Recommendations based on "Beauty Fee Sabililah"

Rumi's Masnavi is widely recognized as the greatest Sufi poem ever written, and has been called "the Koran in Persian." The thirteenth-century Muslim mystic Rumi composed his work for the benefit of his disciples in the Sufi order named after him, better known as the whirling dervishes. In order to convey his message of divine love and unity he threaded together entertaining stories and penetrating homilies. Drawing from folk tales as well as sacred history, Rumi's poem is often funny as well as spiritually profound.Jawid Mojaddedi's sparkling new verse translation of Book One is consistent with the aims of the original work in presenting Rumi's most mature mystical teachings in simple and attractive rhyming couplets.About the Series: For over 100 years Oxford World's Classics has made available the broadest spectrum of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, voluminous notes to clarify the text, up-to-date bibliographies for further study, and much more.

A classic, pioneering account of the lives of women in Islamic history, republished for a new generation This pioneering study of the social and political lives of Muslim women has shaped a whole generation of scholarship. In it, Leila Ahmed explores the historical roots of contemporary debates, ambitiously surveying Islamic discourse on women from Arabia during the period in which Islam was founded to Iraq during the classical age to Egypt during the modern era. The book is now reissued as a Veritas paperback, with a new foreword by Kecia Ali situating the text in its scholarly context and explaining its enduring influence. “Ahmed’s book is a serious and independent-minded analysis of its subject, the best-informed, most sympathetic and reliable one that exists today.”—Edward W. Said “Destined to become a classic. . . . It gives [Muslim women] back our rightful place, at the center of our histories.”—Rana Kabbani, The Guardian

Fourteen centuries of Islamic thought have produced a legacy of interpretive readings of the Qu'ran written almost entirely by men. Now, with Qu'ran and Woman, Amina Wadud provides a first interpretive reading by a woman, a reading which validates the female voice in the Qu'ran and brings it out of the shadows. Muslim progressives have long argued that it is not the religion but patriarchal interpretation and implementation of the Qu'ran that have kept women oppressed. For many, the way to reform is the reexamination and reinterpretation of religious texts.Qu'ran and Woman contributes a gender inclusive reading to one of the most fundamental disciplines in Islamic thought, Qu'ranic exegesis. Wadud breaks down specific texts and key words which have been used to limit women's public and private role, even to justify violence toward Muslim women, revealing that their original meaning and context defy such interpretations. What her analysis clarifies is the lack of gender bias, precedence, or prejudice in the essential language of the Qur'an.Despite much Qu'ranic evidence about the significance of women, gender reform in Muslim society has been stubbornly resisted. Wadud's reading of the Qu'ran confirms women's equality and constitutes legitimate grounds for contesting the unequal treatment that women have experienced historically and continue to experience legally in Muslim communities. The Qu'ran does not prescribe one timeless and unchanging social structure for men and women, Wadud argues lucidly, affirming that the Qu'ran holds greater possibilities for guiding human society to a more fulfilling and productive mutual collaboration between men and women than as yet attained by Muslims or non-Muslims.

While the occupation of Iraq and its aftermath has received media and political attention, we know very little about the everyday lives of Iraqis. Iraqi men, women, and children are not merely passive victims of violence, vulnerable recipients of repressive regimes, or bystanders of their country’s destruction. In the face of danger and trauma, Iraqis continue to cope, preparing food, sending their children to school, socializing, telling jokes, and dreaming of a better future. Within the realm of imagination and creative expression, the editors find that many Iraqi artists have not only survived but have also sought healing. In We Are Iraqis, Al-Ali and Al-Najjar showcase written and visual contributions by Iraqi artists, writers, poets, filmmakers, photographers, and activists. Contributors explore the way Iraqis retain, subvert, and produce art and activism as ways of coping with despair and resisting chaos and destruction. The first anthology of its kind, We Are Iraqis brings into focus the multitude of ethnicities, religions, and experiences that are all part of Iraq.

In this classic work, the author of Culture and Imperialism reveals the hidden agendas and distortions of fact that underlie even the most "objective" coverage of the Islamic world."No one stuyding the relations between the West and the decolonizing world can ignore Mr. Said's work." --The New York Times Book ReviewFrom the Iranian hostage crisis through the Gulf War and the bombing of the World Trade Center, the American news media have portrayed "Islam" as a monolithic entity, synonymous with terrorism and religious hysteria. At the same time, Islamic countries use "Islam" to justify unrepresentative and often repressive regimes. Combining political commentary with literary criticism, Covering Islam continues Edward Said's lifelong investigation of the ways in which language not only describes but also defines political reality.

The "Conference of the Birds" is a 12th-century Sufi allegory that has been described as the Islamic "Canterbury Tales". Written by an Iranian Sufi, Farid ud-Din Attar, who was a major influence on the work of Rumi, it is the story of the birds' quest for an ideal king, and an allegory for the Sufi (or mystical Islamic) path to enlightenment. Though hugely popular and influential in the Islamic world, it is still relatively unfamiliar in the West. In this edition, the poet Raficq Abdulla has reinterpreted key extracts to make the insight of Sufism accessible to a contemporary reader. Each page is decorated with illustrations taken from Persian manuscripts in the Oriental collection at the British Library. The poem uses the birds' journey to describe the stages of Sufi enlightenment, and each bird represents a human archetype. At the end of the tale, the birds discover tht what they are seeking is none other than in Sufism, enlightenment is unity with the Divine, and the way to God is inward, through one's own soul.

