Recommendations based on "Arranged Marriage: Stories"

We're opposites, even though we came from the same, she's nuttin like me, an that shames me. Teenagers Muna and Iqra catch the same school bus. They were both born in Somalia but their backgrounds are very different. What they share is a painful secret. Tracking the urgent issue of FGM in Britain, this devastating play reveals the price some girls pay to become women. Cuttin' It premieres at the Young Vic, London, in May 2016. Charlene James is the winner of the George Devine Award for Most Promising Playwright and the Alfred Fagon Award for Best New Play.

The Poet X meets A Very Large Expanse of Sea in a bold novel-in-verse starring a Persian American teen navigating his first crush, his family’s post-9/11 dynamics, andthe role of language in defining who we are.“A dazzling story with a whole lot of heart. Read it.” —Michael L. Printz Award winner Daniel Nayeri, author of Everything Sad Is UntrueOmid needs the right words to connect with his newly met grandfather and distant Iranian heritage, words to tell a special girl what she means to him and to show everyone that he truly belongs in Tucson, Arizona, the only home he’s ever known. Neither the school play’s Shakespearean English nor his parents’ Farsi seems up to the task, and it’s only when Omid delves into the rhymes and rhythms of rap music that he starts to find his voice. But even as he does so, an act of terrorism transforms familiar accents into new threats.Then a family member disappears, and it seems everyone but Omid knows why. When words fail altogether and violence takes their place, what will Omid do next?Praise for An Impossible Thing to Say: “Funny on one page, poignant on the next, and often both at the same time, this beautiful tale of a tender, bewildered, and generous teen will find its way into readers’ hearts.” —#1 New York Times bestselling writer and Newbery Medalist Linda Sue Park, author of A Long Walk to Water “An Impossible Thing to Say is tender, honest, and unforgettable, filled with characters that delight, verses that shine, and moments that took my breath away. Few books have ever made me feel so seen.” —Adib Khorram, award-winning author of Darius the Great Is Not Okay “Arya Shahi just blew the door down on how we are allowed to tell our stories. Words are clearly his jam.” —Firoozeh Dumas, New York Times bestselling author of Funny in Farsi and It Ain't So Awful, Falafel

Darius doesn't think he'll ever be enough, in America or in Iran. Hilarious and heartbreaking, this unforgettable debut introduces a brilliant new voice in contemporary YA.Winner of the William C. Morris Debut Award“Heartfelt, tender, and so utterly real. I’d live in this book forever if I could.”—Becky Albertalli, award-winning author of Simon vs. the Homo Sapiens AgendaDarius Kellner speaks better Klingon than Farsi, and he knows more about Hobbit social cues than Persian ones. He’s a Fractional Persian—half, his mom’s side—and his first-ever trip to Iran is about to change his life.Darius has never really fit in at home, and he’s sure things are going to be the same in Iran. His clinical depression doesn’t exactly help matters, and trying to explain his medication to his grandparents only makes things harder. Then Darius meets Sohrab, the boy next door, and everything changes. Soon, they’re spending their days together, playing soccer, eating faludeh, and talking for hours on a secret rooftop overlooking the city’s skyline. Sohrab calls him Darioush—the original Persian version of his name—and Darius has never felt more like himself than he does now that he’s Darioush to Sohrab.Adib Khorram’s brilliant debut is for anyone who’s ever felt not good enough—then met a friend who makes them feel so much better than okay.

LOS ANGELES TIMES BESTSELLER • A spellbinding debut novel about the trailblazing Iranian poet Forugh Farrokhzad, who defied society’s expectations to find her voice and her destiny“A complex and beautiful rendering of [a] vanished country and its scattered people, a reminder of the power and purpose of art, and an ode to female creativity under a patriarchy that repeatedly tries to snuff it out.”—The New York Times Book Review (Editors’ Choice)All through her childhood in Tehran, Forugh Farrokhzad is told that Persian daughters should be quiet and modest. She is taught only to obey, but she always finds ways to rebel—gossiping with her sister among the fragrant roses of her mother’s walled garden, venturing to the forbidden rooftop to roughhouse with her three brothers, writing poems to impress her strict, disapproving father, and sneaking out to flirt with a teenage paramour over café glacé. During the summer of 1950, Forugh’s passion for poetry takes flight—and tradition seeks to clip her wings.Forced into a suffocating marriage, Forugh runs away and falls into an affair that fuels her desire to write and to achieve freedom and independence. Forugh’s poems are considered both scandalous and brilliant; she is heralded by some as a national treasure, vilified by others as a demon influenced by the West. She perseveres, finding love with a notorious filmmaker and living by her own rules—at enormous cost. But the power of her writing only grows stronger amid the upheaval of the Iranian revolution.Inspired by Forugh Farrokhzad’s verse, letters, films, and interviews—and including original translations of her poems—this haunting novel uses the lens of fiction to capture the tenacity, spirit, and conflicting desires of a brave woman who represents the birth of feminism in Iran—and who continues to inspire generations of women around the world.Praise for Song of a Captive Bird“If poetry is emotion rendered incendiary, then Forugh Farrokhzad was made of fire. . . . Song of a Captive Bird is an unsparing account of the necessity and consequences of speaking out.”—BookPage“Sometimes, simply choosing whom to love is a political act.”—Vogue“Forugh Farrokhzad’s short life brimmed with controversy and rebellion . . . .This feminist icon inspired Darznik’s imaginative debut.”—Ms.

