Recommendations based on "Alfred Hitchcock Presents Twelve Stories They Wouldn't Let Me Do on TV"

It's one of the most disturbing cases DI Fawley has ever worked.The Christmas holidays, and two children have just been pulled from the wreckage of their burning home in North Oxford. The toddler is dead, and his brother is soon fighting for his life. Why were they left in the house alone? Where is their mother, and why is their father not answering his phone?Then new evidence is discovered, and DI Fawley's worst nightmare comes true.Because this fire wasn't an accident.It was murder.

For more than fifty years, Britain has been terrorised by an epidemic of murderous ghosts. A number of Psychic Investigations Agencies have sprung up to destroy them - with mixed results . . .Lucy Carlyle, a talented young agent, arrives in London hoping to begin a shining new chapter in her career. Instead she finds herself joining Lockwood & Co., the most ramshackle agency in the city, whose ineptitude is matched only by the charisma of its owner.But Lockwood & Co. have one last chance for redemption. All they have to do is spend the night in one of the most haunted houses in England . . . and come out alive.The first book in an amazingly addictive, binge-worthy series, this is an electrifying, witty and brilliantly spooky thriller, perfect for fans of Rivers of London and Good Omens.

'Stroud is a genius' Rick Riordan, author of the Percy Jackson series.Ghosts and ghouls beware! London’s smallest, shabbiest and most talented psychic detection agency is back.Life is never exactly peaceful for Lockwood & Co. Lucy and George are trying to solve the mystery of the talking skull trapped in their ghost jar, while Lockwood is desperate for an exciting new case.Things seem to be looking up when the team is called to Kensal Green Cemetery to investigate the grave of a sinister Victorian doctor. Strange apparitions have been seen there, and the site must be made safe. As usual, Lockwood is confident; as usual, everything goes wrong – a terrible phantom is unleashed, and a dangerous object is stolen from the coffin.Lockwood & Co must recover the relic before its power is unleashed, but it’s a race against time. Their obnoxious rivals from the Fittes agency are also on the hunt. And if that’s not bad enough, the skull in the ghost-jar is stirring again…The author of the blockbuster BARTIMAEUS sequence delivers another humorous and chilling instalment in the critically acclaimed LOCKWOOD & CO. series.

"Wrenching . . . powerfully sensuous." — New York Times"As searing and unforgettable as an electric shock." —Kirkus ReviewsAt the age of eight Brian Lackey is found bleeding under the crawl space of his house, having endured something so traumatic that he cannot remember an entire five–hour period of time.During the following years he slowly recalls details from that night, but these fragments are not enough to explain what happened to him, and he begins to believe that he may have been the victim of an alien encounter. Neil McCormick is fully aware of the events from that summer of 1981. Wise beyond his years, curious about his developing sexuality, Neil found what he perceived to be love and guidance from his baseball coach. Now, ten years later, he is a teenage hustler, unaware of the dangerous path his life is taking. His recklessness is governed by idealized memories of his coach, memories that unexpectedly change when Brian comes to Neil for help and, ultimately, the truth.

John Taylor's the name. I'm a PI, working that small slice of mystical real estate in the hidden centre of London that's called the Nightside. It's a place where the sun refuses to rise, where monsters and men walk side by side, and where you can fulfill your every dark and depraved desire. What I do there, better than anybody else alive (or dead) is find things - for the right client, for the right price.My new client can certainly afford me. The editor of the Unnatural Inquirer, the Nightside's most notorious gossip rag (the one everyone pretends not to read), has offered me one million pounds to find a man named Pen Donavon, who claims to have evidence of the Afterlife - picked up on a television broadcast and burned onto DVD. The Inquirer made Donavon a sweet deal for exclusive rights. Then both he and the disc vanished.I don't know if the disc is on the level, but a job's a job (and a million pounds is a million pounds). Trouble is, not only are all of the usual suspects pretty dangerous individuals, but it's beginning to look like someone else - someone very powerful - is on the trail, too. And who - or what - ever it is, is deadly determined to find the disc first.

A body is found in the attic of a fabulous Long Island estate. There is a hoofprint scorched into the floor, and the stench of sulfur chokes the air. When FBI Special Agent Pendergast investigates the gruesome crime, he discovers that thirty years ago four men conjured something unspeakable. Has the devil come to claim his due?

John Hodge. Presented With Esquire Magazine. Adaptation Of: Trainspotting / Irvine Welsh. London : Secker & Warburg, 1993.

Before the Baudelaires became orphans, before he encountered A Series of Unfortunate Events, even before the invention of Netflix, Lemony Snicket was a boy discovering the mysteries of the world. Train travel! Murder! Librarians! A Series Finale! On all other nights, the train departs from Stain'd Station and travels to the city without stopping. But not tonight. You might ask, why is this night different from all other nights? But that's the wrong question. Instead ask, where is this all heading? And what happens at the end of the line? The final book in Lemony Snicket's bestselling series, All the Wrong Questions. span

In a chilling literary hall of mirrors, Patricia Highsmith introduces Tom Ripley. Like a latter-day Henry James Hero, he is sent to Italy with the commission to coax Dickie Greenleaf back to his wealthy father. But Ripley finds himself very fond of this prodigal young American. He wants to be like him - exactly like him. Suave, agreeable, and utterly amoral, Ripley stops at nothing-certainly not only one murder-to accomplish his goal.

Editor Oliver Metcalf has written a provocative article on the Blackstone Asylum that implies there may be a curse on the town. Then a mysterious package arrives on Harvey Connally's front porch that holds the ultimate, grisly key to the horrors of Blackstone.