Empfehlungen basierend auf "Women, Seated"

An Instant USA Today Bestseller, a Good Morning America Buzz Pick, and a People Book of the Week!“Throw open the doors of your heart for the lionhearted girls of Chung’s gripping debut…they are heroines for the ages."—PeopleA propulsive, extraordinary novel about a mother and her daughters’ harrowing escape to Taiwan as the Communist revolution sweeps through China, by debut author Eve J. Chung, based on her family storyDaughters are the Ang family’s curse.In 1948, civil war ravages the Chinese countryside, but in rural Shandong, the wealthy, landowning Angs are more concerned with their lack of an heir. Hai is the eldest of four girls and spends her days looking after her sisters. Headstrong Di, who is just a year younger, learns to hide in plain sight, and their mother—abused by the family for failing to birth a boy—finds her own small acts of rebellion in the kitchen. As the Communist army closes in on their town, the rest of the prosperous household flees, leaving behind the girls and their mother because they view them as useless mouths to feed.Without an Ang male to punish, the land-seizing cadres choose Hai, as the eldest child, to stand trial for her family’s crimes. She barely survives their brutality. Realizing the worst is yet to come, the women plan their escape. Starving and penniless but resourceful, they forge travel permits and embark on a thousand-mile journey to confront the family that abandoned them.From the countryside to the bustling city of Qingdao, and onward to British Hong Kong and eventually Taiwan, they witness the changing tide of a nation and the plight of multitudes caught in the wake of revolution. But with the loss of their home and the life they’ve known also comes new freedom—to take hold of their fate, to shake free of the bonds of their gender, and to claim their own story.Told in assured, evocative prose, with impeccably drawn characters, Daughters of Shandong is a hopeful, powerful story about the resilience of women in war; the enduring love between mothers, daughters, and sisters; and the sacrifices made to lift up future generations.

The nonfiction debut by #1 New York Times bestselling and Carnegie Medal-winning author Ruta Sepetys. Perfect for fans of Burn After Writing and Bird by Bird.Life is story in motion. Each day, you add to your story, revise it, and view it from a different angle. You erase things. Tear pages out. And sometimes, in hindsight, wish you could put them back. A day is a story. A year is a story. A life is a story.You are a story.Ruta Sepetys is known for creating vivid characters and harrowing plots. After five award-winning works of historical fiction and countless hours of meticulous research, she can affirm that the secret to strong writing is embedded within your life experience.You: The Story is a powerful how-to book for aspiring writers that encourages you to look inward and excavate your own memories in order to discover the authentic voices and compelling details that are waiting to be put on the page. Masterfully weaving in humorous and heartfelt stories from her own life that illustrate an aspect of the craft of writing (such as plot, character development, or dialogue), Sepetys then inspires readers with a series of writing prompts and exercises.Perfect for fans of Burn After Writing and Bird by Bird, You: The Story awakens the emerging writer and reveals that with some reflection, curiosity, and courage, you have a story to tell.

By turns heartbreaking and hilarious, troubling and uplifting, these "electric" essays come together to create a provocative, conversation-sparking, multivocal portrait of modern America (The Washington Post). From Trump's proposed border wall and travel ban to the marching of white supremacists in Charlottesville, America is consumed by tensions over immigration and the question of which bodies are welcome. In this much-anticipated follow-up to the bestselling UK edition, hailed by Zadie Smith as "lively and vital," editors Nikesh Shukla and Chimene Suleyman hand the microphone to an incredible range of writers whose humanity and right to be here is under attack. Chigozie Obioma unpacks an Igbo proverb that helped him navigate his journey to America from Nigeria. Jenny Zhang analyzes cultural appropriation in 90s fashion, recalling her own pain and confusion as a teenager trying to fit in. Fatimah Asghar describes the flood of memory and emotion triggered by an encounter with an Uber driver from Kashmir. Alexander Chee writes of a visit to Korea that changed his relationship to his heritage. These writers, and the many others in this urgent collection, share powerful personal stories of living between cultures and languages while struggling to figure out who they are and where they belong.

