Recommendations based on "A Thousand Years of Good Prayers: Stories"

THE SUNDAY TIMES BESTSELLERWINNER OF THE ONDAATJE PRIZE'The best book I read last year by a mile. . . so beautifully written that anyone would be hooked' Laura Hackett, Sunday Times, Best Summer Books'Wonderfully funny and poignant. . . a tale of family secrets and political awakening amid a crumbling regime' Luke Harding, Observer'We never lose our inner freedom; the freedom to do what is right'Lea Ypi grew up in one of the most isolated countries on earth, a place where communist ideals had officially replaced religion. Albania, the last Stalinist outpost in Europe, was almost impossible to visit, almost impossible to leave. It was a place of queuing and scarcity, of political executions and secret police. To Lea, it was home. People were equal, neighbours helped each other, and children were expected to build a better world. There was community and hope.Then, in December 1990, everything changed. The statues of Stalin and Hoxha were toppled. Almost overnight, people could vote freely, wear what they liked and worship as they wished. There was no longer anything to fear from prying ears. But factories shut, jobs disappeared and thousands fled to Italy on crowded ships, only to be sent back. Predatory pyramid schemes eventually bankrupted the country, leading to violent conflict. As one generation's aspirations became another's disillusionment, and as her own family's secrets were revealed, Lea found herself questioning what freedom really meant.Free is an engrossing memoir of coming of age amid political upheaval. With acute insight and wit, Lea Ypi traces the limits of progress and the burden of the past, illuminating the spaces between ideals and reality, and the hopes and fears of people pulled up by the sweep of history.THE SUNDAY TIMES MEMOIR OF THE YEARWINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZESHORTLISTED FOR THE COSTA BIOGRAPHY AWARDSHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTIONSHORTLISTED FOR THE GORDON BURN PRIZECHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN, FINANCIAL TIMES, SUNDAY TIMES, TLS, DAILY MAIL, NEW STATESMAN AND SPECTATOR

Set between the last years of the “Chinese Windrush” in 1966 and Hong Kong’s Handover to China in 1997, a mysterious inheritance sees a young woman from London uncovering buried secrets in her late mother’s homeland in this captivating, wry debut about family, identity, and the price of belonging.Hong Kong, 1966. Sook-Yin is exiled from Kowloon to London with orders to restore honor to her family. But as she trains to become a nurse in cold and wet England, Sook-Yin realizes that, like so many transplants, she must carve out a destiny of her own to survive.Thirty years later in London, having lost her mother as a small child, biracial misfit Lily can only remember what Maya, her preternaturally perfect older sister, has told her about Sook-Yin. Unexpectedly named in the will of a powerful Chinese stranger, Lily embarks on a secret pilgrimage across the world to discover the lost side of her identity and claim the reward. But just as change is coming to Hong Kong, so Lily learns Maya’s secrecy about their past has deep roots, and that good fortune comes at a price.Heartfelt, wry and achingly real, Ghost Girl, Banana marks the stunning debut of a writer-to-watch.

A New York Times Notable BookFinalist for the National Book Critics Circle AwardA personal, lyrical narrative about storytelling and empathy, from the author of Orwell's RosesApricots. Her mother's disintegrating memory. An invitation to Iceland. Illness. These are Rebecca Solnit's raw materials, but The Faraway Nearby goes beyond her own life, as she spirals out into the stories she heard and read—from fairy tales to Mary Shelley's Frankenstein—that helped her navigate her difficult passge. Solnit takes us into the lives of others—an arctic cannibal, the young Che Guevara among the leprosy afflicted, a blues musician, an Icelandic artist and her labyrinth—to understand warmth and coldness, kindness and imagination, decay and transformation, making art and making self. This captivating, exquisitely written exploration of the forces that connect us and the way we tell our stories is a tour de force of association, a marvelous Russian doll of a book that is a fitting companion to Solnit's much-loved A Field Guide to Getting Lost.