“Divakaruni tells the story of India’s independence through the eyes of three sisters, each of whom is uniquely different, with her own desires and flaws. I cheered for them and cried with them as they move through the history of their country that is at once devastating, inspiring, and triumphant. You will, too.”— Lisa See, #1 New York Times bestselling authorSet during the partition of British India in 1947, a time when neighbor was pitted against neighbor and families were torn apart, award-winning author Chitra Banerjee Divakaruni’s novel brings to life the sweeping story of three sisters caught up in events beyond their control, their unbreakable bond, and their incredible struggle against powerful odds.India, 1947.In a rural village in Bengal live three sisters, daughters of a well-respected doctor.Priya: intelligent and idealistic, resolved to follow in her father’s footsteps and become a doctor, though society frowns on it.Deepa: the beauty, determined to make a marriage that will bring her family joy and status.Jamini: devout, sharp-eyed, and a talented quiltmaker, with deeper passions than she reveals.Theirs is a home of love and safety, a refuge from the violent events taking shape in the nation. Then their father is killed during a riot, and even their neighbors turn against them, bringing the events of their country closer to home.As Priya determinedly pursues her career goal, Deepa falls deeply in love with a Muslim, causing her to break with her family. And Jamini attempts to hold her family together, even as she secretly longs for her sister’s fiancèWhen the partition of India is officially decided, a drastic—and dangerous—change is in the air. India is now for Hindus, Pakistan for Muslims. The sisters find themselves separated from one another, each on different paths. They fear for what will happen to not just themselves, but each other.Chitra Banerjee Divakaruni outdoes herself with this deeply moving story of sisterhood and friendship, painting an account of India’s independence simultaneously exhilarating and devastating, that will make any reader—new or old—a devoted fan.

Afghan-American Nadia Hashimi's literary debut novel is a searing tale of powerlessness, fate, and the freedom to control one's own fate that combines the cultural flavor and emotional resonance of the works of Khaled Hosseini, Jhumpa Lahiri, and Lisa See.In Kabul, 2007, with a drug-addicted father and no brothers, Rahima and her sisters can only sporadically attend school, and can rarely leave the house. Their only hope lies in the ancient custom of bacha posh, which allows young Rahima to dress and be treated as a boy until she is of marriageable age. As a son, she can attend school, go to the market, and chaperone her older sisters.But Rahima is not the first in her family to adopt this unusual custom. A century earlier, her great-great grandmother, Shekiba, left orphaned by an epidemic, saved herself and built a new life the same way.Crisscrossing in time, The Pearl the Broke Its Shell interweaves the tales of these two women separated by a century who share similar destinies. But what will happen once Rahima is of marriageable age? Will Shekiba always live as a man? And if Rahima cannot adapt to life as a bride, how will she survive?

When Ruttie Petit fled from her father's castle to wed Mohammed Ali Jinnah in 1918, their marriage outraged society at large. They were divided by community, religion and an age gap of twenty-four years. Well-known journalist Sheela Reddy uses never-before-seen personal letters and papers as well as accounts left by contemporaries and friends to portray this unusual relationship with a sympathetic, discerning eye. A product of intensive and meticulous research in Delhi, Bombay and Karachi, Reddy not only brings the solitary, misunderstood Jinnah and the lonely, wistful Ruttie to life, but also the society and politics of the times their story was set in. A must-read for all those interested in politics, history, and the power of an unforgettable love story.

'A moving exploration of family, migration, class, queerness and belonging... beautifully rendered' JESSICA ANDREWS 'A deeply observant, perceptive writer' JOANNA CANNON Evocative, layered and emotionally resonant... deserves to be on your reading list' GLAMOUR 'Masterful... It will stay with you long after you finish it' JJ BOLA

SHORTLISTED FOR THE PORTICO PRIZE SHORTLISTED FOR THE DIVERSE BOOK AWARDS LONGLISTED FOR THE AUTHORS' CLUB BEST FIRST NOVEL AWARD SHORTLISTED FOR THE COSTA FIRST NOVEL AWARD WINNER OF CALIBRE AUDIO'S 'HIDDEN GEM' AWARD ________ 'Poignantly paints the extraordinary in ordinary lives' THE SUNDAY POST 'An engrossing and moving story' CLARE CHAMBERS, author of Small Pleasures 'An evocative portrayal of love and family' AYISHA MALIK 'Invites you in, not as a stranger but as a family friend' KATIE FFORDE 'A masterclass in representation and brilliant writing' ZEBA TALKHANI, author of My Past is a Foreign Country ______ Your roots can always lead you home... Amjad cradles his baby daughter in the middle of the night. He has no time to mourn his wife's death. Saahil and Zahra, his two small children, are relying on him. Amjad vows to love and protect them always. Years later, Saahil and his best friend, Ehsan, have finished university and are celebrating with friends. But when the night turns dangerous, its devastating effects will ripple through the years to come. Zahra is now her father's only source of comfort. Life has taken her small family in different directions - will they ever find their way back to each other? The Family Tree is the moving story of a British Muslim family full of love, laughter and resilience as well as all the faults, mistakes and stubborn loyalties which make us human. *** 'A profound, beautifully observed portrait of a British-Muslim family rocked by tragedy. So endearing are the characters, I grieved as they grieved, cheered as they healed and clung to them for days after the final page' Kia Abdullah 'A multi-generational story crafted with warmth... An engaging debut' Vaseem Khan 'Both unflinching and full of hope; the writing is compassionate and true' Stephanie Butland

Gogol is named after his father's favourite author. But growing up in an Indian family in suburban America, the boy starts to hate his name and itches to cast it off, along with the inherited values it represents. Gogol sets off on his own path only to discover that the search for identity depends on much more than a name.