Recommendations based on "A Life of One's Own"

NEW YORK TIMES BESTSELLER“Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”—Margaret Atwood, author of The Handmaid's TaleThe national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea.The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.In Pandora’s Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman’s perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus’ mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris “caused” the Trojan war—a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce—getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn’t always a monster, and had her hair turned to snakes as punishment for being raped.Pandora’s Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place—and so eager to accept the stories we’ve been told?

The beloved author of Refuge returns with a work that explodes and startles, illuminates and celebratesTerry Tempest Williams’s mother told her: “I am leaving you all my journals, but you must promise me you won’t look at them until after I’m gone.”Readers of Williams’s iconic and unconventional memoir, Refuge, well remember that mother. She was one of a large Mormon clan in northern Utah who developed cancer as a result of the nuclear testing in nearby Nevada. It was a shock to Williams to discover that her mother had kept journals. But not as much of a shock as what she found when the time came to read them.“They were exactly where she said they would be: three shelves of beautiful cloth-bound books . . . I opened the first journal. It was empty. I opened the second journal. It was empty. I opened the third. It too was empty . . . Shelf after shelf after shelf, all of my mother’s journals were blank.” What did Williams’s mother mean by that? In fifty-four chapters that unfold like a series of yoga poses, each with its own logic and beauty, Williams creates a lyrical and caring meditation of the mystery of her mother's journals. When Women Were Birds is a kaleidoscope that keeps turning around the question “What does it mean to have a voice?”Note: blank pages are intentional.

Is it possible to be a Christian and a feminist?The hot topic of feminism has been well documented and debated in mainstream media and yet, as Christians we come to the conversation from a slightly different vantage point. For starters, we have the benefit of a personal relationship with our creator plus the ultimate handbook in the Bible to work out what is right and just when it comes to equality. So why do many Christians feel the Bible presents a barrier rather than a boost when it comes to championing equality between the sexes?Lauren Windle draws upon her years as a journalist to weave together a wide range of voices on a subject that society has been wrestling with but, in the Church, few are brave enough to probe too deeply for fear of what they might find. This book isn't here to tell you what to think. The views it presents are intended to inform, not form, your opinion on key topics, including: defining feminism, the lessons we teach boys, female preachers, a woman's place in the household, beauty standards and #ChurchToo.Notes On Feminism features contributions from several high-profile women:- Writer and model Katie Piper on true beauty- Olympian Abigail Irozuru on women's bodies- Comedian Cassandra Maria on why people think women aren't funny- Author Tiffany Bluhm on why people don't believe women- Journalist Delphine Chui on why she isn't a feminist.If feminist stirrings feel like a barrier to your faith, let Notes on Feminism help you unpick the confusion and ongoing debate, while keeping God at the centre.

The most up-to-date global perspective on how women are living today across continents and culturesIn this completely revised and updated fifth edition of her groundbreaking atlas, Joni Seager provides comprehensive and accessible analysis of up-to-the-minute global data on the key issues facing women today: equality, motherhood, feminism, the culture of beauty, women at work, women in the global economy, changing households, domestic violence, lesbian rights, women in government, and more. The result is an invaluable resource on the status of women around the world today.

In this republication, revisit the late Linda Nochlin’s pioneering writings on the representation of women in art. Women―as warriors, workers, mothers, lovers―haunt nineteenth and twentieth-century Western painting. This republication of Representing Women brings together the late Linda Nochlin’s most important and pioneering writings on the representation of women in art as she considers works by Jean-Francois Millet, Eugene Delacroix, Gustave Courbet, Edgar Degas, Georges Seurat, Mary Cassatt, and Kathe Kollwitz, among many others. In a riveting, partly autobiographical introduction, Nochlin argues for the honest virtues of an art history that rejects methodological presuppositions and for art historians to investigate the work before their eyes while focusing on its subject matter, informed by a sensitivity to its feminist spirit. 170 illustrations

"All human beings are practicing historians," writes Gerda Lerner. "We live our lives; we tell our stories. It is as natural as breathing." It is as important as breathing, too. History shapes our self-definition and our relationship to community; it locates us in time and place and helps to give meaning to our lives. History can be the vital thread that holds a nation together, as demonstrated most strikingly in the case of Jewish history. Conversely, for women, who have lived in a world in which they apparently had no history, its absence can be devastating. In Why History Matters, Lerner brings together her thinking and research of the last sixteen years, combining personal reminiscences with innovative theory that illuminate the importance of history and the vital role women have played in it. Why History Matters contains some of the most significant thinking and writing on history that Lerner has done in her entire career--a summation of her life and work. The chapters are divided into three sections, each widely different from the others, each revelatory of Lerner as a woman and a feminist. We read first of Lerner's coming to consciousness as a Jewish woman. There are moving accounts of her early life as a refugee in America, her return to Austria fifty years after fleeing the Nazis (to discover a nation remarkable both for the absence of Jews and for the anti-Semitism just below the surface), her slow assimilation into American life, and her decision to be a historian. If the first section is personal, the second focuses on more professional concerns. Included here is a fascinating essay on nonviolent resistance, tracing the idea from the Quakers (such as Mary Dyer), to abolitionists such as Theodore Dwight Weld (the "most mobbed man" in America), to Thoreau's essay Civil Disobedience, then across the sea to Tolstoy and Gandhi, before finally returning to America during the civil rights movement of the 1950s. There are insightful essays on "American Values" and on the tremendous advances women have made in the twentieth century, as well as Lerner's presidential address to the Organization of American Historians, which outlines the contributions of women to the field of history and the growing importance of women as a subject of history. The highlight of the final section of the book is Lerner's bold and innovative look at the issues of class and race as they relate to women, an essay that distills her thinking on these difficult subjects and offers a coherent conceptual framework that will prove of lasting interest to historians and intellectuals. A major figure in women's studies and long-term activist for women's issues, a founding member of NOW and a past president of the Organization of American Historians, Gerda Lerner is a pioneer in the field of Women's History and one of its leading practitioners. Why History Matters is the summation of the work and thinking of this distinguished historian.