“[A] suspense-filled page-turner.” —Viet Thanh Nguyen, winner of the Pulitzer Prize for The Sympathizer"A touching portrait of two families bound together by a split-second decision.” —Attica Locke, Edgar-Award winning author of Bluebird, BluebirdA Best Book of the YearWall Street Journal / Chicago Tribune / Buzzfeed / South Florida Sun-Sentinel / Book Riot / LitHub / BOLO BooksA powerful and taut novel about racial tensions in Los Angeles, following two families—one Korean-American, one African-American—grappling with the effects of a decades-old crimeIn the wake of the police shooting of a black teenager, Los Angeles is as tense as it’s been since the unrest of the early 1990s. But Grace Park and Shawn Matthews have their own problems. Grace is sheltered and largely oblivious, living in the Valley with her Korean-immigrant parents, working long hours at the family pharmacy. She’s distraught that her sister hasn’t spoken to their mother in two years, for reasons beyond Grace’s understanding. Shawn has already had enough of politics and protest after an act of violence shattered his family years ago. He just wants to be left alone to enjoy his quiet life in Palmdale.But when another shocking crime hits LA, both the Park and Matthews families are forced to face down their history while navigating the tumult of a city on the brink of more violence.

“Messy Roots is a laugh-out-loud, heartfelt, and deeply engaging story of their journey to find themself--as an American, as the daughter of Chinese immigrants, as a queer person, and as a Wuhanese American in the middle of a pandemic.”—Malaka Gharib, author of I Was Their American DreamAfter spending her early years in Wuhan, China, riding water buffalos and devouring stinky tofu, Laura immigrates to Texas, where her hometown is as foreign as Mars—at least until 2020, when COVID-19 makes Wuhan a household name.In Messy Roots, Laura illustrates her coming-of-age as the girl who simply wants to make the basketball team, escape Chinese school, and figure out why girls make her heart flutter.Insightful, original, and hilarious, toggling seamlessly between past and present, China and America, Gao’s debut is a tour de force of graphic storytelling.

For fans of Jasmine Warga and Thanhhà Lại, this is a stunning novel in verse about a young Taiwanese immigrant to America who is confronted by the stark difference between dreams and reality.Anna can’t wait to move to the beautiful country—the Chinese name for America. Although she’s only ever known life in Taiwan, she can’t help but brag about the move to her family and friends.But the beautiful country isn’t anything like Anna pictured. Her family can only afford a cramped apartment, she’s bullied at school, and she struggles to understand a new language. On top of that, the restaurant that her parents poured their savings into is barely staying afloat. The version of America that Anna is experiencing is nothing like she imagined. How will she be able to make the beautiful country her home?This lyrical and heartfelt story, inspired by the author’s own experiences, is about resilience, courage, and the struggle to make a place for yourself in the world.

A "beautifully rendered" novel about war, migration, and the power of telling our stories, Peach Blossom Spring follows three generations of a Chinese family on their search for a place to call home (Georgia Hunter, New York Times bestselling author).A country at war. A family searching for home.China, 1938. Meilin and her four-year-old son, Renshu, flee their burning city as Japanese forces advance. On the perilous journey that follows, across a China transformed by war, they find comfort and wisdom in their most treasured possession, a beautifully illustrated hand scroll filled with ancient fables.Years later, Renshu has settled in America as Henry Dao. Though his daughter, Lily, is desperate to understand her heritage, he refuses to talk about his childhood in China. How can he tell his story when he's left so much behind?Spanning continents and generations, Peach Blossom Spring is a bold and moving story about the haunting power of our past, the sacrifices we make to protect our children, and one family's search for a place to call home.A BOOK OF THE MONTH CLUB PICK AND NOMINEE FOR "BOOK OF THE YEAR"NOMINATED FOR THE GOODREADS CHOICE "BEST BOOK OF THE YEAR""An accomplished first novel." —New York Times Book Review"A stunning achievement . . . I absolutely adored this novel about love and war, migration and belonging.” —Christy Lefteri, author of The Beekeeper of Aleppo"I so enjoyed this book." —Alisa Chang, NPR's All Things Considered"Magical and powerful, Peach Blossom Spring brings to life the costs of wars and conflicts while illuminating the spirit of human survival.”―Nguyễn Phan Quế Mai, author of The Mountains Sing“Expansive, atmospheric, and affecting.” —Susie Yang, author of White Ivy

