Recommendations based on "At Home"

Suddenly, condemned arch-swindler Moist von Lipwig found himself with a noose around his neck and dropping through a trapdoor into ... a government job?By all rights, Moist should be meeting his maker rather than being offered a position as Postmaster by Lord Vetinari, supreme ruler of Ankh-Morpork. Getting the moribund Postal Service up and running again, however, may prove an impossible task, what with literally mountains of decades-old undelivered mail clogging every nook and cranny of the broken-down post office. Worse still, Moist could swear the mail is talking to him. Worst of all, it means taking on the gargantuan, greedy Grand Trunk clacks communication monopoly and its bloodthirsty piratical headman. But if the bold and undoable are what's called for, Moist's the man for the job -- to move the mail, continue breathing, get the girl, and specially deliver that invaluable commodity that every being, human or otherwise, requires: hope.

Admission. Everybody stops playing cards and Monopoly, turns towards the day-room door. Most days I'd be out sweeping the hall and see who they're signing in, but this morning, like I explain to you, the Big Nurse put a thousand pounds down me and I can't budge out of the chair. Most days I'm the first one to see the Admiss

Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

'A beautifully observed and sympathetic tour of modern Britain that runs on the tracks of our years.' David Quantick 'Charming...The accounts will make any fan of railways want to experience these delights for themselves.' - The Independent All aboard for a one-of-a-kind journey by train to some of the most obscure parts of Britain On the 200th birthday of the world's first passenger-carrying railway, Nige Tassell sets out to ride Britain's railway network all the way to its lesser-travelled-to corners, its seldom-visited outposts. From Wick to Penzance and many points in between, he stays on until the end of the line. He is the last man sitting. The sixteen final destinations he visits offer sixteen different stories. By delving into their histories, by speaking to their people and by having a good old-fashioned nose around, Tassell reveals much about places that rarely have light cast upon them - from ferry ports to abandoned resorts, from tiny hamlets to towns being reclaimed by the sea. It's a journey that takes in Harry Potter, Muhammad Ali, goths, Alan Bennett, Vera Brittain, Viz comic, Alex Horne, Nigel Farage. Vikings, John Betjeman, Aneurin Bevan, Tyson Fury, Charlotte Rampling's dad and the weepy judge from The Great Pottery Throwdown. All human life is here. So grab yourself a window seat for an odyssey that tells us much about Britain today. All aboard, all aboard.

Fifteen-year-old Spud's 1991 diary reflects ongoing concerns about his manhood and his weird family, boarding school adventures of the Crazy Eight, a disastrous theater performance, and the joys and perils of having two beautiful women in his life.

As Spud Milton continues his diabolical stagger through adolescence, he learns one of life's most important lessons: when dealing with women and cretins, nothing is ever quite as it seems. In this third instalment, Spud, now 16 and growing up, takes on one of Shakespeare's most popular comedies, 'A Midsummer Night's Dream'.

The James Bond epic is the most popular film series in silver screen history: it is estimated that a quarter of the world's population has seen a Bond feature. The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense. Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene -- from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics -- notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history -- half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.

Take a trip to the country with Gervase Phinn's heartwarming tales of life as a school inspector in Yorkshire 'Gervase Phinn's memoirs have made him a hero in school staff-rooms' Daily Telegraph _______ As the newly appointed County Inspector of Schools in North Yorkshire, Gervase Phinn reveals in this warm and wonderfully humorous account, the experiences of his first year in the job - and what an education it was! He quickly learns that he must slow his pace and appreciate the beautiful countryside - 'Are tha'comin' in then, mester, or are tha' stoppin' out theer all day admirin' t'view?' He encounters some larger-than-life characters, from farmers and lords of the manor to teaching nuns and eccentric caretakers. And, best of all, he discovers the delightful and enchanting qualities of the Dales children, including the small boy, who, when told he's not very talkative, answers: 'If I've got owt to say I says it, and if I've got owt to ask I asks it.' With his keen ear for the absurd and sharp eye for the ludicrous, Gervase Phinn's stories in The Other Side of the Dale will not fail to make you weep with laughter.

Welcome back to Clarkson's farm. At the end of Jeremy's first year, Diddly Squat farm rewarded him with profits of e144. And while he's mastered the art of moaning, challenges still abound. Who knew loading a trailer was more demanding than flying a gunship? That cows were more dangerous than motor-racing? Or that it's easier to get planning permission for a nuclear power station than turning an old barn into a restaurant? Life on Clarkson's farm may not always go according to plan. But not a day goes by when Jeremy can't say 'I've done a thing' and mean it...

Horace Rumpole turns down yet another invitation to exchange the joys and sorrows of life as an Old Bailey hack for the delights of the sunshine state, where Senior Citizens loll on beaches and the sarcastic tones of the Mad Bull (Judge Roger Bullingham) are heard no more. He settles instead for the beaded bubbles of Chateau Pommeroy�s ordinary claret, the domestic chill emanating from She Who Must Be Obeyed, and his role �extraordinaire� as Defender of the Faith: �Never plead guilty�.