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A literary masterpiece by a Polish traveller, aristocratic adventurer, political activist, ethnographer and publisherAlphonse, a young Walloon officer, is travelling to join his regiment in Madrid in 1739. But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Two of Steinbeck's best-known short novels depict an assortment of characters who inhabit the outer fringes of society

Tolly comes to live with his great-grandmother at the ancient house of Green Knowe and becomes friends with three children who lived there in the seventeenth century. "L.M. Boston's classic is a sophisticated mood piece disguised as a children's ghost story. As young Toseland goes to live with his grandmother in the family's ancestral home, the reader is plunged immediately into the world of Green Knowe. Like Toseland, who actually rows up to his new home in the midst of a flood, we have a hard time finding our bearings. Toseland discovers a funny kind of grandmother awaiting him--one who speaks elliptically of the children and animals she keeps around the house: they might be memories, they might be ghosts. It's never quite clear where real life leaves off and magic begins. Toseland admires a deer: "A deer seems more magic than a horse." His grandmother is quick to respond: "Very beautiful fairy-tale magic, but a horse that thinks the same thoughts that you do is like strong magic wine, a love philtre for boys. With this meshing of the magical and the real, Boston evokes a childlike world of wonder. She compounds the effect by combining gorgeous images and eerily evocative writing. Toseland goes out on a snowy morning: "In front of him, the world was an unbroken dazzling cloud of crystal stars, except for the moat, which looked like a strip of night that had somehow sinned and had no stars in it." The loosely plotted story is given more resonance still through liberal use of biblical imagery and Anglo-Saxon mythology. For those willing to suspend their disbelief and read carefully, the world of Green Knowe offers a wondrous escape." Source: www.amazon.com.

This last installment of the beloved series recounts the long-ago beginnings of Green Knowe, a time when Roger, the son of a Norman lord, was the first child to live in the grand old manor. Roger finds some ancient stones on the grounds, which magically transport him back and forth in time so he can meet and befriend Toby, Linnet, Susan, and Tolly--the future inhabitants of Green Knowe and the heroes of the five other magical books in the series.

When Buster impulsively drops a Cybertoy into Arthur's backpack in the drugstore one day, he feels so guilty that he finally confesses to his friend and they try to return the popular toy before anyone else finds out.

As school trips go, this one is pretty awesome.When I was told we were going to London to study Living History, I thought they were joking. But here I am! Rafe Khatchadorian - global jetsetter!Now all I need to do is find a way of avoiding the school bully, getting Jeanne Galletta to talk to me, and try not to get lost in London.But things are never that simple. So fasten your seatbelts and hold on tight, because this could be a very bumpy flight.

Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.

The second short story set in Peter Newman’s incredible world of THE VAGRANT. 'It's a story that grabbed me by the scruff of the neck and refused to let go...' Fantasy Faction

“If you’ve never read Dorsey, you need to start.”—Miami Herald The world’s biggest beach party is about to get crashed—Serge A. Storms style—in Gator A-Go-Go, New York Times bestselling author Tim Dorsey’s latest outrageously funny and supremely twisted wild ride. The creator of Nuclear Jellyfish, Triggerfish Twist, and so many more delightfully, seriously insane Serge adventures brings the Sunshine State historian and unrepentant thrill killer back for a Florida Spring Break you’ll never forget. Take the Raleigh News & Observer’s advice and “gobble up the Serge A. Storms stories…and you’ll see what an overrated, humorless dullard Hannibal Lecter has always been.”

As soon as he sees Trickster, the new horse at Quinn’s Stables, David knows he’s found the horse he was born to ride. But David’s got a reputation as a troublemaker . . . and Trickster’s still recuperating from an accident. David is determined to clear his name and prove to Mr. Quinn that he’s worth taking a chance on. Can he reach his goal?