Recommendations based on "A Foreign Woman"

For fans of Ottessa Moshfegh’s My Year of Rest and Relaxation, the classic Russian novel about an indolent aristocrat who spends most of his days in bedA Penguin ClassicWritten with sympathetic humor and compassion, this masterful portrait of upper-class decline made Ivan Goncharov famous throughout Russia on its publication in 1859. Ilya Ilyich Oblomov is a member of Russia’s dying aristocracy—a man so lazy that he has given up his job in the Civil Service, neglected his books, insulted his friends, and found himself in debt. Too apathetic to do anything about his problems, he lives in a grubby, crumbling apartment, waited on by Zakhar, his equally idle servant. Terrified by the activity necessary to participate in the real world, Oblomov manages to avoid work, postpones change, and—finally—risks losing the love of his life. This superb translation by David Magarshack captures all the subtle comedy and near-tragedy of the original.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

One hot spring the devil makes a personal appearance in Moscow accompanied by various demons, including a naked girl and a huge black cat. When he leaves, the asylums are full and the forces of law and order in disarray. Only the Master, a man devoted to truth, and Margarita, the woman he loves, can resist the devil's onslaught.(back cover)

In these stories, Dostoevsky explores both the figure of the dreamer divorced from reality, and also his own ambiguous attitude toward utopianism, themes central to his great novels. In White Nights, the apparent idyll of the dreamer's romantic fantasies disguises profound loneliness and estrangement from "living life." A Gentle Creature and The Dream of a Ridiculous Man show how withdrawal from reality can end in spiritual desolation as well as moral indifference, and how, in Dostoevsky's view, the tragedy of the alienated individual can only be resolved by the rediscovery of a sense of compassion and responsibility toward other people.No other edition brings together these specific stories--which are most interesting when read alongside one another--and the new translations capture all the power and lyricism of Dostoevsky's writing at its best.

Turgenev's masterpiece about the conflict between generations is as fresh, outspoken, and exciting today as it was in when it was first published in 1862. The controversial portrait of Bazarov, the energetic, cynical, and self-assured `nihilist' who repudiates the romanticism of his elders, shook Russian society. Indeed the image of humanity liberated by science from age-old conformities and prejudices is one that can threaten establishments of any political or religious persuasion, and is especially potent in the modern era. This new translation, specially commissioned for the World's Classics, is the first to draw on Turgenev's working manuscript, which only came to light in 1988. ABOUT THE SERIES: For over 100 years Oxford World's Classics has made available the widest range of literature from around the globe. Each affordable volume reflects Oxford's commitment to scholarship, providing the most accurate text plus a wealth of other valuable features, including expert introductions by leading authorities, helpful notes to clarify the text, up-to-date bibliographies for further study, and much more.

Although less famous than Mikhail Bulgakov's comic hit, The Master and Margarita, The White Guard is still an engrossing book, though completely different in tone. It is set in Kiev during the Russian revolution and tells the story of the Turbin family and the war's effect on the middle-classes (not workers).The story was not seen as politically correct, and thereby contributed to Bulgakov's lifelong troubles with the Soviet authorities. It was, however, a well-loved book, and the novel was turned into a successful play at the time of its publication in 1967.

This volume brings together Gogol's Petersburg Tales with his two most famous plays, all of which guide us through the streets of St. Petersburg, the city erected by force and ingenuity on the marshes of the Neva estuary. Something of the deception and violence of the city's creation seems to lurk beneath its harmonious facade, however, and it confounds its inhabitants with false dreams and absurd visions. This new translation by Christopher English brings out the unique vitality and humor of Russia's finest comic writer.

In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the "little tragedies". The "little tragedies" stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago, and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin's work while aligning it with today's poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability.The four "little tragedies" -- Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast During the Plague -- are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it.

I am a ridiculous man. They call me mad now. That would be a promotion in rank A delusional man whose strange dream changes his life; a self-justifying husband who causes his wife's suicide; a witness to a young girl's ruin; a writer who stretches out on a gravestone and listens to the gossip of the dead ... the narrators of these four confessional tales show how little we understand ourselves.

Dostoevsky's last and greatest novel, The Karamazov Brothers (1880) is both a brilliantly told crime story and a passionate philosophical debate. The dissolute landowner Fyodor Pavlovich Karamazov is murdered; his sons--the atheist intellectual Ivan, the hot-blooded Dmitry, and the saintly novice Alyosha--are all involved at some level. Brilliantly bound up with this psychological drama is Dostoevsky's intense and disturbing exploration of many deeply felt ideas about the existence of God, freedom of will, the collective nature of guilt, and the disastrous consequences of rationalism. Filled with eloquent voices, this new translation fully realizes the power and dramatic virtuosity of Dostoevsky's most brilliant work.

The Devil comes to Moscow; but he isn't all bad. Pontius Pilate sentences a charismatic leader to his death, but yearns for redemption; and a writer tries to destroy his greatest tale, but discovers that manuscripts don't burn. Multi-layered and entrancing, blending sharp satire with glorious fantasy, The Master and Margarita is ceaselessly inventive and profoundly moving. In its imaginative freedom and raising of eternal human concerns, it is one of the world's great novels.