The most influential book of Taiwan’s #MeToo movement—a heartbreaking account of sexual violence and a remarkable reinvention of the trauma plot, turning the traditional Lolita narrative upside down as it explores women’s vulnerability, victimization, and the lengths they will go to survive.Thirteen-year-old Fang Si-Chi lives with her family in an upscale apartment complex in Taiwan, a tightknit community of strict yet doting parents and privileged children raised to be ambitious, dutiful, and virtuous. She and her neighbor Liu Yi-Ting bond over their love of learning and books, devouring classic works—Proust, Gabriel García Márquez, the very best Chinese writers. Yet, it is their lack of real-world education that makes them true kindred spirits.Si-Chi’s innocence is irresistible to Lee Guo-hua, a revered cram literature teacher and serial predator who lives in her building. When he offers to tutor the academic-minded girls for free, their parents—unaware of Lee’s true nature—happily accept. While Yi-Ting’s studies with Lee are straightforward, Si-Chi learns about things no one teaches them in school—lessons about sex and love that will change the course of her life. Confused and uncertain, Si-Chi turns to her beloved books for guidance. But literature tells her nothing honest about rape or how to cope with the trauma of abuse. For her own salvation, the young girl begins to think of her personal hell as her “first love paradise,” where the power of love, no matter how twisted, gives her the strength to survive.One of the biggest books to come out of Taiwan in the last decade, Fang Si-Chi’s First Love Paradise is a chilling tale of grooming and its lingering trauma, and the power structures that allow it to flourish. Insightful, unsettling, emotionally raw, it is a staggering work of literature that reverberates across cultures and forces us to confront painful truths about the vulnerability and strength of women and those who use and hurt them.Translated from the Chinese by Jenna Tang

Winner of the National Book Award, a Newbery Honor, and a #1 New York Times bestseller!Inspired by the author's childhood experience as a refugee—fleeing Vietnam after the fall of Saigon and immigrating to Alabama—this coming-of-age debut told in verse has been celebrated for its touching child's-eye view of family and immigration.This Harper Classic edition includes an author's note explaining how and why Thanhha Lai translated her personal experiences into this book, an interview with the author, an activity you can do with your family, tips on writing poetry, and discussion questions.Hà has only ever known Saigon: the thrills of its markets, the joy of its traditions, and the warmth of her friends close by. But now the Vietnam War has reached her home. Hà and her family are forced to flee as Saigon falls, and they board a ship headed toward hope—toward America.Inside Out and Back Again is the moving story of one girl's year of change, dreams, grief, and healing. This book was named to multiple state lists, received four starred reviews, and was hailed as a best book of the year by Publishers Weekly, Kirkus, School Library Journal, and the Chicago Public Library.

“Do you know what happens if you laugh while crying? Hair grows out of your butthole.”It was a constant truism Youngmi Mayer’s mother would say threateningly after she would make her daughter laugh while crying. Her mother used it to cheer her up in moments when she could tell Youngmi was overtaken with grief. The humorous saying would never fail to lighten the mood, causing both daughter and mother to laugh and cry at the same time. Her mother had learned this trick from her mother, and her mother had learned this from her mother before her: it had also helped an endless string of her family laugh through suffering.In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea, while reflecting how years later, their wounds affect her in New York City as a single mom, all the while interrogating whiteness, gender, and sexuality.Youngmi jokes through these stories in hopes of passing onto the reader what her family passed down to her: The gift of laughing while crying. The gift of a hairy butthole. Because throughout it all, the one thing she learned was one cannot exist without the other. And like a yin and yang, this duality is reflected in this whip-smart, heart-wrenching, and disarmingly funny memoir told by a bright new voice with so much heart and wisdom.

WINNER OF THE PEN/ROBERT W. BINGHAM PRIZE • LONGLISTED FOR THE STORY PRIZE • The breathtaking debut of an important new voice—centered on a constellation of Korean American families“To encounter these achingly truthful, beautiful stories of newcomer Americans is like gazing up at the starry vault of a perfect night sky; it’s immediately dazzling and impressive, and yet the closer and deeper you look, the more you appreciate the sheer countless brilliance.” —Chang-rae Lee, author of My Year AbroadA long-married couple is forced to confront their friend's painful past when a church revival comes to a nearby town ... A woman in an arranged marriage struggles to connect with the son she hid from her husband for years ... A well-meaning sister unwittingly reunites an abuser with his victims.Through an indelible array of lives, Yoon Choi explores where first and second generations either clash or find common ground, where meaning falls in the cracks between languages, where relationships bend under the weight of tenderness and disappointment, where displacement turns to heartbreak.Skinship is suffused with a profound understanding of humanity and offers a searing look at who the people we love truly are.

Dictée is the best-known work of the versatile and important Korean American artist Theresa Hak Kyung Cha. A classic work of autobiography that transcends the self, Dictée is the story of several women: the Korean revolutionary Yu Guan Soon, Joan of Arc, Demeter and Persephone, Cha’s mother Hyung Soon Huo (a Korean born in Manchuria to first-generation Korean exiles), and Cha herself. The elements that unite these women are suffering and the transcendence of suffering. The book is divided into nine parts structured around the Greek Muses. Cha deploys a variety of texts, documents, images, and forms of address and inquiry to explore issues of dislocation and the fragmentation of memory. The result is a work of power, complexity, and enduring beauty.

