, she had lost her job, her apartment, and her independence. She would spend much of the next four years in a hospital bed, fighting for her life and chronicling the saga in a column for The New York Times. When Jaouad finally walked out of the cancer ward—after countless rounds of chemo, a clinical trial, and a bone marrow transplant—she was, according to the doctors, cured. But as she would soon learn, a cure is not where the work of healing ends; it’s where it begins. She had spent the past 1,500 days in desperate pursuit of one goal—to survive. And now that she’d done so, she realized that she had no idea how to live. How would she reenter the world and live again? How could she reclaim what had been lost? Jaouad embarked—with her new best friend, Oscar, a scruffy terrier mutt—on a 100-day, 15,000-mile road trip across the country. She set out to meet some of the strangers who had written to her during her years in the hospital: a teenage girl in Florida also recovering from cancer; a teacher in California grieving the death of her son; a death-row inmate in Texas who’d spent his own years confined to a room. What she learned on this trip is that the divide between sick and well is porous, that the vast majority of us will travel back and forth between these realms throughout our lives. Between Two Kingdoms is a profound chronicle of survivorship and a fierce, tender, and inspiring exploration of what it means to begin again.

WINNER OF THE PULITZER PRIZE FOR NONFICTION 2020WINNER OF THE WINDHAM-CAMPBELL PRIZE FOR NONFICTION 2020FINALIST FOR THE PEN / JEAN STEIN BOOK AWARD 2020'Profound and unforgettable' Sally Rooney'A classic . . . I have long thought of Boyer as a genius' Patricia Lockwood'An outraged, beautiful, and brilliant work of embodied critique' Ben Lerner'Some of the most perceptive and beautiful writing about illness and pain that I have ever read' Hari KunzruBlending memoir with critique, an award-winning poet and essayist's devastating exploration of sickness and health, cancer and the cancer industry, in the modern worldA week after her 41st birthday, Anne Boyer was diagnosed with highly aggressive triple-negative breast cancer. For a single mother living payslip to payslip, the condition was both a crisis and an initiation into new ideas about mortality and the gendered politics of illness.In The Undying - at once her harrowing memoir of survival, and a 21st-century Illness as Metaphor - Boyer draws on sources from ancient Roman dream diarists to cancer vloggers to explore the experience of illness. She investigates the quackeries, casualties and ecological costs of cancer under capitalism, and dives into the long line of women writing about their own illnesses and deaths, among them Audre Lorde, Kathy Acker and Susan Sontag.Genre-bending, devastating and profoundly humane, The Undying is an unmissably insightful meditation on cancer, the cancer industry and the sicknesses and glories of contemporary life.

When Miss Norma was diagnosed with uterine cancer, she was advised to undergo surgery, radiation, and chemotherapy. But instead of confining herself to a hospital bed for what could be her last stay, Miss Norma—newly widowed after nearly seven decades of marriage—rose to her full height of five feet and told the doctor, “I’m ninety years old. I’m hitting the road.” And so Miss Norma took off on an unforgettable around-the-country journey in a thirty-six-foot motor home with her retired son Tim, his wife Ramie, and their dog Ringo. As this once timid woman says “yes” to living in the face of death, she tries regional foods for the first time, reaches for the clouds in a hot air balloon, and mounts up for a horseback ride. With each passing mile (and one educational visit to a cannabis dispensary), Miss Norma’s health improves and conversations that had once been taboo begin to unfold. Norma, Tim, and Ramie bond in ways they had never done before, and their definitions of home, family, and friendship expand. Stop by stop, state by state, they meet countless people from all walks of life—strangers who become fast friends and welcome them with kindness and open hearts.Infused with this irrepressible nonagenarian’s wisdom, courage, and generous spirit, Driving Miss Norma is the charming, infectiously joyous chronicle of their experiences on the road. It portrays a transformative journey of living life on your own terms that shows us it is never too late to begin an adventure, inspire hope, or become a trailblazer.

