Recommendations based on "Adam"

Pendergast-the world's most enigmatic FBI Special Agent-returns to New York City to investigate a murderous cult.William Smithback, a New York Times reporter, and his wife Nora Kelly, a Museum of Natural History archaeologist, are brutally attacked in their apartment on Manhattan's Upper West Side. Eyewitnesses claim, and the security camera confirms, that the assailant was their strange, sinister neighbor-a man who, by all reports, was already dead and buried weeks earlier. While Captain Laura Hayward leads the official investigation, Pendergast and Lieutenant Vincent D'Agosta undertake their own private-and decidedly unorthodox-quest for the truth. Their serpentine journey takes them to an enclave of Manhattan they never imagined could exist: a secretive, reclusive cult of Obeah and vodou which no outsiders have ever survived.

Edgar Award finalist and author of Bury the Lead, a Today Show Book Club pick, returns with a tale of murder and deadly secrets in an ultra-secretive religious community.DEAD CENTER finds Andy Carpenter reentering the dating scene with comic results. He is surprised at what a hot ticket he seems to be, and this proves to be a mixed blessing at best. His friends are all too eager to provide advice and guidance, but of course they know just as little about the dating world as Andy. Whether the woman he is dating at the moment is terrific or far from it, the spectra of Laurie always hangs over his head. He has strong feelings of bitterness towards her for leaving, but she is, after all, the love of his life. He has had no contact with her at all, and can only assume she is back in Findlay, serving in the number two job on the local police force. Then one day he returns to the office to find Laurie waiting for him. Laurie has arrested a young man for murder and, though the evidence clearly called for his arrest, she believes he is innocent. The accused is the son of Laurie's oldest friend and she believes Andy is the best person to represent him. Andy follows Laurie back to Wisconsin where he must explore a secretive religious community that seems to hold the truth about what really happened to the deceased.

It's the night of the full Cold Moon - the month of December according to the lunar calendar. A young man is found dead in lower Manhattan, the first in a series of victims of a ruthless killer calling himself the Watchmaker. His obsession with time drives the Watchmaker to plan the murders with the precision of fine timepieces, and the victims die prolonged deaths while an eerie clock ticks away their last minutes on earth. Amelia is not only Lincoln's eyes and ears at crime scenes on the Watchmaker case, but she's now running her own homicide investigation - her first case as lead detective. The policewoman's unwavering efforts in pursuing the killers of a businessman, who left behind a wife and son, sets into motion clockwork gears of its own, with consequences reaching to people and events that will endanger not only many lives but Lincoln's and Amelia's future together.

“With his latest, [Jonathan Kellerman] not only brings his ‘A’ game but also ratchets it up a notch or three. . . . Victims will keep you up at night.”—Bookreporter   Acid-tongued Vita Berlin hadn’t a friend in the world, but whom did she cross so badly as to end up meticulously arranged in such a gruesome murder scene? One look prompts LAPD detective Milo Sturgis to summon his expert in homicidal maniacs, Alex Delaware. But even Alex is stymied when more slayings occur in the same ghastly fashion—with no apparent connection among the victims. And the only clue left behind—a blank page bearing a question mark—seems to be both a menacing taunt and a chilling cry for help from a tortured, savage soul. To end the bloody spree and prevent citywide panic, Alex navigates the secretive world of mental health treatment, from the sleek office of a Beverly Hills therapist to a shuttered mental institution where he once learned his craft. As each jagged piece of the puzzle fits into place, a portrait emerges of a sinister mind at its most unimaginable—and an evil soul at its most unspeakable. BONUS: This edition includes an excerpt from Jonathan Kellerman's Guilt.   “Expertly crafted, judiciously paced and echoing with larger social concerns.”—The Star-Ledger   “The combination of Alex Delaware [and] Detective Milo Sturgis . . . makes for the most original whodunit duo since Watson and Holmes.”—Forbes Includes an excerpt of Jonathan Kellerman’s Guilt.

Detective Superintendent Roy Grace is forever haunted by the unexplained disappearance of his wife, Sandy, nearly ten years ago. Ever since she went missing, he's been consumed with finding out what happened to her. Finally, he may be moving on. He has fallen in love and is going to marry his girlfriend, Cleo, who is pregnant with their child.  But his life is put on hold when, after a wild New Year's Eve ball, a woman is brutally raped as she returns to her hotel room. A week later, another woman is attacked. Both victims' shoes are taken by their attacker. Grace soon realizes that these new cases bear remarkable similarities to an unsolved series of crimes in the city back in 1997. The perpetrator had been dubbed "Shoe Man" and was believed to have raped four women before murdering his fifth victim and vanishing. Could this be a copycat, or has Shoe Man resurfaced? When more women are assaulted, Grace becomes increasingly certain that they are dealing with the same man. By delving back into the past—a time when Sandy was still in his life—he may find the key to unlocking the current mystery. Soon Grace and his team find themselves in a desperate race against the clock to identify and save the life of the new sixth victim, as he struggles with a chapter in his life he thought he had put behind him at last. Dead Like You is Peter James at his best—"Possibly the most engrossing thriller since The Silence of the Lambs" (Washington Post Book World).

