Empfehlungen basierend auf "Who's That Girl?"

We give celebrities a power they don't deserve. Power they haven't earned. What happens when they exploit it? Imagine you've just spent the night with the most famous man on the planet. Except you don't quite remember it. That is what happens to Rose, a twenty-something woman who seemingly has everything going for her. Working for one of the most powerful publishers in the country, Rose spends her days doing PR for glossy magazines. There are tedious spreadsheets, fashion divas, and many A-list parties. It's at one of those parties where she meets Milo Jax, the world-famous, globally adored, British pop sensation. An unlikely flirtation turns into an even more unlikely evening and then Rose wakes up, unable to piece it all together. What happens next changes everything. Gold Rush is a pre-MeToo story about consent, celebrity culture, and trying to figure out where you fit in a world that consistently devalues and disrespects women's bodies.

A Must-Read: Vogue, Nylon, Chicago Review of Books, Literary Hub, Frieze, The Millions, Publishers Weekly, InsideHook, The Next Big Idea Club,“[Lauren] Elkin is a stylish, determined provocateur . . . Sharp and cool . . . [Art Monsters is] exemplary. It describes a whole way to live, worthy of secret admiration.” —Maggie Lange, The Washington Post“Destined to become a new classic . . . Elkin shatters the truisms that have evolved around feminist thought.” —Chris Kraus, author of I Love Dick and After Kathy Acker: A Literary BiographyWhat kind of art does a monster make? And what if monster is a verb? Noun or a verb, the idea is a dare: to overwhelm limits, to invent our own definitions of beauty.In this dazzlingly original reassessment of women’s stories, bodies, and art, Lauren Elkin—the celebrated author of Flâneuse—explores the ways in which feminist artists have taken up the challenge of their work and how they not only react against the patriarchy but redefine their own aesthetic aims. How do we tell the truth about our experiences as bodies? What is the language, what are the materials, that we need to transcribe them? And what are the unique questions facing those engaged with female bodies, queer bodies, sick bodies, racialized bodies? Encompassing a rich genealogy of work across the literary and artistic landscape, Elkin makes daring links between disparate points of reference—among them Julia Margaret Cameron’s photography, Kara Walker’s silhouettes, Vanessa Bell’s portraits, Eva Hesse’s rope sculptures, Carolee Schneemann’s body art, Theresa Hak Kyung Cha’s trilingual masterpiece DICTEE—and steps into the tradition of cultural criticism established by Susan Sontag, Hélène Cixous, and Maggie Nelson. An erudite, potent examination of beauty and excess, sentiment and touch, the personal and the political, the ambiguous and the opaque, Art Monsters is a radical intervention that forces us to consider how the idea of the art monster might transform the way we imagine—and enact—our lives.

It has been more than fifty years since John Waters filmed his first short on the roof of his parents’ Baltimore home. Over the following decades, Waters has developed a reputation as an uncompromising cultural force not only in cinema, but also in visual art, writing, and performance. This major retrospective examines the artist’s influential career through more than 160 photographs, sculptures, soundworks, and videos he has made since the early 1990s. These works deploy Waters’s renegade humor to reveal the ways that mass media and celebrity embody cultural attitudes, moral codes, and shared tragedy.Waters has broadened our understanding of American individualism, particularly as it relates to queer identity, racial equality, and freedom of expression. In bringing “bad taste” to the walls of galleries and museums, he tugs at the curtain of exclusivity that can divide art from human experience. Waters freely manipulates an image bank of less-than-sacred, low-brow references—Elizabeth Taylor’s hairstyles, his own self-portraits, and pictures of individuals brought into the limelight through his films, including his counterculture muse Divine—to entice viewers to engage with his astute and provocative observations about society.This richly illustrated book explores themes including the artist’s childhood and identity; Pop culture and the movie business; Waters’s satirical take on the contemporary art world; and the transgressive power of images. The catalogue features essays by BMA Senior Curator of Contemporary Art Kristen Hileman; art historian and activist Jonathan David Katz; critic, curator, and artist Robert Storr; as well as an interview with Waters by photographer Wolfgang Tillmans.Published in association with the Baltimore Museum of Art.Exhibition dates:The Baltimore Museum of Art: October 7, 2018–January 6, 2019Wexner Center for the Arts: February 2–April 28, 2019

Inspired by the #1 New York Times Bestselling Trilogy, the official FIFTY SHADES OF GREY: Inner Goddess Journal is a beautiful blank book designed for keeping a journal or writing notes. It features a foreword by E L James, brief excerpts from the novels, tips for writers, a writing playlist, elegant color artwork, and fully lined pages throughout. Aspiring writers are encouraged to express their own Inner Goddess, as E L James writes in her foreword: “The best person to write for is yourself—and what better place to start than in a journal.” Produced with eye-catching design and details, the journal has a bonded leather cover with foil stamping, rounded corners, endpapers, and a red-ribbon marker. Perfect for gift-giving and portability.

