Recommendations based on "36 Ways of Writing a Vietnamese Poem"

THE SUNDAY TIMES BESTSELLERWINNER OF THE ONDAATJE PRIZE'The best book I read last year by a mile. . . so beautifully written that anyone would be hooked' Laura Hackett, Sunday Times, Best Summer Books'Wonderfully funny and poignant. . . a tale of family secrets and political awakening amid a crumbling regime' Luke Harding, Observer'We never lose our inner freedom; the freedom to do what is right'Lea Ypi grew up in one of the most isolated countries on earth, a place where communist ideals had officially replaced religion. Albania, the last Stalinist outpost in Europe, was almost impossible to visit, almost impossible to leave. It was a place of queuing and scarcity, of political executions and secret police. To Lea, it was home. People were equal, neighbours helped each other, and children were expected to build a better world. There was community and hope.Then, in December 1990, everything changed. The statues of Stalin and Hoxha were toppled. Almost overnight, people could vote freely, wear what they liked and worship as they wished. There was no longer anything to fear from prying ears. But factories shut, jobs disappeared and thousands fled to Italy on crowded ships, only to be sent back. Predatory pyramid schemes eventually bankrupted the country, leading to violent conflict. As one generation's aspirations became another's disillusionment, and as her own family's secrets were revealed, Lea found herself questioning what freedom really meant.Free is an engrossing memoir of coming of age amid political upheaval. With acute insight and wit, Lea Ypi traces the limits of progress and the burden of the past, illuminating the spaces between ideals and reality, and the hopes and fears of people pulled up by the sweep of history.THE SUNDAY TIMES MEMOIR OF THE YEARWINNER OF THE SLIGHTLY FOXED BEST FIRST BIOGRAPHY PRIZESHORTLISTED FOR THE COSTA BIOGRAPHY AWARDSHORTLISTED FOR THE BAILLIE GIFFORD PRIZE FOR NON-FICTIONSHORTLISTED FOR THE GORDON BURN PRIZECHOSEN AS A BOOK OF THE YEAR BY THE GUARDIAN, FINANCIAL TIMES, SUNDAY TIMES, TLS, DAILY MAIL, NEW STATESMAN AND SPECTATOR

‘So wise and so well done. It made me wish it were much longer than it is’ Chimamanda Ngozi AdichieFrom the award-winning author of Five Star Billionaire and We, The Survivors comes a whirlwind personal history of modern Asia, as told through his Malaysian and Chinese heritage.If we are lucky we will find writing that grips us with its vitality, beauty and significance - Strangers on a Pier is like that’ Deborah LevyIn Strangers on a Pier, acclaimed author Tash Aw explores the panoramic cultural vitality of modern Asia through his own complicated family story of migration and adaptation, which is reflected in his own face. From a taxi ride in present-day Bangkok, to eating Kentucky Fried Chicken in 1980s Kuala Lumpur, to his grandfathers' treacherous boat journeys to Malaysia from mainland China in the 1920s, Aw weaves together stories of insiders and outsiders, images from rural villages to megacity night clubs, and voices in a dizzying variety of languages, dialects, and slangs, to create an intricate and astoundingly vivid portrait of a place caught between the fast-approaching future and a past that won't let go.

An eye-opening account of life inside North Korea—a closed world of increasing global importance—hailed as a “tour de force of meticulous reporting” (The New York Review of Books)NATIONAL BOOK AWARD FINALIST • NATIONAL BOOK CRITICS CIRCLE AWARD FINALISTIn this landmark addition to the literature of totalitarianism, award-winning journalist Barbara Demick follows the lives of six North Korean citizens over fifteen years—a chaotic period that saw the death of Kim Il-sung, the rise to power of his son Kim Jong-il (the father of Kim Jong-un), and a devastating famine that killed one-fifth of the population.Demick brings to life what it means to be living under the most repressive regime today—an Orwellian world that is by choice not connected to the Internet, where displays of affection are punished, informants are rewarded, and an offhand remark can send a person to the gulag for life. She takes us deep inside the country, beyond the reach of government censors, and through meticulous and sensitive reporting we see her subjects fall in love, raise families, nurture ambitions, and struggle for survival. One by one, we witness their profound, life-altering disillusionment with the government and their realization that, rather than providing them with lives of abundance, their country has betrayed them.Praise for Nothing to Envy“Provocative . . . offers extensive evidence of the author’s deep knowledge of this country while keeping its sights firmly on individual stories and human details.”—The New York Times“Deeply moving . . . The personal stories are related with novelistic detail.”—The Wall Street Journal“A tour de force of meticulous reporting.”—The New York Review of Books“Excellent . . . humanizes a downtrodden, long-suffering people whose individual lives, hopes and dreams are so little known abroad.”—San Francisco Chronicle“The narrow boundaries of our knowledge have expanded radically with the publication of Nothing to Envy. . . . Elegantly structured and written, [it] is a groundbreaking work of literary nonfiction.”—John Delury, Slate“At times a page-turner, at others an intimate study in totalitarian psychology.”—The Philadelphia Inquirer

