Empfehlungen basierend auf "Year of Blue Water"

The first biography of an American masterThe Songs We Know Best, the first comprehensive biography of the early life of John Ashbery―the winner of nearly every major American literary award―reveals the unusual ways he drew on the details of his youth to populate the poems that made him one of the most original and unpredictable forces of the last century in arts and letters.Drawing on unpublished correspondence, juvenilia, and childhood diaries as well as more than one hundred hours of conversation with the poet, Karin Roffman offers an insightful portrayal of Ashbery during the twenty-eight years that led up to his stunning debut, Some Trees, chosen by W. H. Auden for the 1955 Yale Younger Poets Prize. Roffman shows how Ashbery’s poetry arose from his early lessons both on the family farm and in 1950s New York City―a bohemian existence that teemed with artistic fervor and radical innovations inspired by Dada and surrealism as well as lifelong friendships with painters and writers such as Frank O’Hara, Jane Freilicher, Nell Blaine, Kenneth Koch, James Schuyler, and Willem de Kooning. Ashbery has a reputation for being enigmatic and playfully elusive, but Roffman’s biography reveals his deft mining of his early life for the flint and tinder from which his provocative later poems grew, producing a body of work that he calls “the experience of experience,” an intertwining of life and art in extraordinarily intimate ways.

Whitman's most beloved poem, "Song of Myself," illustrated, illuminated, and presented like never before. Walt Whitman’s iconic collection of poems, Leaves of Grass, has earned a reputation as a sacred American text. Whitman himself made such comparisons, going so far as to use biblical verse as a model for his own. So it’s only appropriate that artist and illustrator Allen Crawford has chosen to illuminate―like medieval monks with their own holy scriptures―Whitman’s masterpiece and the core of his poetic vision, “Song of Myself.” Crawford has turned the original sixty-page poem from Whitman’s 1855 edition into a sprawling 234-page work of art. The handwritten text and illustrations intermingle in a way that’s both surprising and wholly in tune with the spirit of the poem―they’re exuberant, rough, and wild. Whitman Illuminated: Song of Myself is a sensational reading experience, an artifact in its own right, and a masterful tribute to the Good Gray Poet.

"The Walt Whitman of Los Angeles."—Joyce Carol Oates, bestselling author"He brought everybody down to earth, even the angels."—Leonard Cohen, songwriterPlay the Piano introduces Charles Bukowski's poetry from the 1970s. He leads a life full of gambling and booze but also finds love. These poems are full of lechery and romance as he struggles to mature.

"Crossing the Water, a collection of poems written just prior to those in Ariel, . . . is of immense importance in recording [Plath's] extraordinary development. One senses on every page a voice coming into its own, the chaos of a lifetime at last getting ready to assume its final, triumphant shape." — Kirkus ReviewsSylvia Plath's extraordinary collection pushes the envelope between dark and light, between our deep passions and desires that are often in tension with our duty to family and society. Water becomes a metaphor for the surface veneer that many of us carry, but Plath explores how easily this surface can be shaken and disturbed.

National Book Award FinalistStay, Illusion, the much-anticipated volume of poems by Lucie Brock-Broido, illuminates the broken but beautiful world she inhabits. Her poems are lit with magic and stark with truth: whether they speak from the imagined dwelling of her “Abandonarium,” or from habitats where animals are farmed and harmed “humanely,” or even from the surreal confines of death row, they find a voice like no other—dazzling, intimate, startling, heartbreaking.Eddying between the theater of the lavish and the enigmatic, between the gaudy and the unadorned, Brock-Broido’s verse scours America for material to render unflinchingly the here and now. Grandeur devolves into a comic irony: “We have come to terms with our Self / Like a marmoset getting out of her Great Ape suit.” She dares the unexplained: “The wings were left ajar / At the altar where I’ve knelt all night, trembling, leaning, rough / As sugar raw, and sweet.” Each poem is a rebellious chain of words: “Be good, they said, and so too I was / Good until I was not.” Strange narratives, interior and exterior, make a world that is foreign and yet our own; like Dickinson, Brock-Broido constructs a spider-sibling, commanding the “silk spool of the recluse as she confects her eventual mythomania.” And why create the web? Because: “If it is written down, you can’t rescind it.”