International Bestseller A heart-wrenching, yet hopeful, memoir of a young marriage that is redefined by mental illness and affirms the power of love. Mark and Giulia’s life together began as a storybook romance. They fell in love at eighteen, married at twenty-four, and were living their dream life in San Francisco. When Giulia was twenty-seven, she suffered a terrifying and unexpected psychotic break that landed her in the psych ward for nearly a month. One day she was vibrant and well-adjusted; the next she was delusional and suicidal, convinced that her loved ones were not safe. Eventually, Giulia fully recovered, and the couple had a son. But, soon after Jonas was born, Giulia had another breakdown, and then a third a few years after that. Pushed to the edge of the abyss, everything the couple had once taken for granted was upended. A story of the fragility of the mind, and the tenacity of the human spirit, My Lovely Wife in the Psych Ward is, above all, a love story that raises profound questions: How do we care for the people we love? What and who do we live for? Breathtaking in its candor, radiant with compassion, and written with dazzling lyricism, Lukach’s is an intensely personal odyssey through the harrowing years of his wife’s mental illness, anchored by an abiding devotion to family that will affirm readers’ faith in the power of love.

“In her long and extraordinary career, Cicely Tyson has not only succeeded as an actor, she has shaped the course of history.” –President Barack Obama, 2016 Presidential Medal of Freedom ceremony “Just as I Am is my truth. It is me, plain and unvarnished, with the glitter and garland set aside. In these pages, I am indeed Cicely, the actress who has been blessed to grace the stage and screen for six decades. Yet I am also the church girl who once rarely spoke a word. I am the teenager who sought solace in the verses of the old hymn for which this book is named. I am a daughter and a mother, a sister and a friend. I am an observer of human nature and the dreamer of audacious dreams. I am a woman who has hurt as immeasurably as I have loved, a child of God divinely guided by his hand. And here in my ninth decade, I am a woman who, at long last, has something meaningful to say.” –Cicely Tyson

You don't know me, but I know about you.... I can't make you live longer. I can't stop you from hurting. But I can give you one wish, as someone did for me. It's hard for Anne Wingate and her father to accept the doctors' diagnosis: Anne is HIV positive. Seven years earlier, before blood screening was required, Anne received a transfusion to save her life, and the blood was tainted. Now Anne must deal with the inevitable progression of her condition. When an anonymous benefactor promises to grant a single wish with no strings attached, Anne decides to spend the summer on a ranch out west and live as normally as she possibly can. The summer seems even better than she dreamed, especially after she meets Morgan. But Anne hasn't confided in Morgan about her condition, and when her health begins to deteriorate, she suddenly leaves the ranch. Is there time for Anne and Morgan to meet again?

"A haunting memoir of disarming honesty. . . a remarkable testament to the anguish and the beauty of foreign correspondence.”—Roger Cohen, New York Times Paris bureau chief and author of An Affirming Flame  From award-winning journalist Jane Ferguson, an unflinching memoir of ambition and war—from The Troubles to the fall of Kabul. Jane Ferguson has covered nearly every war front and humanitarian crisis of our time. She reported from Yemen as protests grew into the Arab Spring; she secured rare access to rebel-held Syria, where foreign journalists were banned, to cover its brutal civil war. When the Taliban claimed Kabul in 2021, she was one of the last Western journalists to remain at the airport as thousands of Afghans, including some of her colleagues, struggled to evacuate. Living with sectarian violence was nothing new to Ferguson. As a child in Northern Ireland in the 1980s and ‘90s, The Troubles meant bomb threats and military checkpoints on the way to school were commonplace. Books by Dervla Murphy and Martha Gellhorn offered solace from her turbulent family, and an opportunity to study Arabic in Yemen came as a relief—and a ticket to the life in journalism she imagined. Without family wealth or connections, her career in Middle East reporting began as a scrappy one-woman team, a borrowed camera often her only equipment. Networks told her she had the wrong accent, the wrong appearance, not enough “bang-bang shoot-‘em-up.” Still, Ferguson threw herself into harm’s way time and again, determined to give voice to civilian experiences of war. In the face of grave violence and suffering, this seemed a small act of justice, no matter the risks. Ferguson’s bold debut war correspondent memoir chronicles her unlikely journey from bright, inquisitive child to intrepid war correspondent. With an open-hearted humanity we rarely see in conflict stories, No Ordinary Assignment shows what it means to build an authentic career against the odds.  How does a girl from a turbulent childhood in Northern Ireland become one of the most respected female journalists of her generation? From The Troubles to the Front Lines: A raw look at a childhood shaped by sectarian violence in 1980s Northern Ireland and how it forged an intrepid future war correspondent. On-the-Ground Reporting: Experience the Arab Spring in Yemen, gain rare access to rebel-held Syria, and witness the final, chaotic days during the fall of Kabul from one of the last Western journalists on the ground. A Woman in Journalism: The story of building a career without connections, fighting against expectations of the "wrong accent" and "wrong appearance" to become a scrappy, respected one-woman reporting team. Unflinching Honesty: A compelling memoir that goes beyond the headlines to explore the personal toll and open-hearted humanity required to give voice to the civilian experiences of war.

