Empfehlungen basierend auf "You Wouldn't Want to be a Viking Explorer Voyages You'd Rather Not Make"

The author writes: The two long pieces in this book originally came out in The New Yorker ? RAISE HIGH THE ROOF BEAM, CARPENTERS in 1955, SEYMOUR ? An Introduction in 1959. Whatever their differences in mood or effect, they are both very much concerned with Seymour Glass, who is the main character in my still-uncompleted series about the Glass family. It struck me that they had better be collected together, if not deliberately paired off, in something of a hurry, if I mean them to avoid unduly or undesirably close contact with new material in the series. There is only my word for it, granted, but I have several new Glass stories coming along ? waxing, dilating ? each in its own way, but I suspect the less said about them, in mixed company, the better. Oddly, the joys and satisfactions of working on the Glass family peculiarly increase and deepen for me with the years. I can't say why, though. Not, at least, outside the casino proper of my fiction.

'... a most delicious, nourishing, and wholesome food...' Swift's devastating short satire on how to solve a famine Introducing Little Black Classics: 80 books for Penguin's 80th birthday. Little Black Classics celebrate the huge range and diversity of Penguin Classics, with books from around the world and across many centuries. They take us from a balloon ride over Victorian London to a garden of blossom in Japan, from Tierra del Fuego to 16th century California and the Russian steppe. Here are stories lyrical and savage; poems epic and intimate; essays satirical and inspirational; and ideas that have shaped the lives of millions. Jonathan Swift (1667-1745). Swift's works available in Penguin Classics are Gulliver's Travels and A Modest Proposal and Other Writings.

With prose that is every bit as raw, intense and bitingly honest as the world it depicts, Barry Hines's A Kestrel for a Knave contains a new afterword by the author in Penguin Modern Classics. Life is tough and cheerless for Billy Casper, a troubled teenager growing up in the small Yorkshire mining town of Barnsley. Treated as a failure at school, and unhappy at home, Billy discovers a new passion in life when he finds Kes, a kestrel hawk. Billy identifies with her silent strength and she inspires in him the trust and love that nothing else can, discovering through her the passion missing from his life. Barry Hines's acclaimed novel continues to reach new generations of teenagers and adults with its powerful story of survival in a tough, joyless world. Ken Loach's renowned film adaptation, Kes, has achieved cult status and in his new afterword Barry Hines discusses his work to adapt the novel into a screenplay, and reappraises the legacy of a book that has become a popular classic. Barry Hines (b. 1939) was born in the mining village of Hoyland Common, near Barnsley, South Yorkshire. Leaving Ecclesfield Grammar School without any qualifications, Hines worked as an apprentice mining surveyor for the National Coal Board before entering Loughborough Training College to study Physical Education. Working as a teacher in Hoyland Common, he wrote novels in the school library after work, later turning to writing full-time. If you enjoyed A Kestrel for a Knave, you might like The Call of the Wild, White Fang, and Other Stories by Jack London, published in Penguin Classics.

Sam the Lion runs the pool-hall, the picture house and the all-night café. Coach Popper whips his boys with towels and once took a shot at one when he disturbed his hunting. Billy wouldn't know better than to sweep his broom all the way to the town limits if no one stopped him. And teenage friends Sonny and Duane have nothing better to do than drift towards the adult world, with its temptations of sex and confusions of love. The basis for a classic film, The Last Picture Show is both extremely funny and deeply profound. And, with the eccentrically peopled Thalia, Texas, Larry McMurtry made a small town that feels as real as any you've ever walked around. Famously filmed by Peter Bogdanovich in 1971 with Jeff Bridges and Cybill Shepherd. With a new introduction by Mary Karr.

A RADIO 4 BOOK OF THE WEEK 'An affectionate and revealing account … Funny, sad, real, rueful.' The Times 'Warm, rambling and self-aware' Guardian The long-awaited, rambling, tender, and very funny memoir from Adam Buxton Ramble /?ramb(?)l/ Verb 1. walk for pleasure in the countryside. 'Dr Buckles and Rosie the dog love rambling in the countryside.' 2. talk or write at length in a confused or inconsequential way. 'Adam rambles on about lots of consequential, compelling and personal matters in his tender, insightful, hilarious and totally unconfused memoir, Ramble Book.' Ramble Book is about parenthood, boarding school trauma, arguing with your partner, bad parties, confrontations on trains, friendship, wanting to fit in, growing up in the 80s, dead dads, teenage sexual anxiety, failed artistic endeavours, being a David Bowie fan; and how everything you read, watch and listen to as a child forms a part of the adult you become. It's also a book about the joys of going off topic and letting your mind wander. And it's about a short, hairy, frequently confused man called Adam Buxton.

