Recommendations based on "A Midsummer Night's Dream Based on the Play by William Shakespeare"

This comprehensive and balanced anthology offers a collection of 25 works of modern and contemporary drama from the 1870s through the early 1990s. Features twenty-five plays that often demonstrate a significant breakthrough in maturity of expression and style for each playwright — important leaders in the development of modern and contemporary drama.

HarperCollins is proud to present its new range of best-loved, essential classics.‘Though this be madness, yet there is method in't.’Considered one of Shakespeare’s most rich and enduring plays, the depiction of its hero Hamlet as he vows to avenge the murder of his father by his brother Claudius is both powerful and complex. As Hamlet tries to find out the truth of the situation, his troubled relationship with his mother comes to the fore, as do the paradoxes in his personality. A play of carefully crafted conflict and tragedy, Shakespeare’s intricate dialogue continues to fascinate audiences to this day.

A brilliant and companionable tour through all thirty-eight plays, Shakespeare After All is the perfect introduction to the bard by one of the country’s foremost authorities on his life and work.Drawing on her hugely popular lecture courses at Yale and Harvard over the past thirty years, Marjorie Garber offers passionate and revealing readings of the plays in chronological sequence, from The Two Gentlemen of Verona to The Two Noble Kinsmen. Supremely readable and engaging, and complete with a comprehensive introduction to Shakespeare’s life and times and an extensive bibliography, this magisterial work is an ever-replenishing fount of insight on the most celebrated writer of all time.

Winner of the Baillie Gifford Prize’s 25th Anniversary Winner of Winners awardWhat accounts for Shakespeare’s transformation from talented poet and playwright to one of the greatest writers who ever lived? In this gripping account, James Shapiro sets out to answer this question, "succeed[ing] where others have fallen short." (Boston Globe)1599 was an epochal year for Shakespeare and England. During that year, Shakespeare wrote four of his most famous plays: Henry the Fifth, Julius Caesar, As You Like It, and, most remarkably, Hamlet; Elizabethans sent off an army to crush an Irish rebellion, weathered an Armada threat from Spain, gambled on a fledgling East India Company, and waited to see who would succeed their aging and childless queen.James Shapiro illuminates both Shakespeare’s staggering achievement and what Elizabethans experienced in the course of 1599, bringing together the news and the intrigue of the times with a wonderful evocation of how Shakespeare worked as an actor, businessman, and playwright. The result is an exceptionally immediate and gripping account of an inspiring moment in history.

Rediscover Shakespeare -- the working man of the theater, not the universal bard -- and rediscover his plays as scripts to be performed, not works to be immortalized. Combining the freshly edited texts of the Oxford Edition with lively introductions, this contemporary Shakespeare enables readers to see and read Shakespeare afresh.

Long before the satirical comedy of The Daily Show and The Colbert Report, the comic operas of W. S. Gilbert and Arthur Sullivan were the hottest send-ups of the day's political and cultural obsessions. Gilbert and Sullivan's productions always rose to the level of social commentary, despite being impertinent, absurd, or inane. Some viewers may take them straight, but what looks like sexism or stereotype was actually a clever strategy of critique. Parody was a powerful weapon in the culture wars of late-nineteenth-century England, and with defiantly in-your-face sophistication, Gilbert and Sullivan proved that popular culture can be intellectually as well as politically challenging.Carolyn Williams underscores Gilbert and Sullivan's creative and acute understanding of cultural formations. Her unique perspective shows how anxiety drives the troubled mind in the Lord Chancellor's "Nightmare Song" in Iolanthe and is vividly realized in the sexual and economic phrasing of the song's patter lyrics. The modern body appears automated and performative in the "Junction Song" in Thespis, anticipating Charlie Chaplin's factory worker in Modern Times. Williams also illuminates the use of magic in The Sorcerer, the parody of nautical melodrama in H.M.S. Pinafore, the ridicule of Victorian aesthetic and idyllic poetry in Patience, the autoethnography of The Mikado, the role of gender in Trial by Jury, and the theme of illegitimacy in The Pirates of Penzance. With her provocative reinterpretation of these artists and their work, Williams recasts our understanding of creativity in the late nineteenth century.

In A Natural Perspective, distinguished critic Northrop Frye maintains that Shakespeare's comedy is widely misunderstood and underestimated, and that the four romances - Pericles, Cymbeline, The Winter's Tale, and The Tempest - are the inevitable culmination of the poet's career. Rather than comment only on individual plays, Frye treats the comedies as a group unified by recurrent structures, devices, and images: the storm at sea, the identical twins, the heroine disguised as a boy, the retreat into the forest, the heroine with a mysterious father.

HarperCollins is proud to present its new range of best-loved, essential classics. 'London society is full of women of the very highest birth who have, of their own free choice, remained thirty-five for years.' Including some of Oscar Wilde's most well-known and infamous plays, Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband, and The Importance of Being Earnest, this collection of the infamous writer's works displays his brilliant, quick wit to its full glory. Wilde's pithy social comedies dissect the morals and idiosyncrasies of society in the 1890s and offer a view of the sexual politics of the time.

Richard II is one of the most enigmatic of English kings. Shakespeare depicted him as a tragic figure, an irresponsible, cruel monarch who nevertheless rose in stature as the substance of power slipped from him. By later writers he has been variously portrayed as a half-crazed autocrat or a conventional ruler whose principal errors were the mismanagement of his nobility and disregard for the political conventions of his age. This book--the first full-length biography of Richard in more than fifty years--offers a radical reinterpretation of the king. Nigel Saul paints a picture of Richard as a highly assertive and determined ruler, one whose key aim was to exalt and dignify the crown. In Richard's view, the crown was threatened by the factiousness of the nobility and the assertiveness of the common people. The king met these challenges by exacting obedience, encouraging lofty new forms of address, and constructing an elaborate system of rule by bonds and oaths. Saul traces the sources of Richard's political ideas and finds that he was influenced by a deeply felt orthodox piety and by the ideas of the civil lawyers. He shows that, although Richard's kingship resembled that of other rulers of the period, unlike theirs, his reign ended in failure because of tactical errors and contradictions in his policies. For all that he promoted the image of a distant, all-powerful monarch, Richard II's rule was in practice characterized by faction and feud. The king was obsessed by the search for personal security: in his subjects, however, he bred only insecurity and fear. A revealing portrait of a complex and fascinating figure, the book is essential reading for anyone with an interest in the politics and culture of the English middle ages.

In late December 1200 A.D. a merchant arrives at the tavern near the Guildhall of the Fools' Guild with a message for one the jesters. The message is brief: "Orsino is dead." Fifteen years before, the jester, using the name of Feste, secretly interceded on the Guild's behalf in a dynastic crisis in the Duchy of Orsino, thus spoiling the plans of Saladin's agent, Malvolio. These events, recorded centuries later somewhat differently in Shakespeare's Twelfth Night, led to Malvolio's humiliation and his oath of revenge. Now, with the unexpected death of the Duke of Orsino, Feste suspects murder and sees the hand of Malvolio behind it. With the backing of the Guild, Feste secretly returns to Orsino disguised as a merchant, to find out what really happened to the Duke and to ferret out Malvolio. But fifteen years is a long time and Malvolio could be disguised as anyone. Only one thing is certain: Feste must uncover and foil the plot before he is found out by Malvolio, who has been planning his revenge on Feste for a long time.