Recommendations based on "A Buyer's Market"

Summer 2005 finally sees the release of THE HITCHHIKER’S GUIDE TO THE GALAXY movie from Touchstone Pictures. Stars include Martin Freeman as Arthur Dent, Sam Rockwell as Zaphod Beeblebrox, Bill Nighy as Slartibartfast, supercool hip-hop artist Mos Def as Ford Prefect and the gorgeous Zooey Deschanel as Trillian. Completely new characters were developed specially for the film by Douglas Adams before his death and will be played by John Malkovich and Anna Chancellor.Pan`s tie-in edition of this cult classic will include substantial extras from Executive Producer, Robbie Stamp: exclusive cast interviews, stories and photographs from the set.

A New York Times Book Review Editors’ Choice: There’s no right way to keep a diary, but if there’s an entertaining way, David Sedaris seems to have mastered it.If it’s navel-gazing you’re after, you’ve come to the wrong place; ditto treacly self-examination. Rather, his observations turn outward: a fight between two men on a bus, a fight between two men on the street, pedestrians being whacked over the head or gathering to watch as a man considers leaping to his death. There’s a dirty joke shared at a book signing, then a dirtier one told at a dinner party—lots of jokes here. Plenty of laughs.These diaries remind you that you once really hated George W. Bush, and that not too long ago, Donald Trump was just a harmless laughingstock, at least on French TV. Time marches on, and Sedaris, at his desk or on planes, in hotel dining rooms and odd Japanese inns, records it. The entries here reflect an ever-changing background—new administrations, new restrictions on speech and conduct. What you can say at the start of the book, you can’t by the end. At its best, A Carnival of Snackery is a sort of sampler: the bitter and the sweet. Some entries are just what you wanted. Others you might want to spit discreetly into a napkin.

Head Over Heels in the Dales is the third volume in Gervase Phinn's bestselling Dales Series 'Could you tell me how to spell "sex" please?' Gervase Phinn thinks he's heard just about everything in his two years as a school inspector, but a surprising enquiry from an angelic six-year-old reminds him never to take children for granted. This year Gervase has lots of important things on his mind - his impending marriage to Christine Bentley (the prettiest headteacher for miles around), finding somewhere idyllic to live in the Yorkshire Dales, and the chance of a promotion. All of which generate their fair share of excitement, aided and abetted as usual by his colleagues in the office. In Head Over Hells in the Dales, join Gervase Phinn in the classroom where he faces his greatest challenge: keeping a straight face as teachers and children alike conspire to have him laughing out loud. 'Gervase Phinn's memoirs have made him a hero in school staff-rooms' Daily Telegraph Gervase Phinn is an author and educator from Rotherham who, after teaching for fourteen years in a variety of schools, moved to North Yorkshire to be a school inspector. He has written autobiographies, novels, plays, collections of poetry and stories, as well as a number of books about education. He holds five fellowships, honorary doctorates from Hull, Leicester and Sheffield Hallam universities, and is a patron of a number of children's charities and organizations. He is married with four adult children. His books include The Other Side of the Dale, Over Hill and Dale, Head Over Heels in the Dales, The Heart of the Dales, Up and Down in the Dales and Trouble at the Little Village School.

‘The finest book ever written about England and the English’ Stuart Maconie ‘J. B. Priestley is one of our literary icons of the 20th Century and it is time that we all became re-acquainted with his genius.’ Dame Judi Dench Three years before George Orwell made his expedition to the far and frozen North in The Road to Wigan Pier, celebrated writer and broadcaster JB Priestley cast his net wider, in a book subtitled ‘a Rambling but Truthful Account of What One Man Saw and Heard and Felt and Thought During a Journey Through England During the Autumn of the Year 1933.’ Appearing first in 1934, it was a huge and immediate success. Today, it still stands as a timeless classic: warm-hearted, intensely patriotic and profound. An account of his journey through England – from Southampton to the Black Country, to the North East and Newcastle, to Norwich and home – English Journey is funny and tender. But it is also a forensic reading of a changing England and a call to arms as passionate as anything in Orwell’s bleak masterpiece. Moreover, it both captured and catalysed the public mood of its time. In capturing and describing an English landscape and people hitherto unseen, writing scathingly about vested interests and underlining the dignity of working people, Priestley influenced the thinking and attitudes of an entire generation and helped formulate a public consensus for change that led to the birth of the welfare state. Prophetic and as relevant today as it was nearly ninety years ago, English Journey is an elegant and readable love letter to a country Priestley finds unfathomable.

