Empfehlungen basierend auf "White Nights: Fyodor Dostoyevsky"

In these stories, Dostoevsky explores both the figure of the dreamer divorced from reality, and also his own ambiguous attitude toward utopianism, themes central to his great novels. In White Nights, the apparent idyll of the dreamer's romantic fantasies disguises profound loneliness and estrangement from "living life." A Gentle Creature and The Dream of a Ridiculous Man show how withdrawal from reality can end in spiritual desolation as well as moral indifference, and how, in Dostoevsky's view, the tragedy of the alienated individual can only be resolved by the rediscovery of a sense of compassion and responsibility toward other people.No other edition brings together these specific stories--which are most interesting when read alongside one another--and the new translations capture all the power and lyricism of Dostoevsky's writing at its best.

The text of The Brothers Karamazov is removed from English-speaking readers today not only by time but also by linguistic and cultural boundaries. Victor Terras’s companion work provides readers with a richer understanding of the Dostoevsky novel as the expression of a philosophy and a work of art.In his introduction, Terras outlines the genesis, main ideas, and structural peculiarities of the novel as well as Dostoevsky’s political, philosophical, and aesthetic stance. The detailed commentary takes the reader through the novel, clarifying aspects of Russian life, the novel’s sociopolitical background, and a number of polemic issues. Terras identifies and explains hundreds of literary and biblical quotations and allusions. He discusses symbols, recurrent images, and structural stylistic patterns, including those lost in English translation.

Taken from The Oxford Chekhov, the stories in this collection include "The Butterfly," "Ariadne," "A Dreary Story," "Neighbours," "An Anonymous Story," and "Doctor Startsev," as well as the title story.

'That sense of the meaninglessness of existence that runs through much of twentieth-century writing - from Conrad and Kafka, to Beckett and beyond - starts in Dostoyevsky's work' Malcolm BradburyAlienated from society and paralysed by a sense of his own insignificance, the anonymous narrator of Dostoyevsky's Notes from Underground tells the story of his tortured life. With bitter irony, he describes his refusal to become a worker in the 'anthill' and his gradual withdrawal from society. The seemingly ordinary world of St Petersburg takes on a nightmarish quality in The Double when a government clerk encounters a man who looks exactly like him - his double perhaps, or possibly the darker side of his own personality. Like Notes from Underground, this is a masterly tragi-comic study of human consciousness.Translated by Ronald Wilks with an Introduction by Robert Louis Jackson

These masterly poems span the decades of Nabokov's career, from 'Music', written in 1914, to the short, playful 'To Vera', composed in 1974. 'The University Poem', one of Nabokov's major poetic works, is here in English for the first time- an extraordinary autobiographical poem looking back at his time at Cambridge, with its dinners, girls and memories, it is suffused with rich description, wit and verbal dexterity. Included too are the surreally comic 'A Literary Dinner', the enchanting, 'Eve', the wryly humorous 'An Evening of Russian Poetry' and a meditation on the act of creation, 'Tolstoy', as well as verse written on America, lepidoptery, sport, love and Nabokov's Russian homeland.

The last Tsaritsa of Russia, Alexandra Fyodorovna, was murdered with her family on the night of 16-17 July 1918 by agents acting on behalf of the revolutionary Bolshevik government. The dramatic story of the demise of the Romanov dynasty has been recounted many times and has captivated the imagination of generations of readers throughout the world. The recently declassified 1918 diary of Alexandra - published here for the first time in its entirety - provides something no other account could do: a glimpse of the Tsaritsa's thoughts and activities from 1 January 1918 until the night of her death. As the granddaughter of Queen Victoria, Alexandra wrote in English, though her native language was German and she became fluent in Russian after her marriage to Nicholas. The 1918 diary takes us into her private world, revealing the care she lavished on her children during this period of revolutionary turmoil, how she felt toward her husband, Tsar Nicholas, and what she imagined about the profound struggle - between past and present, old and new worlds, the sacred and the profane - then occurring over the destiny of Russia. The diary reveals that even in her most intimate reflections, she remained the representative of a great system of belief that had prevailed for hundreds of years in Russia and that she and Nicholas hoped to perpetuate. We see in painful detail the tragic daily confrontation between this system of belief and the reality of the modern world that had, in every sense, broken free of her and Nicholas's control.

The collectivization of Soviet agriculture in the late 1920s and 1930s forever altered the country’s social and economic landscape. It became the first of a series of bloody landmarks that would come to define Stalinism. This revelatory book presents―with analysis and commentary―the most important primary Soviet documents dealing with the brutal economic and cultural subjugation of the Russian peasantry. Drawn from previously unavailable and in many cases unknown archives, these harrowing documents provide the first unimpeded view of the experience of the peasantry during the years 1927-1930.The book, the first of four in the series, covers the background of collectivization, its violent implementation, and the mass peasant revolt that ensued. For its insights into the horrific fate of the Russian peasantry and into Stalin’s dictatorship, The War Against the Peasantry takesits place an as unparalleled resource.

Drawing on hundreds of newly available, top-secret KGB and party Central Committee documents, historian Matthew E. Lenoe reexamines the 1934 assassination of Leningrad party chief Sergei Kirov. Joseph Stalin used the killing as the pretext to unleash the Great Terror that decimated the Communist elite in 1937–1938; these previously unavailable documents raise new questions about whether Stalin himself ordered the murder, a subject of speculation since 1938. The book includes translations of 125 documents from the various investigations of the Kirov murder, allowing readers to reach their own conclusions about Stalin’s involvement in the assassination.

The devil comes to Moscow wearing a fancy suit. With his disorderly band of accomplices - including a demonic, gun-toting tomcat - he immediately begins to create havoc. Disappearances, destruction and death spread through the city like wildfire and Margarita discovers that her lover has vanished in the chaos. Making a bargain with the devil, she decides to try a little black magic of her own to save the man she loves - A masterpiece of magical surrealism, a triumph of the imagination Sunday Telegraph, Books of the Century.

Aleksandr Solzhenitsyn's March 1917, Book 2, covers three days of the February Revolution when the nation unraveled, leading to the Bolshevik takeover eight months later. The Red Wheel is Nobel Prize-winner Aleksandr Solzhenitsyn's multivolume epic work about the Russian Revolution. He spent decades writing about just four of the most important periods, or "nodes." This is the first time that the monumental March 1917--the third node--has been translated into English. It tells the story of the Russian Revolution itself, during which the Imperial government melts in the face of the mob, and the giants of the opposition also prove incapable of controlling the course of events. The action of Book 2 (of four) of March 1917 is set during March 13-15, 1917, the Russian Revolution's turbulent second week. The revolution has already won inside the capital, Petrograd. News of the revolution flashes across all Russia through the telegraph system of the Ministry of Roads and Railways. But this is wartime, and the real power is with the army. At Emperor Nikolai II's order, the Supreme Command sends troops to suppress the revolution in Petrograd. Meanwhile, victory speeches ring out at Petrograd's Tauride Palace. Inside, two parallel power structures emerge: the Provisional Government and the Executive Committee of the Petrograd Soviet of Workers' and Soldiers' Deputies, which sends out its famous "Order No. 1," presaging the destruction of the army. The troops sent to suppress the Petrograd revolution are halted by the army's own top commanders. The Emperor is detained and abdicates, and his ministers are jailed and sent to the Peter and Paul Fortress. This sweeping, historical novel is a must-read for Solzhenitsyn's many fans, as well as those interested in twentieth-century history, Russian history and literature, and military history.