Helen M. Luke speaks with the power of a true sage on the issues of community, relationships, the women's movement, marriage and divorce, and mothering. Profound, graceful, and transforming, The Way of Woman is a true celebration of feminine worth."In this book, Helen Luke has rendered her lifetimes' worth of understandings about the unique nature of the feminine psyche. The spirit of the work is to be treasured especially because it is informed by her ninety years of inimitable life."--Clarissa Pinkola Estes, Ph.D., author of Women Who Run with the Wolves and The Gift of Story"For many years I've learned from the experiments and reflections of Helen Luke, one of the few authors inspired by Jung who leaves a strong individual contribution to a spiritually rich psychology. She was able to find a unique way through the polarities that get us all stuck: theory and personal insight, gender and a point beyond gender, psychology and spirituality, tradition and immediate perception, knowledge and wisdom. Better tos pend a day meditating on a single page of her writing than to read a stack of books for enlightenment." --Thomas Moore, author of Care of the Soul, Soul Mates, and Meditations"In the Book of Proverbs it is written: 'Say to wisdom, you are my sister, and call insight your intimate friend.' Helen M. Luke was such a sister and such a friend. In The Way of Woman one is honored to be in the presence of a true Wise Woman."--Jonathan Cott, author of Isis and Osiris, The Search for Omm Sety, and Pipers at the Gates of Dawn"Helen Luke can strike one note with one finger with such sensitivity that is resonates forever in our soul... On behalf of countless women and men, I say, 'Thank you, Helen. Thank you for guiding me to the courage of my own feminine depths. Thank you for strengthening me in finding my feminine voice. Thank you for steadfastly living the feminine values in a society that, consciously and unconsciously, despises them. Thank you for encouraging me to go where I might never have dared go alone. And thank you for shining the light into corridors where I have yet to go."--Marion Woodman, author of Leaving My Father's House, from her foreword

From New York Times bestselling author Jennifer Chiaverini, a bold, revelatory novel about one of the great untold stories of World War I—the women of the U.S. Army Signal Corps, who broke down gender barriers in the military and battled a pandemic as they helped lead the Allies to victory.  “An eye-opening and detailed novel about remarkable female soldiers. . . Chiaverini weaves the intersecting threads of these brave women’s lives together, highlighting their deep sense of pride and duty.”—Kirkus Reviews  In June 1917, General John Pershing arrived in France to establish American forces in Europe. He immediately found himself unable to communicate with troops in the field. This gripping WWI historical fiction novel reveals that Pershing needed telephone operators who could swiftly and accurately connect multiple calls, speak fluent French and English, remain steady under fire, and be utterly discreet, since the calls often conveyed classified information. At the time, nearly all well-trained American telephone operators were women—but women were not permitted to enlist, or even to vote in most states. Nevertheless, based on these true events, the U.S. Army Signal Corps promptly began recruiting them. More than 7,600 women responded, including Grace Banker of New Jersey, a switchboard instructor with AT&T and an alumna of Barnard College; Marie Miossec, a Frenchwoman and aspiring opera singer; and Valerie DeSmedt, a twenty-year-old Pacific Telephone operator from Los Angeles, determined to strike a blow for her native Belgium. They were among the first women sworn into the U.S. Army under the Articles of War. The male soldiers they had replaced had needed one minute to connect each call. The switchboard soldiers, with their incredible skill, could do it in ten seconds. Deployed throughout France, including near the front lines, the operators endured hardships and risked death or injury from gunfire, bombardments, and the Spanish Flu. Not all of them would survive. The women of the U.S. Army Signal Corps served with honor and played an essential role in achieving the Allied victory. Their story has never been the focus of a novel…until now. 

While women's experience encompasses all that is human, while women have participated in history and the making of history through all time, until very recently they have been largely excluded from the writing of that history. Most of what we know of the past experience of women comes to us largely through the distorting lens of men's reflections and observations. In the now classic The Female Experience, Gerda Lerner describes history as seen by women, as colored by their values. What she creates is fascinating narrative of the lives and history of ordinary women, a book that provides a new framework for the study of their past experience. If women's history is now a healthy and ever-growing discipline, we have in a large part this award-winning author to thank. Avoiding the traditional chronological periods by which U.S. history is most often studied, Lerner groups her sources--many taken from manuscripts previously unknown, and others only available in research libraries--according to the lifecycle of women, their roles in a male-defined society, in the workplace, in politics, and finally in the contemporary world where feminism is creating an altogether new consciousness. From "runaway wives" in eighteenth-century America, through an anonymous account of a mother's death during childbirth, to appeals in our century for freedom of sexual preference, The Female Experience recounts history from the woman's point of view, and goes a long way toward reconstructing a female past and analyzing it with appropriate concepts. In the general introduction and chapter essays Lerner offers commentary that not only knits these disparate primary sources together, but also interprets them in an innovative way. Now brought up to date with a new preface, The Female Experience is a book that pulses with life, a stunning testament not only to the long-ignored role of women in society, but a pioneering effort to reinvent the way we look at history.

The author investigates the most vital component of a healthy personality--self-esteem--drawing on her own experience with low self-esteem and that of such luminaries as Mahatma Gandhi.