NEW YORK TIMES BOOK REVIEW EDITORS’ CHOICE • The heartrending story of twin sisters torn apart by China’s one-child policy and the rise of international adoption—from the author of the National Book Award finalist Nothing to Envy “Remarkable . . . Barbara Demick movingly traces this history of overseas Chinese adoptions and their ripple effects on both sides of the Pacific.”—The Wall Street Journal On a warm day in September 2000, a woman named Zanhua gave birth to twin girls in a small hut behind her brother’s home in China’s Hunan province. The twins, Fangfang and Shuangjie, were welcome additions to her family but also not her first children. Living under the shadow of China’s notorious one-child policy, Zanhua and her husband decided to leave one twin in the care of relatives, hoping each toddler on their own might stay under the radar. But, in 2002, Fangfang was violently snatched away. The family worried they would never see her again, but they didn’t imagine she could be sent as far as the United States. She might as well have been sent to another world. Following stories she wrote as the Beijing bureau chief for the Los Angeles Times, Barbara Demick embarks on a journey that encompasses the origins, shocking cruelty, and long-term impact of China’s one-child rule; the rise of international adoption and the religious currents that buoyed it; and the exceedingly rare phenomenon of twin separation. Today, Esther—formerly Fangfang—lives in Texas, and Demick brings to vivid life the Christian family that felt called to adopt her, unaware that she had been kidnapped. Through Demick’s indefatigable reporting, will the long-lost sisters finally reunite—and will they feel whole again? A remarkable window into the volatile, constantly changing China of the last half century and the long-reaching legacy of the country’s most infamous law, Daughters of the Bamboo Grove is also the moving story of two sisters torn apart by the forces of history and brought together again by their families’ determination and one reporter’s dogged work. “Excellent . . . entrancing and disturbing . . . [Demick] is one of our finest chroniclers of East Asia. . . . [Her] characters are richly drawn, and her stories, often reported over a span of years, deliver a rare emotional wallop.”—The New York Times

The dramatic real life stories of four young people caught up in the mass exodus of Shanghai in the wake of China’s 1949 Communist revolution—a heartrending precursor to the struggles faced by emigrants today.  “A true page-turner . . . [Helen] Zia has proven once again that history is something that happens to real people.”—New York Times bestselling author Lisa See NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE CHRISTIAN SCIENCE MONITOR • FINALIST FOR THE PEN/JACQUELINE BOGRAD WELD AWARD FOR BIOGRAPHY Shanghai has historically been China’s jewel, its richest, most modern and westernized city. The bustling metropolis was home to sophisticated intellectuals, entrepreneurs, and a thriving middle class when Mao’s proletarian revolution emerged victorious from the long civil war. Terrified of the horrors the Communists would wreak upon their lives, citizens of Shanghai who could afford to fled in every direction. Seventy years later, members of the last generation to fully recall this massive exodus have revealed their stories to Chinese American journalist Helen Zia, who interviewed hundreds of exiles about their journey through one of the most tumultuous events of the twentieth century. From these moving accounts, Zia weaves together the stories of four young Shanghai residents who wrestled with the decision to abandon everything for an uncertain life as refugees in Hong Kong, Taiwan, and the United States. Benny, who as a teenager became the unwilling heir to his father’s dark wartime legacy, must decide either to escape to Hong Kong or navigate the intricacies of a newly Communist China. The resolute Annuo, forced to flee her home with her father, a defeated Nationalist official, becomes an unwelcome exile in Taiwan. The financially strapped Ho fights deportation from the U.S. in order to continue his studies while his family struggles at home. And Bing, given away by her poor parents, faces the prospect of a new life among strangers in America. The lives of these men and women are marvelously portrayed, revealing the dignity and triumph of personal survival. Herself the daughter of immigrants from China, Zia is uniquely equipped to explain how crises like the Shanghai transition affect children and their families, students and their futures, and, ultimately, the way we see ourselves and those around us. Last Boat Out of Shanghai brings a poignant personal angle to the experiences of refugees then and, by extension, today. “Zia’s portraits are compassionate and heartbreaking, and they are, ultimately, the universal story of many families who leave their homeland as refugees and find less-than-welcoming circumstances on the other side.”—Amy Tan, author of The Joy Luck Club