Confessions of a Prairie Bitch is Alison Arngrim’s comic celebrity memoir of growing up as one of television’s most memorable characters—the devious Nellie Oleson on the hit television show Little House on the Prairie. With revealing behind-the-scenes stories from the set, as well as tales from her bohemian upbringing in West Hollywood and her headline-making advocacy work on behalf of HIV awareness and abused children, Confessions of a Prairie Bitch is a must for fans of everything Little House: the classic 1970s television series and its many stars like Michael Landon and Melissa Gilbert; Gilbert’s bestselling memoir Prairie Tale… and, of course, the beloved series of books by Laura Ingalls Wilder that started it all. But what was life really like for the girl everyone loved to hate? Hollywood Memoir: Go behind the scenes of Little House on the Prairie with scandalous, funny stories about Michael Landon, Melissa Gilbert, and the rest of the cast. Dysfunctional Family: Read about her bohemian upbringing in 1960s Hollywood with her gay, theatrical father, her voice-actress mother (the voice of Gumby!), and the dark family secrets she survived. Child Actor Survival: Follow her journey from a shy, abused child to an outspoken advocate who learned to embrace her inner ‘prairie bitch’ and use her fame for good. Celebrity Tell-All: Discover her bizarre friendships with icons like Liberace and Christine Jorgensen, the world’s first publicly acknowledged transsexual.

Narrated with warmth, humor, exceptional candor and wisdom, The Sum of Our Days is a portrait of a contemporary family, tied together by the love, strong will, and stubborn determination of a beloved matriarch, the indomitable New York Times bestselling author of The House of the Spirits, Isabel Allende.   "An inspiring and thought-provoking work." –Denver Post   Isabel Allende reconstructs the painful reality of her own life in the wake of the tragic death of her daughter, Paula. Narrated with warmth, humor, exceptional candor, and wisdom, this remarkable memoir is as exuberant and as full of life as its creator. Allende bares her soul while sharing her thoughts on love, marriage, motherhood, spirituality and religion, infidelity, addiction, and memory—and recounts stories of the wildly eccentric, strong-minded, and eclectic tribe she gathers around her and lovingly embraces as a new kind of family.   This unforgettable memoir is a powerful story of resilience, grief, and the unconventional bonds of family: Grief and Loss: A mother’s candid account of continuing on after the tragic death of her daughter, Paula, turning profound sorrow into a celebration of life. An Unconventional Family Tribe: Meet the eccentric, strong-minded, and eclectic tribe of relatives and friends Allende gathers around her, bound by love and unwavering loyalty. Motherhood and Matriarchy: Explore Allende’s powerful reflections on love, marriage, and motherhood as she navigates being the matriarch of a sprawling, modern family. A Generational Saga: From her stepdaughter Jennifer’s battle with addiction to the miraculous birth of her granddaughter Sabrina, witness the raw and hopeful tales that define three generations.