Recommendations based on "Autobiography of Maxim Gorky"

NEW YORK TIMES BESTSELLER • “Impressive . . . Rutherford has indeed embraced all of Russia.”—The Washington Post Book WorldHere, Edward Rutherfurd turns his remarkable talents to a vast canvas: Russia. Spanning 1,800 years of its history, people, politics, and culture, Rutherford's grand saa is as multifaceted as Russia itself: harsh yet exotic, proud yet fearful of enemeies, steeped in ancient superstitions but always seeking to make its mark on the emerging world. In Russka, Rutherford transforms the epic of a great civilization into a human story of flesh and blood, boldness and action, chronicling the lives of four families who are divided by ethnicity but united in shapin the destiny of their land.“Rutherford's Russka succeeds. . . . [He] can take his place among an elite cadre of chroniclers such as Harold Lamb, Maurice Hindus and Henri Troyat.”—San Francisco Chronicle

In its adventurous happenings, its abductions, duels, and sexual intrigues, A Hero of Our Time looks backward to the tales of Sir Walter Scott and Lord Byron, so beloved by Russian society in the 1820s and '30s. In the character of its protagonist, Pechorin, the archetypal Russian antihero, Lermontov's novel looks forward to the subsequent glories and passion of Russian literature that it helped, in great measure, to make possible.

Hailed universally as Russia's finest comic writer, and by many as its greatest writer of prose, Nikolai creates a unique Ukranian world, from the darkest Gothic to folkloric levity. Here, this extraordinary countryside is revealed in all its variety in his first two collections of short stories. The only translation available of this cycle of stories, this edition captures fully the spirit and vigor of his important early work for the first time.

In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the "little tragedies". The "little tragedies" stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago, and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin's work while aligning it with today's poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability.The four "little tragedies" -- Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast During the Plague -- are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it.

When Pushkin first read some of the stories in this collection, he declared himself "amazed." "Here is real gaiety," he wrote, "honest, unconstrained, without mincing, without primness. And in places what poetry! . . . I still haven't recovered."More than a century and a half later, Nikolai Gogol's stories continue to delight readers the world over. Now a stunning new translation--from an award-winning team of translators--presents these stories in all their inventive, exuberant glory to English-speaking readers. For the first time, the best of Gogol's short fiction is brought together in a single volume: from the colorful Ukrainian tales that led some critics to call him "the Russian Dickens" to the Petersburg stories, with their black humor and wonderfully demented attitude toward the powers that be. All of Gogol's most memorable creations are here: the minor official who misplaces his nose, the downtrodden clerk whose life is changed by the acquisition of a splendid new overcoat, the wily madman who becomes convinced that a dog can tell him everything he needs to know.These fantastic, comic, utterly Russian characters have dazzled generations of readers and had a profound influence on writers such as Dostoevsky and Nabokov. Now they are brilliantly rendered in the first new translation in twenty-five years--one that is destined to become the definitive edition of Gogol's most important stories.

The Devil comes to Moscow; but he isn't all bad. Pontius Pilate sentences a charismatic leader to his death, but yearns for redemption; and a writer tries to destroy his greatest tale, but discovers that manuscripts don't burn. Multi-layered and entrancing, blending sharp satire with glorious fantasy, The Master and Margarita is ceaselessly inventive and profoundly moving. In its imaginative freedom and raising of eternal human concerns, it is one of the world's great novels.

Goncharov’s detached yet sympathetic portrait of the humdrum life of his ineffectual and slothful hero is a tragicomedy created through painstaking accumulation of seemingly insignificant details alongside a sympathetic analysis of his character.

Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons - the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha - are all at some level involved. Bound up with this intense family drama is Dostoevsky's exploration of many deeply felt ideas about the existence of God, the question of human freedom, the collective nature of guilt, the disatrous consequences of rationalism. The novel is also richly comic: the Russian Orthodox Church, the legal system, and even the authors most cherished causes and beliefs are presented with a note of irreverence, so that orthodoxy, and radicalism, sanity and madness, love and hatred, right and wrong are no longer mutually exclusive. Rebecca West considered it "the allegory for the world's maturity", but with children to the fore. This new translation does full justice to Doestoevsky's genius, particularly in the use of the spoken word, which ranges over every mode of human expression. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

The novel opens with the aristocrats discussing the notion of war at a sumptuous party, an early indication of troubles ahead. Napoleon's invasion of Russia rocks the nation, but Tolstoy's concern is primarily with the personal crisis created. Centring around the joys and misfortunes of the Rostov family, he weaves a web of diverse, colourful characters; among them Pierre Bezukhov, vacillating between Freemasonry, philanthropy and mysticism in his desperate search for truth, the beautiful heroine Natasha, full of lively spontaneity, and the tragically disillusioned Andrei Bolkhonsky. War and Peace is a magnificient achievement, blending the historical, social, moral, psychological and personal in its broad depiction of human insight and experience.

The last Tsaritsa of Russia, Alexandra Fyodorovna, was murdered with her family on the night of 16-17 July 1918 by agents acting on behalf of the revolutionary Bolshevik government. The dramatic story of the demise of the Romanov dynasty has been recounted many times and has captivated the imagination of generations of readers throughout the world. The recently declassified 1918 diary of Alexandra - published here for the first time in its entirety - provides something no other account could do: a glimpse of the Tsaritsa's thoughts and activities from 1 January 1918 until the night of her death. As the granddaughter of Queen Victoria, Alexandra wrote in English, though her native language was German and she became fluent in Russian after her marriage to Nicholas. The 1918 diary takes us into her private world, revealing the care she lavished on her children during this period of revolutionary turmoil, how she felt toward her husband, Tsar Nicholas, and what she imagined about the profound struggle - between past and present, old and new worlds, the sacred and the profane - then occurring over the destiny of Russia. The diary reveals that even in her most intimate reflections, she remained the representative of a great system of belief that had prevailed for hundreds of years in Russia and that she and Nicholas hoped to perpetuate. We see in painful detail the tragic daily confrontation between this system of belief and the reality of the modern world that had, in every sense, broken free of her and Nicholas's control.