You can't runDetective Alex Cross is pulled out of a family celebration and given the awful news that a beloved relative has been found brutally murdered. Alex vows to hunt down the killer, and soon learns that she was mixed up in one of Washington's wildest scenes. And she was not this killer's only victim.You can't hideThe hunt for her murderer leads Alex and his girlfriend, Detective Brianna Stone, to a place where every fantasy is possible, if you have the credentials to get in. Alex and Bree are soon facing down some very important, very protected, very dangerous people in levels of society where only one thing is certain--they will do anything to keep their secrets safe. Alex Cross is your only hope to stay aliveAs Alex closes in on the killer, he discovers evidence that points to the unimaginable--a revelation that could rock the entire world. With the unstoppable action, unforeseeable twists, and edge-of-your-seat suspense that only a James Patterson thriller delivers, I, Alex Cross is the master of suspense at his sharpest and best.

In two previous New York Times bestselling novels, Jefferson Bass enthralled readers with ripped-from-the-headlines forensic cases, memorable characters, and plots that "rival Kathy Reichs and Patricia Cornwell" (Seattle Post-Intelligencer). Drawing on research at the Body Farm—three acres of land in the backwoods of Tennessee, where bodies are left to the elements to illuminate human decomposition—Bass has moved fiction to a fascinating new realm, with forensics expertise drawn from his five decades of work as the world's leading forensic anthropologist. But this latest novel cements Jefferson Bass as one of the finest writers of suspense working today, and in a work of drama, cunning, and heartbreak, thrills the reader with fiction that feels all too real. A woman's charred body has been found inside a burned car perched atop a hill in Knoxville. Is it accidental death, or murder followed by arson? Forensic anthropologist Bill Brockton's quest for answers prompts an experiment straight from Dante's Inferno: In the dark of night, he puts bodies to the torch, researching how fire consumes flesh and bone. In the meantime, Brockton is sent a mysterious package—a set of cremated remains that looks entirely unreal. With the help of a local crematorium, he investigates and discovers a truth too horrifying to believe: A facility in another state has not been disposing of bodies properly, instead scattering them all around the grounds.Little does Brockton know that his research is about to collide with reality—with the force of a lit match meeting spilled gasoline. En route to trial, his nemesis, medical examiner Garland Hamilton, has escaped from custody. What follows is a deadly game of cat and mouse, played for the ultimate stakes: Brockton's own life. With help from his loyal graduate assistant, Miranda, and ace criminalist Art Bohanan, Brockton eventually tracks Hamilton, but when the police arrive, they find only a smoldering ruin. Sifting through the ashes, Brockton finds the incinerated remains of Hamilton . . . or does he? The answer—along with Brockton's ultimate test—comes in a searing moment of truth.

For all fans of Michael Connelly and Dennis Lehane, The Killing House is the amazing first novel in a stunning new series by Chris Mooney, author of the popular CSI Darby McCormick thrillers. It introduces fallen angel and former profiler Malcolm Fletcher who is forced to take the law into his own hands in order to uncover the truth in his terrifying first case. Rule #1: Don't Scream Four years ago, Theresa Herrera's ten-year-old son Rico was abducted. The police found little evidence and the case went cold. Theresa's husband has told her to move on, but she won't give up hope. Rule #2: Don't call the police Today a mysterious woman invaded Theresa's home and told her that Rico is alive. Theresa talks on the phone to a young man who is, without question, her son. Rule #3: Don't run. Don't fight The woman promises to reunite Theresa with Rico only if she will follow the rules. But it is the last rule that fills Theresa with horror . . . Rule #4: Kill your husband and your son will live. . . Malcolm Fletcher - a former FBI profiler and now the nation's Most Wanted fugitive - arrives in Colorado to help Theresa and her husband find their son. But his arrival coincides with a dangerous and shocking twist in the case. Barely surviving his first encounter with a suspect, Fletcher embarks on his own secret investigation, with the police just behind him every step of the way. Join Fletcher on his hunt and discover Chris Mooney's charismatic new series character in one of this year's most impressive new thriller series. Behind every door in The Killing House, death awaits you . . . Praise for Chris Mooney: 'One of the best thriller writers working today' Lee Child 'Chris Mooney is a wonderful writer. Compelling, thrilling and touching' Michael Connelly 'It will keep you up past your bedtime' Karin Slaughter 'An exceptional thriller writer. I envy those who have yet to read him' John Connolly 'A scary, breakneck ride with thrills that never let up' Tess Gerritsen 'Harrowing, gripping, haunting' Harlan Coben

The ultimate psychosexual thriller and one of the greatest suspense novels of all time, The First Deadly Sin is the book that began the Sanders success story. A well dresses man stalks the high class neighborhoods of New York City. He is armed with an ice ax. His victims are strangers. And one cop, Captain Ed Delaney, must solve a series of bizarre, gruesome murders that defy logic or method. This shocking story has captured the imaginations of millions like no other modern thriller.

Master of new noir Dennis Lehane magnificently evokes the dignity and savagery of working-class Boston in Darkness, Take My Hand, a terrifying tale of redemption.Patrick Kenzie and Angela Gennaro’s latest client is a prominent Boston psychiatrist, running scared from a vengeful Irish mob. The private investigators know about cold-blooded retribution. Born and bred on the mean streets of blue-collar Dorchester, they’ve seen the darkness that lives in the hearts of the unfortunate.But an evil for which even they are unprepared is about to strike, as secrets that have long lain dormant erupt, setting off a chain of violent murders that will stain everything – including the truth.With razor-sharp dialogue and penetrating prose, Darkness, Take My Hand is another superior crime novel from the author of Mystic River; Gone, Baby, Gone; and Shutter Island.