The life and legacy of one of Mohammad’s closest confidants and Islam’s patron saint: Ali ibn Abi Talib“The best biography of Ali I've ever read."—Reza Aslan"This erudite but readable book shows why the Prophet's cousin and son-in-law Ali is central to Islam today, and should be both an inspiration and a figure for reconciliation."—John McHugo, author of A Concise History of Sunnis & Shi'isAli ibn Abi Talib is arguably the single most important spiritual and intellectual authority in Islam after prophet Mohammad. Through his teachings and leadership as fourth caliph, Ali nourished Islam. But Muslims are divided on whether he was supposed to be Mohammad’s political successor—and he continues to be a polarizing figure in Islamic history.Hassan Abbas provides a nuanced, compelling portrait of this towering yet divisive figure and the origins of sectarian division within Islam. Abbas reveals how, after Mohammad, Ali assumed the spiritual mantle of Islam to spearhead the movement that the prophet had led. While Ali’s teachings about wisdom, justice, and selflessness continue to be cherished by both Shia and Sunni Muslims, his pluralist ideas have been buried under sectarian agendas and power politics. Today, Abbas argues, Ali’s legacy and message stands against that of ISIS, Al-Qaeda, and Taliban.

Continuing her journey from a deeply religious Islamic upbringing to a post at Harvard, the brilliant, charismatic and controversial New York Times and Globe and Mail #1 bestselling author of Infidel and Nomad makes a powerful plea for a Muslim Reformation as the only way to end the horrors of terrorism, sectarian warfare and the repression of women and minorities. Today, she argues, the world’s 1.6 billion Muslims can be divided into a minority of extremists, a majority of observant but peaceable Muslims and a few dissidents who risk their lives by questioning their own religion. But there is only one Islam and, as Hirsi Ali shows, there is no denying that some of its key teachings—not least the duty to wage holy war—are incompatible with the values of a free society.  For centuries it has seemed as if Islam is immune to change. But Hirsi Ali has come to believe that a Muslim Reformation—a revision of Islamic doctrine aimed at reconciling the religion with modernity—is now at hand, and may even have begun. The Arab Spring may now seem like a political failure. But its challenge to traditional authority revealed a new readiness—not least by Muslim women—to think freely and to speak out. Courageously challenging the jihadists, she identifies five key amendments to Islamic doctrine that Muslims have to make to bring their religion out of the seventh century and into the twenty-first. And she calls on the Western world to end its appeasement of the Islamists. “Islam is not a religion of peace,” she writes. It is the Muslim reformers who need our backing, not the opponents of free speech. Interweaving her own experiences, historical analogies and powerful examples from contemporary Muslim societies and cultures, Heretic is not a call to arms, but a passionate plea for peaceful change and a new era of global toleration. In the wake of the Charlie Hebdo murders, with jihadists killing thousands from Nigeria to Syria to Pakistan, this book offers an answer to what is fast becoming the world’s number one problem.

A hugely influential philosophical work of prose poetry, Kahlil Gibran's The Prophet is an inspirational, allegorical guide to living, and this Penguin Modern Classics edition includes an introduction by Robin Waterfield. First published in the 1920's, The Prophet is perhaps the most famous work of religious fiction of the twentieth century, and has sold millions of copies in more than twenty languages. Gibran's Prophet speaks of many things central to daily life: love, marriage, death, beauty, passion, eating, work and play. The spiritual message he imparts, of finding divinity through love, blends eastern mysticism, religious faith and philosophy with simple advice. The Prophet became the bible of 1960s culture and was credited with founding the New Age movement, yet it still continues to inspire people around the world today. This edition is illustrated with Gibran's famous visionary paintings. Kahlil Gibran (1883-1931) was a poet, philosopher and artist, who stands among the most important Arabic language authors of the early twentieth century. Born in Lebanon, he spent the last twenty years of his life in the United States, where for many years he was the leader of a Lebansese writing circle in New York. He is the author of numerous volumes, including The Garden of the Prophet, The Storm, The Beloved: Reflections on the Path of the Heart, The Vision, Reflections on the Way of the Soul, and Spirit Brides. If you enjoyed The Prophet, you might like Herman Hesse's Siddhartha, also available in Penguin Modern Classics. 'His work goes on from generation to generation' Daily Mail 'To read it was to transcend ordinary levels of perception, to become aware ... of a more intense level of being' Independent

A fascinating, accessible introduction to Islam from the #1 New York Times bestselling author of Zealot FINALIST FOR THE GUARDIAN FIRST BOOK AWARD In No god but God, internationally acclaimed scholar Reza Aslan explains Islam—the origins and evolution of the faith—in all its beauty and complexity. This updated edition addresses the events of the past decade, analyzing how they have influenced Islam’s position in modern culture. Aslan explores what the popular demonstrations pushing for democracy in the Middle East mean for the future of Islam in the region, how the Internet and social media have affected Islam’s evolution, and how the war on terror has altered the geopolitical balance of power in the Middle East. He also provides an update on the contemporary Muslim women’s movement, a discussion of the controversy over veiling in Europe, an in-depth history of Jihadism, and a look at how Muslims living in North America and Europe are changing the face of Islam. Timely and persuasive, No god but God is an elegantly written account that explains this magnificent yet misunderstood faith. Praise for No god but God “Grippingly narrated and thoughtfully examined . . . a literate, accessible introduction to Islam.”—The New York Times   “[Reza] Aslan offers an invaluable introduction to the forces that have shaped Islam [in this] eloquent, erudite paean to Islam in all of its complicated glory.”—Los Angeles Times Book Review   “Wise and passionate . . . an incisive, scholarly primer in Muslim history and an engaging personal exploration.”—The New York Times Book Review “Acutely perceptive . . . For many troubled Muslims, this book will feel like a revelation, an opening up of knowledge too long buried.”—The Independent (U.K.)   “Thoroughly engaging and excellently written . . . While [Aslan] might claim to be a mere scholar of the Islamic Reformation, he is also one of its most articulate advocates.”—The Oregonian