Empfehlungen basierend auf "Women in Science: Fearless Pioneers Who Changed the World (Women in Series)"

NEW YORK TIMES BESTSELLER“Funny, sharp explications of what these sometimes not-very-nice women were up to, and how they sometimes made idiots of . . . but read on!”—Margaret Atwood, author of The Handmaid's TaleThe national bestselling author of A Thousand Ships returns with a fascinating, eye-opening take on the remarkable women at the heart of classical stories Greek mythology from Helen of Troy to Pandora and the Amazons to Medea.The tellers of Greek myths—historically men—have routinely sidelined the female characters. When they do take a larger role, women are often portrayed as monstrous, vengeful or just plain evil—like Pandora, the woman of eternal scorn and damnation whose curiosity is tasked with causing all the world’s suffering and wickedness when she opened that forbidden box. But, as Natalie Haynes reveals, in ancient Greek myths there was no box. It was a jar . . . which is far more likely to tip over.In Pandora’s Jar, the broadcaster, writer, stand-up comedian, and passionate classicist turns the tables, putting the women of the Greek myths on an equal footing with the men. With wit, humor, and savvy, Haynes revolutionizes our understanding of epic poems, stories, and plays, resurrecting them from a woman’s perspective and tracing the origins of their mythic female characters. She looks at women such as Jocasta, Oedipus’ mother-turned-lover-and-wife (turned Freudian sticking point), at once the cleverest person in the story and yet often unnoticed. She considers Helen of Troy, whose marriage to Paris “caused” the Trojan war—a somewhat uneven response to her decision to leave her husband for another man. She demonstrates how the vilified Medea was like an ancient Beyonce—getting her revenge on the man who hurt and betrayed her, if by extreme measures. And she turns her eye to Medusa, the original monstered woman, whose stare turned men to stone, but who wasn’t always a monster, and had her hair turned to snakes as punishment for being raped.Pandora’s Jar brings nuance and care to the millennia-old myths and legends and asks the question: Why are we so quick to villainize these women in the first place—and so eager to accept the stories we’ve been told?

The captivating true story of an underdog business - a feminist bookshop founded in Thatcher's Britain - from a woman at the heart of the women's liberation movement. What was it like to start a feminist bookshop, in an industry dominated by men'? How could a lesbian thrive in Thatcher's time, with the government legislating to restrict her rights? How do you run a business when your real aim is to change the world? Silver Moon was the dream of three women - a bookshop with the mission to promote the work of female writers and create a much-needed safe space for any woman. Founded in 1980s London against a backdrop of homophobia and misogyny, it was a testament to the power of community, growing into Europe's biggest women's bookshop and hosting a constellation of literary stars from Margaret Atwood and Maya Angelou to Angela Carter. While contending with day-to-day struggles common to other booksellers, plus the additional burdens of misogyny and the occasional hate crime, Jane Cholmeley and her booksellers created a thriving business. But they also played a crucial and relatively unsung part in one the biggest social movements of our time. A Bookshop of One's Own is a fascinating slice of social history from the heart of the women's liberation movement, from a true feminist and lesbian icon. Written with heart and humour, it reveals the struggle and joy that comes with starting an underdog business, while being a celebration of the power women have to change the narrative when they are the ones holding the pen.

________The Sunday Times BestsellerNational Book Awards - Young Adult Book of the Year 2018!"Brilliant, hysterical, truthful and real. These essays illuminate the path for our future female leaders." - Reese Witherspoon"As a feminist who loves pink, I give this brilliant book of essays an enthusiastic "YES"" - Mindy Kaling"A refreshing and honest celebration of all that it means to be a woman today." - Fearne CottonYou need this book. Funny, powerful and personal writing by women, for women, about what the F word means to them.Every woman has a different story to tell. Reading them all in one book might just change your life.New pink feminists are being announced every week - follow @feminists on Instagram to find out more!Keira Knightley - Gemma Arterton - Bridget Jones (by Helen Fielding) - Saoirse Ronan - Dolly Alderton - Karen Gillan - Alicia Garza - Jameela Jamil - Kat Dennings - Nimco Ali - Beanie Feldstein - Olivia Perez - Amika George - Evanna Lynch - Akilah Hughes - Tanya Burr - Grace Campbell - Alison Sudol - Elyse Fox - Charlie Craggs - Rhyannon Styles - Skai Jackson - Tasha Bishop - Lolly Adefope - Bronwen Brenner - Dr Alaa Murabit - Trisha Shetty - Jordan Hewson - Amy Trigg - Em Odesser - Emi Mahmoud - Lydia Wilson - Swati SharmaMore praise for Feminists Don't Wear Pink:"Pick it up and read one story from your favourite columnist or actress, but I guarantee you'll end up reading the full, illuminating collection, and you'll possibly finish it knowing more about your own personal stance than you imagined." - Glamour.co.uk"This collection of essays curated by writer Scarlett Curtis is a call-to-arm that allows us to unpick what it means to be a feminist in a safe space." - Stylist.co.uk"We advise placing a copy in the hands of every girl (and guy) you know." - Red Magazine**Published in partnership with Girl Up, the UN women's foundation, royalties will benefit this amazing charity**