As Spud Milton continues his diabolical stagger through adolescence, he learns one of life's most important lessons: when dealing with women and cretins, nothing is ever quite as it seems. In this third instalment, Spud, now 16 and growing up, takes on one of Shakespeare's most popular comedies, 'A Midsummer Night's Dream'.

Volume 5 of Spike's war biography sees him dispatched from the front line to a psychiatric hospital and from there to a rehabilitation camp, where he becomes embroiled in a battle with depression. But music, wit, and a little help from friends carry him through to his first stage appearances.

The James Bond epic is the most popular film series in silver screen history: it is estimated that a quarter of the world's population has seen a Bond feature. The saga of Britain's best-loved martini hound (who we all know prefers his favorite drink "shaken, not stirred") has adapted to changing times for four decades without ever abandoning its tried-and-true formula of diabolical international conspiracy, sexual intrigue, and incredible gadgetry.James Chapman expertly traces the annals of celluloid Bond from its inauguration with 1962's Dr. No through its progression beyond Ian Fleming's spy novels to the action-adventure spectaculars of GoldenEye and Tomorrow Never Dies. He argues that the enormous popularity of the series represents more than just the sum total of the films' box-office receipts and involves questions of film culture in a wider sense. Licence to Thrill chronicles how Bond, a representative of a British Empire that no longer existed in his generation, became a symbol of his nation's might in a Cold War world where Britain was no longer a primary actor. Chapman describes the protean nature of Bond villains in a volatile global political scene -- from Soviet scoundrels and Chinese rogues in the 1960s to a brief flirtation with Latin American drug kingpins in the 1980s and back to the Chinese in the 1990s. The book explores how the movies struggle with changing societal ethics -- notably, in the evolution in the portrayal of women, showing how Bond's encounters with the opposite sex have evolved into trysts with leading ladies as sexually liberated as Bond himself.The Bond formula has proved remarkably durable and consistently successful for roughly a third of cinema's history -- half the period since the introduction of talking pictures in the late 1920s. Moreover, Licence to Thrill argues that, for the foreseeable future, the James Bond films are likely to go on being what they have always been, a unique and very special kind of popular cinema.

Consisting entirely of staff emails, this novel invites the reader to spend a fortnight in the company of Miller Shanks, an advertising agency that scales dizzying peaks of incompetence, backstabbing and pure sleaze.

"Are you in trouble?” asked William.“Trouble?” said Douglas with a mirthless laugh. “I don’t think anyone’s been in worse trouble since the world began.”Douglas needs money fast.Fortunately William Brown, financial expert, has a plan. He's going to get a lucrative deal for all the Outlaws in the entertainment industry.

A silent comedy star whose legendary slapstick routines are recognisable to this day, Charles 'Charlie' Chaplin's My Autobiography is an incomparably vivid account of the life of one of the greatest filmmakers and comedians, with an introduction by David Robinson As a child, Charlie Chaplin was awed and inspired by the sight of glamorous vaudeville stars passing his home, and from then on he never lost his ambition to become an actor. Chaplin's film career as the Little Tramp adored by the whole world is the stuff of legend, but this frank autobiography shows another side. Born into a theatrical family, Chaplin's father died of drink while his mother, unable to bear the poverty, suffered from bouts of insanity. From a childhood of grinding poverty in the south London slums, Chaplin found an escape in his early debut on the music hall stage, followed by his lucky break in America, the founding of United Artists with D.W. Griffith and Douglas Fairbanks, the struggle to maintain artistic control over his work, the string of failed marriages, and his eventual exile from Hollywood after personal scandals and persecution for his left-wing politics during the McCarthy Era. Sir Charles 'Charlie' Chaplin (1895-1976) was born in Walworth, London. Best known for his work in silent film, his most famous role was The Little Tramp, a universally recognisable and iconic character who appeared in films such as The Kid (1921), The Gold Rush (1925) and City Lights (1931). His other films include Modern Times (1936), a commentary on the Great Depression, and The Great Dictator (1940), a satirical attack on Hitler and the Nazis. If you enjoyed My Autobiography, you might like Andy Warhol's The Philosophy of Andy Warhol, also available in Penguin Modern Classics. 'Tells so much about this curious, difficult man ... a wonderfully vivid imagination'The New York Times 'The only genius to come out of the movie industry'George Bernard Shaw