“These final days of his San Francisco friends and lovers, gay and straight, are seriously moving. . . . Maupin deftly illustrates how far America and the pioneering Anna have come, and nearly forty years into the series, his writing remains wildly addictive but is deeper and richer.”—People By turns hilarious and heartbreaking, Armistead Maupin's bestselling Tales of the City novels—books 7, 8 and 9 collected in this third omnibus volume—stand as an incomparable blend of great storytelling and incisive social commentary on American culture from the seventies through the first two decades of the new millennium. Maupin’s bestselling epic series spans the decade before the AIDS crisis through the era of marriage equality, and follows an unforgettable cast of characters whose diverse sexual identities helped set the social stage for the ongoing sexual revolution. Goodbye Barbary Lane—comprised of Michael Tolliver Lives, Mary Ann in Autumn, and The Days of Anna Madrigal—joins two companion omnibus volumes, 28 Barbary Lane and Back to Barbary Lane, and is a must-have for fans of Maupin and the beloved series.

“A child’s garden of vices, My Booky Wook is also a relentless ride with a comic mind clearly at the wheel.... The bloke can write. He rhapsodizes about heroin better than anyone since Jim Carroll. With the flick of his enviable pen, he can summarize childhood thus: ‘My very first utterance in life was not a single word, but a sentence. It was, ‘Don’t do that.’... Russell Brand has a compelling story." — New York Times Book Review The gleeful and candid New York Times bestselling autobiography of addiction, recovery, and rise to fame from Russell Brand, star of Forgetting Sarah Marshall and one of the biggest personalities in comedy today. Picking up where he left off in My Booky Wook, movie star and comedian Russell Brand details his rapid climb to fame and fortune in a shockingly candid, resolutely funny, and unbelievably electrifying tell-all: Booky Wook 2. Brand’s performances in Arthur, Get Him to the Greek, and Forgetting Sarah Marshall have earned him a place in fans’ hearts; now, with a drop of Chelsea Handler’s Chelsea Chelsea Bang Bang, a dash of Tommy Lee’s Dirt, and a spoonful of Nikki Sixx’s The Heroin Diaries, Brand goes all the way—exposing the mad genius behind the audacious comic we all know (or think we know) and love (or at least, lust).

In the absence of his managing sister, the ninth Earl of Emsworth calls in the Hon. Galahad Threepwood to help him pair off the assorted godsons, impostors and pretty girls. Fortunately, many years membership of the Pelican Club have given Galahad the edge in quick thinking.

P.G. Wodehouse entices us into the demesne of Blandings Castle - an apparent paradise where it is eternal high summer, with jolly parties, tea on the lawn and love trysts in the rose garden. But for Clarence, ninth Earl of Emsworth, there is always something to disturb this tranquil scene.

John Healy's The Grass Arena describes with unflinching honesty his experiences of addiction, his escape through learning to play chess in prison, and his ongoing search for peace of mind. This Penguin Classics edition includes an afterword by Colin MacCabe. In his searing autobiography Healy describes his fifteen years living rough in London without state aid, when begging carried an automatic three-year prison sentence and vagrant alcoholics prowled the parks and streets in search of drink or prey. When not united in their common aim of acquiring alcohol, winos sometimes murdered one another over prostitutes or a bottle, or the begging of money. Few modern writers have managed to match Healy's power to refine from the brutal destructive condition of the chronic alcoholic a story so compelling it is beyond comparison. John Healy (b. 1943) was born into an impoverished, Irish immigrant family, in the slums of Kentish Town, North London. Out of school by 14, pressed into the army and intermittently in prison, Healy became an alcoholic early on in life. Despite these obstacles Healy achieved remarkable, indeed phenomenal expertise in both writing and chess, as outlined in the autobiographical The Grass Arena. If you enjoyed The Grass Arena, you might like Last Exit to Brooklyn, also available in Penguin Modern Classics. 'Sober and precise, grotesque, violent, sad, charming and hilarious all at once'Literary Review 'Beside it, a book like Orwell's Down and Out in Paris and London seems a rather inaccurate tourist guide'Colin MacCabe