Empfehlungen basierend auf "Young James Herriot: The Making of the World’s Most Famous Vet"

The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

Thirty years of celebrating the comic genius of Douglas Adams…On 12 October 1979 the most remarkable book ever to come out of the great publishing corporations of Ursa Minor (and Earth) was made available to humanity – The Hitchhiker’s Guide to the Galaxy.It’s an ordinary Thursday lunchtime for Arthur Dent until his house gets demolished. The Earth follows shortly afterwards to make way for a new hyperspace bypass and his best friend has just announced that he’s an alien. At this moment, they’re hurtling through space with nothing but their towels and an innocuous-looking book inscribed with the big, friendly words: DON’T PANIC.The weekend has only just begun…Volume one in the trilogy of five

Admission. Everybody stops playing cards and Monopoly, turns towards the day-room door. Most days I'd be out sweeping the hall and see who they're signing in, but this morning, like I explain to you, the Big Nurse put a thousand pounds down me and I can't budge out of the chair. Most days I'm the first one to see the Admiss

"Outlandish fun. . . . Making Money balances satire, knockabout farce and close observation of human — and non-human — foibles with impressive dexterity and deceptive ease. The result is another ingenious entertainment from the preeminent comic fantasist of our time.” — Washington PostThe hero of Going Postal returns in the 36th installment of Sir Terry Pratchett's beloved Discworld series! Moist von Lipwig, condemned prisoner turned postal worker extraordinaire, is now in charge of a different branch of the government: overseeing the printing of Ankh-Morpork’s first paper currency.Amazingly, former arch-swindler-turned-Postmaster General Moist von Lipwig has somehow managed to get the woefully inefficient Ankh-Morpork Post Office running like . . . well, not like a government office at all. Now the supreme despot Lord Vetinari is asking Moist if he'd like to make some real money. Vetinari wants Moist to resuscitate the venerable Royal Mint—so that perhaps it will no longer cost considerably more than a penny to make a penny.Moist doesn't want the job. However, a request from Ankh-Morpork's current ruling tyrant isn't a "request" per se, more like a "once-in-a-lifetime-offer-you-can-certainly-refuse-if-you-feel-you've-lived-quite-long-enough." So Moist will just have to learn to deal with elderly Royal Bank chairman Topsy (née Turvy) Lavish and her two loaded crossbows, a face-lapping Mint manager, and a chief clerk who's probably a vampire. But he'll soon be making lethal enemies as well as money, especially if he can't figure out where all the gold has gone.The Discworld novels can be read in any order, but Making Money is the second book in the Moist von Lipwig series.

Manorism is a poetic examination of the lives of Black British men and boys: propped up and hemmed in by contemporary masculinity, deepened by family, misrepresented in the media, and complicated by the riches, and the costs, of belonging and inheritance. It is also an exploration of the differences of impunity afforded to white and Black people, and to white and Black artists.Caravaggio - originally, unexpectedly - looms large: as a man who moved between spheres of exalted patronage and petty criminality; as a painter who, amid the elegant conventions of late Mannerism, forged his own style of visceral dark and light; and as an individual whose recognized genius was allowed to legitimate and excuse his violence.In this profound and moving debut, Yomi Sode asks: what does it mean to find oneself between worlds - to 'code-switch', adapting one's speech and manners to widely differing cultural contexts? Who is, and who isn't, allowed to be more than their origins? And what do we owe each other? What do we owe ourselves?

Lemony Snicket's work is filled with bitter truths, like: 'It is always cruel to laugh at people, of course, although sometimes if they are wearing an ugly hat it is hard to control yourself.' Or: 'It is very easy to say that the important thing is to try your best, but if you are in real trouble the most important thing is not trying your best, but getting to safety.'For all of life's ups and downs, its celebrations and its sorrows, here is a book to commemorate it all – especially for those not fully soothed by chicken soup. Witty and irreverent, Horseradish is a book with universal appeal, a delightful vehicle to introduce Snicket's uproariously unhappy observations to a crowd not yet familiar with the Baudelaires' misadventures.