“[A] suspense-filled page-turner.” —Viet Thanh Nguyen, winner of the Pulitzer Prize for The Sympathizer"A touching portrait of two families bound together by a split-second decision.” —Attica Locke, Edgar-Award winning author of Bluebird, BluebirdA Best Book of the YearWall Street Journal / Chicago Tribune / Buzzfeed / South Florida Sun-Sentinel / Book Riot / LitHub / BOLO BooksA powerful and taut novel about racial tensions in Los Angeles, following two families—one Korean-American, one African-American—grappling with the effects of a decades-old crimeIn the wake of the police shooting of a black teenager, Los Angeles is as tense as it’s been since the unrest of the early 1990s. But Grace Park and Shawn Matthews have their own problems. Grace is sheltered and largely oblivious, living in the Valley with her Korean-immigrant parents, working long hours at the family pharmacy. She’s distraught that her sister hasn’t spoken to their mother in two years, for reasons beyond Grace’s understanding. Shawn has already had enough of politics and protest after an act of violence shattered his family years ago. He just wants to be left alone to enjoy his quiet life in Palmdale.But when another shocking crime hits LA, both the Park and Matthews families are forced to face down their history while navigating the tumult of a city on the brink of more violence.

Used book in good condition, due to its age it could contain normal signs of use

Ruth, An Only Child Of Kenyan Immigrant Parents, Lives In An Emotionally Cold Household And Attends The Local Catholic Girl's School On A Scholarship. Maria, A Beautiful Orphan Whose Panamanian Mother Dies By Suicide And Is Taken Care Of By An Ill Aunt, Is Also One Of The Only Other Students Of Color At The School. When Ruth Becomes Drawn Into Maria's Orbit, And They Fall Into An Easy, Yet Intense, Friendship, Ruth's World Opens Up. While Maria Eases Into Her Full Self, Embracing Her Queerness And Her Own Creative Pursuits, Ruth Is Mostly Content To Follow Her Around: To College And Then Into The Early-90s Art World Of New York City. There, The Push And Pull Of Female Ambition And Friendship Tear, And Come Back Together, Over The Years As Maria Finds Success In The Art World And While Ruth Stumbles Along The Fringes Of It While Deciding To Go Down A More Traditional Path Of Marriage. As Their Lives Converge And Diverge, It Culminates In One Final Confrontation. What Does It Mean To Be An Artist? To Be True To Oneself? Marking The Arrival Of A Sensational New Literary Talent, Lonely Crowds Interrogates The Nature Of Friendship, Desire, And Time, Challenging Us To Reckon Honestly With Our Own Ambitions And The Lives We Hope To Lead-- Provided By Publisher.

For fans of Kelly Yang and Rebecca Stead, this touching middle grade novel maps one girl’s quest to remember her grandfather through his scavenger hunts; reconnect with her family; and fight for her community in her rapidly changing hometown. Winner of the APALA Youth Literature Award!Thanks to her Ye-Ye’s epic scavenger hunts, thirteen-year-old Ruby Chu knows San Francisco like the back of her hand. But after his death, she feels lost, and it seems like everyone—from her best friends to her older sister—is abandoning her.After Ruby gets in major trouble at school, her parents decide she has to spend the summer at a local senior center with her grandmother, Nai-Nai, and Nai-Nai’s friends for company. When a new boy from Ruby’s grade, Liam Yeung, starts showing up too, Ruby’s humiliation is complete.But Nai-Nai, her friends, and Liam all surprise Ruby. She finds herself working with Liam, who might not be as annoying as he seems, to help save a historic Chinatown bakery that’s being priced out of the neighborhood. And alongside Nai-Nai, who is keeping a secret that threatens to change everything, Ruby retraces Ye-Ye’s scavenger hunt maps in an attempt to find a way out of her grief—and maybe even find herself.

Juxtaposing short stories, poetry, painting, and photographs, Troubling Borders showcases the creative work of women of Vietnamese, Cambodian, Lao, Thai, and Filipino ancestry. This thematically arranged collection interrupts borders of categorization and gender, in what preface author Shirley Geok-Lin Lim describes as a "leap over the barbed fences that have kept these women apart in these, our United States of America."The sixty-two contributors have been shaped by colonization, wars, globalization, and militarization. For some of these women on the margins of the margin, crafting and showing their work is a bold act in itself. Their provocative and accessible creations tell unique stories, provide sharp contrasts to familiar stereotypes―Southeast Asian women as exotic sex symbols, dragon ladies, prostitutes, or "bar girls"―and serve as entry points for broader discussions about questions of history, memory, and identity.

“Do you know what happens if you laugh while crying? Hair grows out of your butthole.”It was a constant truism Youngmi Mayer’s mother would say threateningly after she would make her daughter laugh while crying. Her mother used it to cheer her up in moments when she could tell Youngmi was overtaken with grief. The humorous saying would never fail to lighten the mood, causing both daughter and mother to laugh and cry at the same time. Her mother had learned this trick from her mother, and her mother had learned this from her mother before her: it had also helped an endless string of her family laugh through suffering.In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea, while reflecting how years later, their wounds affect her in New York City as a single mom, all the while interrogating whiteness, gender, and sexuality.Youngmi jokes through these stories in hopes of passing onto the reader what her family passed down to her: The gift of laughing while crying. The gift of a hairy butthole. Because throughout it all, the one thing she learned was one cannot exist without the other. And like a yin and yang, this duality is reflected in this whip-smart, heart-wrenching, and disarmingly funny memoir told by a bright new voice with so much heart and wisdom.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James.“There is no good way to say this,” Yiyun Li writes at the beginning of this book.“There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.”There is no good way to say this―because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: “doing the things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.This is a book for James, but it is not a book about grieving or mourning. As Li writes, “The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit.