Empfehlungen basierend auf "Writers & Lovers: A Novel"

“This debut novel about an Irish expat millennial teaching English and finding romance in Hong Kong is half Sally Rooney love triangle, half glitzy Crazy Rich Asians high living—and guaranteed to please.” —VogueA RECOMMENDED BOOK FROM:The New York Times Book Review * Vogue * TIME * Marie Claire * Elle * O, the Oprah Magazine * The Washington Post * Esquire * Harper's Bazaar * Bustle * PopSugar * Refinery 29 * LitHub * DebutifulAn intimate, bracingly intelligent debut novel about a millennial Irish expat who becomes entangled in a love triangle with a male banker and a female lawyerAva, newly arrived in Hong Kong from Dublin, spends her days teaching English to rich children.Julian is a banker. A banker who likes to spend money on Ava, to have sex and discuss fluctuating currencies with her. But when she asks whether he loves her, he cannot say more than "I like you a great deal."Enter Edith. A Hong Kong–born lawyer, striking and ambitious, Edith takes Ava to the theater and leaves her tulips in the hallway. Ava wants to be her—and wants her.And then Julian writes to tell Ava he is coming back to Hong Kong... Should Ava return to the easy compatibility of her life with Julian or take a leap into the unknown with Edith?Politically alert, heartbreakingly raw, and dryly funny, Exciting Times is thrillingly attuned to the great freedoms and greater uncertainties of modern love. In stylish, uncluttered prose, Naoise Dolan dissects the personal and financial transactions that make up a life—and announces herself as a singular new voice.

Sunyi Dean's The Book Eaters is a contemporary fantasy debut. It's a story of motherhood, sacrifice, and hope; of queer identity and learning to accept who you are; of gilded lies and the danger of believing the narratives others create for you.Out on the Yorkshire Moors lives a secret line of people for whom books are food, and who retain all of a book's content after eating it. To them, spy novels are a peppery snack; romance novels are sweet and delicious. Eating a map can help them remember destinations, and children, when they misbehave, are forced to eat dry, musty pages from dictionaries.Devon is part of The Family, an old and reclusive clan of book eaters. Her brothers grow up feasting on stories of valor and adventure, and Devon—like all other book eater women—is raised on a carefully curated diet of fairytales and cautionary stories.But real life doesn't always come with happy endings, as Devon learns when her son is born with a rare and darker kind of hunger—not for books, but for human minds.

I Know Why the Caged Bird Sings

15th July 1988: Emma and Dexter meet for the first time on the night of their graduation. Tomorrow they must go their separate ways.So where will they be on this one day next year? And the year after that?And every year that follows?--back cover

The extraordinary #1 bestseller - a word-of-mouth literary phenomenon'Do not read this book in public: it will make you cry' Anne Enright'Every line pulses with the pain and joy and complexity of an extraordinary life' Mark O'Connell'I am afraid of being the disruptive woman. And of not being disruptive enough. I am afraid. But I am doing it anyway.'In this dazzling debut, Emilie Pine speaks to the business of living as a woman in the 21st century - its extraordinary pain and its extraordinary joy. Courageous, humane and uncompromising, she writes with radical honesty on birth and death, on the grief of infertility, on caring for her alcoholic father, on taboos around female bodies and female pain, on sexual violence and violence against the self. Devastatingly poignant and profoundly wise - and joyful against the odds - Notes to Self offers a portrait not just of its author but of a whole generation.

The Vignes Twin Sisters Will Always Be Identical. But After Growing Up Together In A Small, Southern Black Community And Running Away At Age Sixteen, It's Not Just The Shape Of Their Daily Lives That Is Different As Adults, It's Everything: Their Families, Their Communities, Their Racial Identities. Ten Years Later, One Sister Lives With Her Black Daughter In The Same Southern Town She Once Tried To Escape. The Other Secretly Passes For White, And Her White Husband Knows Nothing Of Her Past. Still, Even Separated By So Many Miles And Just As Many Lies, The Fates Of The Twins Remain Intertwined. What Will Happen To The Next Generation, When Their Own Daughters' Storylines Intersect? Weaving Together Multiple Strands And Generations Of This Family, From The Deep South To California, From The 1950s To The 1990s, Brit Bennett Produces A Story That Is At Once A Riveting, Emotional Family Story And A Brilliant Exploration Of The American History Of Passing.--provided By Publisher Part I. The Lost Twins (1968) -- Part Ii. Maps (1978) -- Part Iii. Heartlines (1968) -- Part Iv. The Stage Door (1982) -- Part V. Pacific Cove (1985/1988) -- Part Vi. Places (1986) Brit Bennett. Good Morning America Book Club--cover

A NATALIE PORTMAN BOOK CLUB PICKFINALIST FOR THE 2022 LA TIMES ART SEIDENBAUM AWARD FOR FIRST FICTION.“The electrifying fiction debut that has been called ‘a modern Mrs. Dalloway.’”—THE ATLANTIC"Mind-bending and utterly original."—Brandon Taylor“Slim in the hand, but its impact is massive.”—Ali SmithOne woman. One day. One decision. A blistering, fearless, and unforgettable literary debut from "a stunning new writer." (Bernardine Evaristo)Come of age in the credit crunch. Be civil in a hostile environment. Go to college, get an education, start a career. Do all the right things. Buy an apartment. Buy art. Buy a sort of happiness. But above all, keep your head down. Keep quiet. And keep going.The narrator of Assembly is a black British woman. She is preparing to attend a lavish garden party at her boyfriend’s family estate, set deep in the English countryside. At the same time, she is considering the carefully assembled pieces of herself. As the minutes tick down and the future beckons, she can’t escape the question: is it time to take it all apart?Assembly is a story about the stories we live within – those of race and class, safety and freedom, winners and losers.And it is about one woman daring to take control of her own story, even at the cost of her life. With a steely, unfaltering gaze, Natasha Brown dismantles the mythology of whiteness, lining up the debris in a neat row and walking away.

AN INSTANT NEW YORK TIMES BESTSELLERA New York Times Notable Book of the YearWINNER of the NBCC John Leonard Prize, the Kirkus Prize, the Center for Fiction First Novel Prize, the Dylan Thomas Prize, and the VCU Cabell First Novelist AwardOne of Barack Obama's Favorite Books of 2020A BEST BOOK OF THE YEAR: NPR, The New York Times Book Review, O Magazine, Vanity Fair, Los Angeles Times, Glamour, Shondaland, Boston Globe, and many more!"So delicious that it feels illicit . . . Raven Leilani’s first novel reads like summer: sentences like ice that crackle or melt into a languorous drip; plot suddenly, wildly flying forward like a bike down a hill." ―Jazmine Hughes, The New York Times Book ReviewNo one wants what no one wants.And how do we even know what we want? How do we know we’re ready to take it?Edie is stumbling her way through her twenties―sharing a subpar apartment in Bushwick, clocking in and out of her admin job, making a series of inappropriate sexual choices. She is also haltingly, fitfully giving heat and air to the art that simmers inside her. And then she meets Eric, a digital archivist with a family in New Jersey, including an autopsist wife who has agreed to an open marriage―with rules.As if navigating the constantly shifting landscapes of contemporary sexual manners and racial politics weren’t hard enough, Edie finds herself unemployed and invited into Eric’s home―though not by Eric. She becomes a hesitant ally to his wife and a de facto role model to his adopted daughter. Edie may be the only Black woman young Akila knows.Irresistibly unruly and strikingly beautiful, razor-sharp and slyly comic, sexually charged and utterly absorbing, Raven Leilani’s Luster is a portrait of a young woman trying to make sense of her life―her hunger, her anger―in a tumultuous era. It is also a haunting, aching description of how hard it is to believe in your own talent, and the unexpected influences that bring us into ourselves along the way.“An irreverent intergenerational tale of race and class that’s blisteringly smart and fan-yourself sexy.” ―Michelle Hart, O: The Oprah Magazine

The Vignes twin sisters will always be identical. But after growing up together in a small, southern black community and running away at age sixteen, it's not just the shape of their daily lives that is different as adults, it's everything: their families, their communities, their racial identities. Ten years later, one sister lives with her black daughter in the same southern town she once tried to escape. The other secretly passes for white, and her white husband knows nothing of her past. Still, even separated by so many miles and just as many lies, the fates of the twins remain intertwined. What will happen to the next generation, when their own daughters' story lines intersect?

The American classic about a young girl's coming of age at the turn of the century. "A profoundly moving novel, and an honest and true one. It cuts right to the heart of life...If you miss A Tree Grows in Brooklyn you will deny yourself a rich experience...It is a poignant and deeply understanding story of childhood and family relationships. The Nolans lived in the Williamsburg slums of Brooklyn from 1902 until 1919...Their daughter Francie and their son Neely knew more than their fair share of the privations and sufferings that are the lot of a great city's poor. Primarily this is Francie's book. She is a superb feat of characterization, an imaginative, alert, resourceful child. And Francie's growing up and beginnings of wisdom are the substance of A Tree Grows in Brooklyn." --New York Times "One of the most dearly beloved and one of the finest books of our day." --Orville Prescott "One of the books of the century."--New York Public Library