A year with the sensual, mysterious, and deeply spiritual poetry of Rumi, in a translation featuring 15 debut poems—365 poems for your daily dose of inspiration, spiritual healing, and deep self-reflectionThis stunning collection is a divine journey across each month of the year, offering 365 daily poetry reflections that with leave you both breathless and hopeful. Poet Coleman Barks has played a central role in making the Sufi mystic Rumi the most popular poet in the world, and in this volume, he brings Rumi’s words to life, allowing their beacon of light to allow us to reconnect with ourselves, and others, by recognizing the divine in the sublime, in the ordinary, and in us all.Full of contemplation and deeply moving and profound prose, these poems allow readers to start each day fully present and aware of all the beauty around us, and the innate power and strength we each hold—in every moment of every day. Take a moment for yourself with this daily dose of innate wisdom and positive affirmations for self-love, compassion, and trust in the divine power of the universe and our place in it.“The poetry feels like it belongs to all. When Rumi died in 1273, members of all religions came to the funeral. Wherever you stand, his words deepen your connection to the mystery of being alive.” – Coleman Barks 

The author of the #1 New York Times bestseller What Kind of Woman returns with a collection of erasure poems created from notes she received from followers, supporters and detractors—an artform that reclaims the vitriol from online trolls and inspires readers to transform what is ugly or painful in their own lives into something beautiful.  “I'm sure you could benefit from jumping on a treadmill” “Women WANT a male leader . . . It’s honest to god the basic human playbook” These are some of the thousands of messages that Kate Baer has received online. Like countless other writers—particularly women—with profiles on the internet, as Kate’s online presence grew, so did the darker messages crowding her inbox. These missives from strangers have ranged from “advice” and opinions to outright harassment.  At first, these messages resulted in an immediate delete and block. Until, on a whim, Kate decided to transform the cruelty into art, using it to create fresh and intriguing poems. These pieces, along with ones made from notes of gratitude and love, as well as from the words of public figures, have become some of her most beloved work.   I Hope This Finds You Well is drawn from those works: a book of poetry birthed in the darkness of the internet that offers light and hope. By cleverly building on the harsh negativity and hate women often receive—and combining it with heartwarming messages of support, gratitude, and connection, Kate Baer offers us a lesson in empowerment, showing how we too can turn bitterness into beauty. 

National Humanities Medalist and U.S. Poet Laureate Joy Harjo examines the power of words and how poetry summons us toward justice and healing "Her enduring message--that writing can be redemptive--resonates: 'To write is to make a mark in the world, to assert "I am."' The result is a rousing testament to the power of storytelling."--Publishers Weekly "Harjo writes as if the creative journey has been the destination all along."--Kirkus Reviews In this lyrical meditation about the why of writing poetry, Joy Harjo reflects on significant points of illumination, experience, and questioning from her fifty years as a poet. Composed of intimate vignettes that take us through the author's life journey as a youth in the late 1960s, a single mother, and a champion of Native nations, this book offers a fresh understanding of how poetry functions as an expression of purpose, spirit, community, and memory--in both the private, individual journey and as a vehicle for prophetic, public witness. Harjo insists that the most meaningful poetry is birthed through cracks in history from what is broken and unseen. At the crossroads of this brokenness, she calls us to watch and listen for the songs of justice for all those America has denied. This is an homage to the power of words to defy erasure--to inscribe the story, again and again, of who we have been, who we are, and who we can be.

Announcing the 2008 recipient of the Yale Younger Poets prize Arda Collins is the 2008 winner of the annual Yale Series of Younger Poets competition. Mesmerizing and electric, her poems seem to be articulated in the privacy of an enclosed space. The poems are concrete and yet metaphysically challenging, both witty and despairing. Collins' emotional complexity and uncommon range make this debut both thrillingly imaginative and ethical in its uncompromising attention to detail. In her Foreword, contest judge Louise Gl ck observes, "I know no poet whose sense of fraud, the inflated emptiness that substitutes for feeling, is more acute." Gl ck calls Collins' volume "savage, desolate, brutally ironic . . . a book of astonishing originality and intensity, unprecedented, unrepeatable."

"[Corral] packs many, many lines with sharp, sensual, specific imagery--this is Technicolor poetry."--Booklist An Atlantic choice for "Best American Poetry of the 21st Century (So Far)" "Corral is a writer that cares both for the poetic line, but also for the bodies that he writes about, for family, legacy, culture, and what it means to be American. I go to this book again and again, and to me, it's a masterpiece."--Ocean Vuong, NPR Morning Edition Eduardo C. Corral is the 2011 recipient of the Yale Series of Younger Poets award, joining such distinguished previous winners as Adrienne Rich, W. S. Merwin, and John Ashbery. The first Latino poet to win the competition, Corral is also winner of the 2011 Whiting Writers Award. Seamlessly braiding English and Spanish, Corral's poems hurtle across literary and linguistic borders toward a lyricism that slows down experience. He employs a range of forms and phrasing, bringing the vivid particulars of his experiences as a Chicano and gay man to the page. Although Corral's topics are decidedly sobering, contest judge Carl Phillips observes, "one of the more surprising possibilities offered in these poems is joy." From "Self-Portrait with Tumbling and Lasso" I'm a cowboy riding bareback My soul is whirling above my head like a lasso. My right hand a pistol. My left automatic. I'm knocking on every door. I'm coming on strong . . .