A New York Public Library Best Book of 2017 * A Chicago Public Library Best of the Best Book for Teens 2017 This first-ever LGBTQ history book of its kind for young adults will appeal to fans of fun, empowering pop-culture books like Rad American Women A-Z and Notorious RBG. Three starred reviews! World history has been made by countless lesbian, gay, bisexual, transgender, and queer individuals—and you’ve never heard of many of them. Queer author and activist Sarah Prager delves deep into the lives of 23 people who fought, created, and loved on their own terms. From high-profile figures like Abraham Lincoln and Eleanor Roosevelt to the trailblazing gender-ambiguous Queen of Sweden and a bisexual blues singer who didn’t make it into your history books, these astonishing true stories uncover a rich queer heritage that encompasses every culture, in every era. By turns hilarious and inspiring, the beautifully illustrated Queer, There, and Everywhere is for anyone who wants the real story of the queer rights movement. A Junior Library Guild Selection

A moving exploration of how gay men construct their identities, fight to be themselves, and live authenticallyIt goes without saying that even today, it’s not easy to be gay in America. While young gay men often come out more readily, even those from the most progressive of backgrounds still struggle with the legacy of early-life stigma and a deficit of self-acceptance, which can fuel doubt, regret, and, at worst, self-loathing. And this is to say nothing of the ongoing trauma wrought by AIDS, which is all too often relegated to history. Drawing on his work as a clinical psychologist during and in the aftermath of the epidemic, Walt Odets reflects on what it means to survive and figure out a way to live in a new, uncompromising future, both for the men who endured the upheaval of those years and for the younger men who have come of age since then, at a time when an HIV epidemic is still ravaging the gay community, especially among the most marginalized.Through moving stories―of friends and patients, and his own―Odets considers how experiences early in life launch men on trajectories aimed at futures that are not authentically theirs. He writes to help reconstruct how we think about gay life by considering everything from the misleading idea of “the homosexual,” to the diversity and richness of gay relationships, to the historical role of stigma and shame and the significance of youth and of aging. Crawling out from under the trauma of destructive early-life experience and the two epidemics, and into a century of shifting social values, provides an opportunity to explore possibilities rather than live with limitations imposed by others. Though it is drawn from decades of private practice, activism, and life in the gay community, Odets’s work achieves remarkable universality. At its core, Out of the Shadows is driven by his belief that it is time that we act based on who we are and not who others are or who they would want us to be. We―particularly the young―must construct our own paths through life. Out of the Shadows is a necessary, impassioned argument for how and why we must all take hold of our futures.

'But tonight I am super-charged, alive, looking into the eyes of / men . . .'In this intimate and vital debut, Richard Scott looks into the places not everyone sees or chooses to see. Against the backdrop of London's Soho, he creates an uncompromising portrait of love and shame, questioning our sense of the permissible and the perverse. Scott takes us back to our roots: childhood incidents, the violence our scars betray, forgotten forebears and histories. The hungers of sexual encounters are underscored by the risks that threaten when we give ourselves to or accept another. But the poems celebrate joy and tenderness, too, as in a sequence re-imagining the love poetry of Verlaine. The collection crescendos to the title-poem, 'Soho!', where a night stroll under the street lamps becomes a search for 'true lineage', a reclamation of stolen ancestors, hope for healing, and, above all, the finding of our truest selves.

Fug You is Ed Sanders's unapologetic and often hilarious account of eight key years of "total assault on the culture," to quote his novelist friend William S. Burroughs. Fug You traces the flowering years of New York's downtown bohemia in the sixties, starting with the marketing problems presented by publishing Fuck You / A Magazine of the Arts, as it faced the aboveground's scrutiny, and leading to Sanders's arrest after a raid on his Peace Eye Bookstore. The memoir also traces the career of the Fugs -- formed in 1964 by Sanders and his neighbor, the legendary Tuli Kupferberg (called "the world's oldest living hippie" by Allen Ginsberg) -- as Sanders strives to find a home for this famous postmodern, innovative anarcho-folk-rock band in the world of record labels.

In the early 1990s three young people attracted to the ambitious global peacekeeping work of the UN cross paths in Cambodia. Andrew strives for a better world through his life-saving work as a doctor. Heidi, a social worker, is in need of a challenge and a paycheck, and Ken is fresh from Harvard and brimful of idealism. As their stories interweave through the years, from Rwanda, Bosnia and Somalia to Haiti, the trio reveal a world of witnessed atrocities, primal fear, desperate loneliness and base desires. They fend off terror and futility with revelry, humour and sex; ask hard questions about the world order America has created, the true power of the UN, and whether there is any possibility for change. This is a startling celebration of the power of humour and friendship, of the limits of human compassion, and the need for a warm body and a cold beer during a Condition Echo lockdown. A book that shows the human cost of global politics and the tragic truth that wars are much more avoidable than our governments would ever admit. A brilliant, provocatively funny and fast moving book.

The woman behind the icon known as the undisputed Queen of Halloween, reveals her full story, filled with intimate bombshells, told by the bombshell herself. The paperback includes 32 new images and an original poem composed by Cassandra when she was 16, perfect for fans to collect.At only eighteen months old, Cassandra Peterson reached for a pot on the stove and doused herself in boiling water, resulting in third-degree burns over 35 percent of her body. She miraculously survived, but burned and scarred, the impact would stay with her and become an obstacle she was determined to overcome. Cassandra left home at fourteen and supported herself as a go-go dancer. By age seventeen, she was performing as a showgirl in Las Vegas. Then a chance encounter with the “King” himself, Elvis Presley, inspired her to travel to Europe where she worked in film and toured Italy as lead singer of a band. She eventually made her way to Los Angeles, where she joined the famed comedy improv group, The Groundlings.In 1981, as a struggling actress considered past her prime, Cassandra auditioned for a local LA station as hostess for their late-night horror movies. She got the job as “Elvira,” never imagining it would lead to fame and a forty-year career. Yours Cruelly, Elvira is an unforgettably wild memoir. Cassandra doesn’t shy away from revealing exactly who she is and how she overcame seemingly insurmountable odds. Always original and sometimes outrageous, her story is loaded with twists, travails, revelry, and downright shocking experiences. It is the candid, often hilarious, and sometimes heartbreaking tale of a Midwest farm girl’s long, strange trip to become the world’s sexiest, sassiest Halloween icon.Instant New York Times Bestseller, Los Angeles Times Bestseller, USA Today Bestseller, and Publishers Weekly Bestseller.A New York Times Best Books to Give This Season selection.