A new, affordable paperback edition of one O’Neill’s late masterpiecesEugene O’Neill’s last completed play, A Moon for the Misbegotten is a sequel to his autobiographical Long Day’s Journey Into Night. Moon picks up eleven years after the events described in Long Day’s Journey Into Night, asJim Tyrone (based on O’Neill’s older brother Jamie) grasps at a last chance at love under the full moonlight. This paperback edition features an insightful introduction by Stephen A. Black, helpful to anyone who desires a deeper understanding of O’Neill’s work.

Also known as Dulcimer Street, Norman Collins's London Belongs to Me is a Dickensian romp through working-class London on the eve of the Second World War. This Penguin Modern Classics edition includes an introduction by Ed Glinert, author of The London Compendium. It is 1938 and the prospect of war hangs over every London inhabitant. But the city doesn't stop. Everywhere people continue to work, drink, fall in love, fight and struggle to get on in life. At the lodging-house at No.10 Dulcimer Street, Kennington, the buttoned-up clerk Mr Josser returns home with the clock he has received as a retirement gift. The other residents include faded actress Connie; tinned food-loving Mr Puddy; widowed landlady Mrs Vizzard (whose head is turned by her new lodger, a self-styled 'Professor of Spiritualism'); and flashy young mechanic Percy Boon, whose foray into stolen cars descends into something much, much worse... Norman Collins (1907-1982) was a British writer, and later a radio and television executive, who was responsible for creating Woman's Hour on BBC Radio 4, and became one of the major figures behind the establishment of the Independent Television (ITV) network in the UK. In all Norman Collins wrote 16 novels and two plays, including London Belongs to Me (1945), The Governor's Lady (1968) and The Husband's Story (1978). If you enjoyed London Belongs to Me, you might like Sam Selvon's The Lonely Londoners, also available in Penguin Modern Classics. 'One of the great city novels: a sprawling celebration of the comedy, the savagery, the eccentricity and the quiet heroism at the heart of ordinary London life' Sarah Waters, author of The Night Watch

With prose that is every bit as raw, intense and bitingly honest as the world it depicts, Barry Hines's A Kestrel for a Knave contains a new afterword by the author in Penguin Modern Classics. Life is tough and cheerless for Billy Casper, a troubled teenager growing up in the small Yorkshire mining town of Barnsley. Treated as a failure at school, and unhappy at home, Billy discovers a new passion in life when he finds Kes, a kestrel hawk. Billy identifies with her silent strength and she inspires in him the trust and love that nothing else can, discovering through her the passion missing from his life. Barry Hines's acclaimed novel continues to reach new generations of teenagers and adults with its powerful story of survival in a tough, joyless world. Ken Loach's renowned film adaptation, Kes, has achieved cult status and in his new afterword Barry Hines discusses his work to adapt the novel into a screenplay, and reappraises the legacy of a book that has become a popular classic. Barry Hines (b. 1939) was born in the mining village of Hoyland Common, near Barnsley, South Yorkshire. Leaving Ecclesfield Grammar School without any qualifications, Hines worked as an apprentice mining surveyor for the National Coal Board before entering Loughborough Training College to study Physical Education. Working as a teacher in Hoyland Common, he wrote novels in the school library after work, later turning to writing full-time. If you enjoyed A Kestrel for a Knave, you might like The Call of the Wild, White Fang, and Other Stories by Jack London, published in Penguin Classics.

"An important contribution to the history of show business and to the saga of American comedy and comedians, comics and comicality."--James ThurberWith impeccable timing, outrageous humor, irreverent wit, and a superb sense of the ridiculous, Groucho tells the saga of the Marx Brothers: the poverty of their childhood in New York's Upper East Side; the crooked world of small-time vaudeville (where they learned to carry blackjacks); how a pretzel magnate and the graceless dancer of his dreams led to the Marx Brothers' first Broadway hit, I'll Say She Is!; how the stock market crash in 1929 proved a godsend for Groucho (even though he lost nearly a quarter of a million dollars); the adventures of the Marx Brothers in Hollywood, the making of their hilarious films, and Groucho's triumphant television series, You Bet Your Life! Here is the life and lunatic times of the great eccentric genius, Groucho, a.k.a. Julius Henry Marx.