Recommendations based on "About a Boy, Level 4, Penguin Active Readers"
Based on your reading history, we think you will also enjoy the following books.
By Tamara Shopsin
One of The New Yorker's "Books We Loved in 2017"“Arbitrary Stupid Goal is a completely riveting world―when I looked up from its pages regular life seemed boring and safe and modern like one big iPhone. This book captures not just a lost New York but a whole lost way of life.” ―Miranda JulyIn Arbitrary Stupid Goal, Tamara Shopsin takes the reader on a pointillist time-travel trip to the Greenwich Village of her bohemian 1970s childhood, a funky, tight-knit small town in the big city, long before Sex and the City tours and luxury condos. The center of Tamara’s universe is Shopsin’s, her family’s legendary greasy spoon, aka “The Store,” run by her inimitable dad, Kenny―a loquacious, contrary, huge-hearted man who, aside from dishing up New York’s best egg salad on rye, is Village sheriff, philosopher, and fixer all at once. All comers find a place at Shopsin’s table and feast on Kenny’s tall tales and trenchant advice along with the incomparable chili con carne.Filled with clever illustrations and witty, nostalgic photographs and graphics, and told in a sly, elliptical narrative that is both hilarious and endearing, Arbitrary Stupid Goal is an offbeat memory-book mosaic about the secrets of living an unconventional life, which is becoming a forgotten art.
By John Irving
This is the life and times of T. S. Garp, the bastard son of Jenny Fields—a feminist leader ahead of her times. This is the life and death of a famous mother and her almost-famous son; theirs is a world of sexual extremes—even of sexual assassinations. It is a novel rich with "lunacy and sorrow"; yet the dark, violent events of the story do not undermine a comedy both ribald and robust. In more than thirty languages, in more than forty countries—with more than ten million copies in print—this novel provides almost cheerful, even hilarious evidence of its famous last line: "In the world according to Garp, we are all terminal cases."
By Yomi Sode
Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?
By P.G. Wodehouse
P.G. Wodehouse (1881-1975) was perhaps the most widely acclaimed British humorist of the twentieth century. Throughout his career, he brilliantly examined the complex and idiosyncratic nature of English upper-crust society with hilarious insight and wit. The works in this volume provide a wonderful introduction to Wodehouse’s work and his unique talent for joining fantastic plots with authentic emotion.In The Code of the Woosters, Wodehouse’s most famous duo, Bertie Wooster and his unflappable valet Jeeves, risks all to steal a cream jug. Uncle Fred in the Springtime, part of the famous Blandings Castle series, follows Uncle Fred as he attempts to ruin the Duke of Blandings while he is preoccupied with his favorite pig. Fourteen stories feature some of Wodehouse’s most memorable characters, and three autobiographical pieces provide a revealing look into Wodehouse’s life.With his gift for hilarity and his ever-human tone, Wodehouse and his work have never felt more lively. With a New Introduction by John Mortimer
By Colin Barrett
WINNER OF THE 2014 GUARDIAN FIRST BOOK AWARD *Winner of the 2014 Frank O'Connor International Short Story Award *Winner of the 2014 Rooney Prize for Irish Literature This magnificent collection takes us to Glanbeigh, a small town in rural Ireland âe" a town in which the youth have the run of the place. Boy racers speed down the back lanes; couples haunt the midnight woods; young skins huddle in the cold once The Peacock has closed its doors. Here the young live hard and wear the scars. It matters whose sister you were seen with. If you are in the wrong place at the wrong time, it matters a very great deal. Colin Barrettâe(tm)s debut does not take us to Glanbeigh alone; there are other towns, and older characters. But each story is defined by a youth lived in a crucible of menace and desire âe" and each crackles with the uniform energy and force that distinguish this terrific collection.
By P Wodehouse
Gussie Fink-Nottle simply must marry Madeline Bassett or Bertrand Wooster will be obliged to proffer the ring in his stead. In a daring attempt at securing the engagement, Jeeves and Bertie visit a rural leper colony.
By Bohumil Hrabal
WITH AN INTRODUCTION BY ADAM THIRLWELL 'Our very best writer today' Milan KunderaSparkling with comic genius and narrative exuberance, I Served the King of England is a story of how the unbelievable came true. Its remarkable hero, Ditie, is a hotel waiter who rises to become a millionaire and then loses it all again against the backdrop of events in Prague from the German invasion to the victory of Communism. Ditie's fantastic journey intertwines the political and the personal in a narrative that both enlightens and entertains.
By John van de Ruit
Fifteen-year-old Spud's 1991 diary reflects ongoing concerns about his manhood and his weird family, boarding school adventures of the Crazy Eight, a disastrous theater performance, and the joys and perils of having two beautiful women in his life.
By Pelham Grenville Wodehouse
Contains the novels Uncle Fred in the Springtime, Uncle Dynamite, Cocktail Time and the short story "Uncle Fred Flits By".
By Charles Chaplin
A silent comedy star whose legendary slapstick routines are recognisable to this day, Charles 'Charlie' Chaplin's My Autobiography is an incomparably vivid account of the life of one of the greatest filmmakers and comedians, with an introduction by David Robinson As a child, Charlie Chaplin was awed and inspired by the sight of glamorous vaudeville stars passing his home, and from then on he never lost his ambition to become an actor. Chaplin's film career as the Little Tramp adored by the whole world is the stuff of legend, but this frank autobiography shows another side. Born into a theatrical family, Chaplin's father died of drink while his mother, unable to bear the poverty, suffered from bouts of insanity. From a childhood of grinding poverty in the south London slums, Chaplin found an escape in his early debut on the music hall stage, followed by his lucky break in America, the founding of United Artists with D.W. Griffith and Douglas Fairbanks, the struggle to maintain artistic control over his work, the string of failed marriages, and his eventual exile from Hollywood after personal scandals and persecution for his left-wing politics during the McCarthy Era. Sir Charles 'Charlie' Chaplin (1895-1976) was born in Walworth, London. Best known for his work in silent film, his most famous role was The Little Tramp, a universally recognisable and iconic character who appeared in films such as The Kid (1921), The Gold Rush (1925) and City Lights (1931). His other films include Modern Times (1936), a commentary on the Great Depression, and The Great Dictator (1940), a satirical attack on Hitler and the Nazis. If you enjoyed My Autobiography, you might like Andy Warhol's The Philosophy of Andy Warhol, also available in Penguin Modern Classics. 'Tells so much about this curious, difficult man ... a wonderfully vivid imagination'The New York Times 'The only genius to come out of the movie industry'George Bernard Shaw