The fiftieth anniversary edition of the essay that is now recognized as the first major work of feminist art theory―published together with author Linda Nochlin’s reflections three decades later.Many scholars have called Linda Nochlin’s seminal essay on women artists the first real attempt at a feminist history of art. In her revolutionary essay, Nochlin refused to answer the question of why there had been no “great women artists” on its own corrupted terms, and instead, she dismantled the very concept of greatness, unraveling the basic assumptions that created the male-centric genius in art.With unparalleled insight and wit, Nochlin questioned the acceptance of a white male viewpoint in art history. And future freedom, as she saw it, requires women to leap into the unknown and risk demolishing the art world’s institutions in order to rebuild them anew.In this stand-alone anniversary edition, Nochlin’s essay is published alongside its reappraisal, “Thirty Years After.” Written in an era of thriving feminist theory, as well as queer theory, race, and postcolonial studies, “Thirty Years After” is a striking reflection on the emergence of a whole new canon. With reference to Joan Mitchell, Louise Bourgeois, Cindy Sherman, and many more, Nochlin diagnoses the state of women and art with unmatched precision and verve. “Why Have There Been No Great Women Artists?” has become a slogan and rallying cry that resonates across culture and society. In the 2020s, Nochlin’s message could not be more urgent: as she put it in 2015, “There is still a long way to go.” 13 black-and-white illustrations

An instant feminist classic, and perfect gift for all parents, women, and people working towards gender equality. Here is a brilliant, beautifully readable, and above all practical expansion of the ideas this iconic author began to explore in her bestselling manifesto, We Should All Be Feminists.A few years ago, Chimamanda Ngozi Adichie received a letter from a dear friend from childhood, asking how to raise her new baby girl a feminist.Although she has written and spoken out widely about feminism, Adichie wasn't sure how to advise her friend Ijeawele. But as a person who'd babysat, had loved her nieces and nephews, and now, too, was the mother of a daughter herself, she thought she would try. So she sent Ijeawele a letter with some suggestions--15 in all--which she has now decided to share with the world.Compelling, direct, wryly funny, and perceptive, Dear Ijeawele offers specifics on how we can empower our daughters to become strong, independent women. Here, too, are ways parents can raise their children--both sons and daughters--beyond a culture's limiting gender prescriptions. This short, sharp work rings out in Chimamanda's voice: infused with deep honesty, clarity, strength, and above all love. She speaks to the important work of raising a girl in today's world, and provides her readers with a clear proposal for inclusive, nuanced thinking. Here we have not only a rousing manifesto, but a powerful gift for all people invested in the idea of creating a just society--an endeavour now more urgent and important than ever.

***Coming in April 2025: Deborah Frances-White's new book SIX CONVERSATIONS WE'RE SCARED TO HAVE*** THE SUNDAY TIMES BESTSELLER 'Breathes life into conversations about feminism' PHOEBE WALLER-BRIDGE 'Very funny, very clever, very thoughtful and very relevant' DOLLY ALDERTON Why do we find it so hard to say 'No'? How can feminism be more inclusive? What can rom-coms tell us about taking charge? The Guilty Feminist will challenge you, reassure you and empower you to see the world differently. From inclusion to intersectionality, #MeToo to men's rights, rom-coms to pornography, Deborah Frances-White tackles urgent questions for the modern woman. Featuring interviews with activists, businesswomen and all-round inspirations, The Guilty Feminist examines how women can abandon their guilt, say No (when they mean it), say Yes (when they want to), and to change the world - and ourselves - for the better. Includes interviews with Jessamyn Stanley * Zoe Coombs Marr * Susan Wokoma * Phoebe Waller-Bridge * Hannah Gadsby * Reubs Walsh * Bisha K. Ali * Becca Bunce * Mo Mansfield * Leyla Hussein * Amika George 'Genius' Sunday Times 'Funny, fresh, thought-provoking' Observer 'Everything you wanted to know about feminism but were afraid to ask' EMMA THOMPSON 'Quite possibly the defining feminist of our generation' ELIZABETH DAY 'Encouraging every woman to say: "I get to be heard. I deserve to be seen" ' Daily Express 'A passionate and engaging manifesto, reminding readers that feminism isn't one-size-fits-all' I