A stunning, multimorphic work of poetry and prose about Indigenous identitymother is a work rooted in an intimate fracture: an Indigenous child is adopted out of her tribe and raised by a non-Indian family. As an adult finding her way back to her origins, our unnamed narrator begins to put the pieces of her birth family's history together through the stories told to her by her mother, father, sister, and brother, all of whom remained on the reservation where she was born. Through oral histories, family lore, and imagined pasts and futures, a collage of their community emerges, raising profound questions about adoption, inheritance, and Indigenous identity in America.Through poetic vignettes whose unconventional forms mirror the nonlinear, patchwork process of constructing a sense of self, m.s. RedCherries has crafted an indelible and utterly original work about the winding roads that lead us home.

Yeonmi Park has told the harrowing story of her escape from North Korea as a child many times, but never before has she revealed the most intimate and devastating details of the repressive society she was raised in and the enormous price she paid to escape. Park’s family was loving and close-knit, but life in North Korea was brutal, practically medieval. Park would regularly go without food and was made to believe that, Kim Jong Il, the country’s dictator, could read her mind. After her father was imprisoned and tortured by the regime for trading on the black-market, a risk he took in order to provide for his wife and two young daughters, Yeonmi and her family were branded as criminals and forced to the cruel margins of North Korean society. With thirteen-year-old Park suffering from a botched appendectomy and weighing a mere sixty pounds, she and her mother were smuggled across the border into China.I wasn’t dreaming of freedom when I escaped from North Korea. I didn’t even know what it meant to be free. All I knew was that if my family stayed behind, we would probably die—from starvation, from disease, from the inhuman conditions of a prison labor camp. The hunger had become unbearable; I was willing to risk my life for the promise of a bowl of rice. But there was more to our journey than our own survival. My mother and I were searching for my older sister, Eunmi, who had left for China a few days earlier and had not been heard from since. Park knew the journey would be difficult, but could not have imagined the extent of the hardship to come. Those years in China cost Park her childhood, and nearly her life.  By the time she and her mother made their way to South Korea two years later, her father was dead and her sister was still missing. Before now, only her mother knew what really happened between the time they crossed the Yalu river into China and when they followed the stars through the frigid Gobi Desert to freedom. As she writes, “I convinced myself that a lot of what I had experienced never happened. I taught myself to forget the rest.” In In Order to Live, Park shines a light not just into the darkest corners of life in North Korea, describing the deprivation and deception she endured and which millions of North Korean people continue to endure to this day, but also onto her own most painful and difficult memories. She tells with bravery and dignity for the first time the story of how she and her mother were betrayed and sold into sexual slavery in China and forced to suffer terrible psychological and physical hardship before they finally made their way to Seoul, South Korea—and to freedom. Still in her early twenties, Yeonmi Park has lived through experiences that few people of any age will ever know—and most people would never recover from. Park confronts her past with a startling resilience, refusing to be defeated or defined by the circumstances of her former life in North Korea and China. In spite of everything, she has never stopped being proud of where she is from, and never stopped striving for a better life. Indeed, today she is a human rights activist working determinedly to bring attention to the oppression taking place in her home country. Park’s testimony is rare, edifying, and terribly important, and the story she tells in In Order to Live is heartbreaking and unimaginable, but never without hope. Her voice is riveting and dignified. This is the human spirit at its most indomitable.

Juxtaposing short stories, poetry, painting, and photographs, Troubling Borders showcases the creative work of women of Vietnamese, Cambodian, Lao, Thai, and Filipino ancestry. This thematically arranged collection interrupts borders of categorization and gender, in what preface author Shirley Geok-Lin Lim describes as a "leap over the barbed fences that have kept these women apart in these, our United States of America."The sixty-two contributors have been shaped by colonization, wars, globalization, and militarization. For some of these women on the margins of the margin, crafting and showing their work is a bold act in itself. Their provocative and accessible creations tell unique stories, provide sharp contrasts to familiar stereotypes―Southeast Asian women as exotic sex symbols, dragon ladies, prostitutes, or "bar girls"―and serve as entry points for broader discussions about questions of history, memory, and identity.