Based on the popular TEDx talk and the New York Times best-selling book, Chimamanda Ngozi Adichie’s guided journal contains her most inspiring quotes, writing prompts, and an exclusive introductory essay. This beautifully illustrated hardcover journal is destined to empower and challenge, and help readers discover their own feminist journeys.“Feminism for me has been about unlearning and learning. About daring—to want, to take, to be. About choosing to live with the belief that I fully matter. It is a process, a lifelong journey.” —Chimamanda Ngozi AdichieNow, in this beautiful journal, Adichie’s most inspirational words encourage you to find your own voice, to reflect on what feminism means to you, and to tell your own story. Featuring:A series of guided writing prompts Powerful and inspiring quotes Important events in the history of feminism Gorgeous illustrationsHer award-winning novels, including Half of a Yellow Sun and Americanah; her stirring calls to arms We Should All Be Feminists and Dear Ijeawele; her collaboration with Beyoncé; sharing the stage with Michelle Obama—each of these accomplishments has contributed to best-selling author and global feminist icon Chimamanda Ngozi Adichie becoming one of the most important feminist figures of our time. We Should All Be Feminists: A Guided Journal promises to give readers the tools to both understand feminism and help them succeed at becoming better, more confident writers and communicators. The perfect gift for everyone—including yourself!

'The real-life children's fairy tale book so inspiring adults are reading it' I newspaper 'Absolutely beautiful - get one for yourself and one to inspire a woman in your life' Stylist 'In an ideal world, not only would mothers read this aloud to their daughters, but teachers would read it to schoolboys' Sunday Times What if the princess didn't marry Prince Charming but instead went on to be an astronaut? What if the jealous step sisters were supportive and kind? And what if the queen was the one really in charge of the kingdom? Illustrated by sixty female artists from every corner of the globe, Good Night Stories for Rebel Girls introduces us to one hundred remarkable women and their extraordinary lives, from Ada Lovelace to Malala, Amelia Earhart to Michelle Obama. Empowering, moving and inspirational, these are true fairy tales for heroines who definitely don't need rescuing.

Named a Most Anticipated Book of 2023 by The MillionsA vibrant and illuminating exploration of medieval thinking on women’s beauty, sexuality, and behavior.What makes for the ideal woman? How should she look, love, and be? In this vibrant, high-spirited history, medievalist Eleanor Janega turns to the Middle Ages, the era that bridged the ancient world and modern society, to unfurl its suppositions about women and reveal what’s shifted over time―and what hasn’t.Enshrined medieval thinkers, almost always male, subscribed to a blend of classical Greek and Roman philosophy and Christian theology for their concepts of the sexes. For the height of female attractiveness, they chose the mythical Helen of Troy, whose imagined pear shape, small breasts, and golden hair served as beauty’s epitome. Casting Eve’s shadow over medieval women, they derided them as oversexed sinners, inherently lustful, insatiable, and weak. And, unless a nun, a woman was to be the embodiment of perfect motherhood.In contrast, drawing on accounts of remarkable and subversive medieval women like Eleanor of Aquitaine and Hildegard of Bingen, along with others hidden in documents and court cases, Janega shows us how real women of the era lived. While often mothers, they were industrious farmers, brewers, textile workers, artists, and artisans and paved the way for new ideas about women’s nature, intellect, and ability.In The Once and Future Sex, Janega unravels the restricting expectations on medieval women and the ones on women today. She boldly questions why, if our ideas of women have changed drastically over time, we cannot reimagine them now to create a more equitable future. 11 illustrations

The gripping, true, and untold history of the Italian anti-fascist resistance during World War II, told through the stories of four spectacularly courageous women fightersFrom underground soldiers to intrepid spies, Women of War unearths the hidden history of the brave women who risked their lives to overthrow the Nazi occupation and liberate Italy. Using primary sources and brand new scholarship, historian Suzanne Cope illuminates the roles played by women while Italians struggled under dual foes: Nazi invaders and Italian fascist loyalists.Cope’s research and storytelling introduces four brave and resourceful women who risked everything to overthrow the Nazi occupation and pry their future from the fascist grasp. We meet Carla Capponi in Rome, where she made bombs in an underground bunker then ferried them to their deadly destination wearing lipstick and a trenchcoat; and Bianca Guidetti Serra who rode her bicycle up switchbacks in the Alps, dodging bullets while delivering bags of clandestine newspapers and munitions to the anti-fascist armies hidden in the mountains. In Florence, the young future author of Italy’s new constitution, Teresa Mattei, carried secret messages and hid bombs; while Anita Malavasi led troops across the Apennine Mountains. Women of War brings their experiences as underground resistance fighters, partisan combatants, spies, and saboteurs to life.Essential and original, Women of War offers not only a reexamination of the elision of women from vital WWII history but also a valuable perspective on the ongoing fight for gender equality and social justice. After all, these were the women who launched a feminist movement as they fought for the future of their country, and what that could mean for its women, all while under Nazi and fascist fire.