Empfehlungen basierend auf "Whiskey, Words, and A Shovel"

"Death of a Naturalist" marked the auspicious debut of poet, Seamus Heaney, with its lyrical and descriptive powers.

It is said that Indiana's best-known poet did not portray but invented the typical Hoosier. Applying imaginative skill, Riley altered and adapted the people around him to suit his purpose. As Jeannette Covert Nolan once put it, the figure who emerged was "a mellow, humorous rustic, a quaint, bucolic philosopher, unlettered but gifted with an earthy shrewdness, a peasant wisdom, a heart of gold, speaking a drawling, hybrid tongue, a dubious dialect as yet unidentified by any philologist."In his heyday Riley was famous all over the world. Though often called a children's poet, he actually wrote about children for adults, delighting in emotional reminders of an irretrievable past--perhaps one that never quite existed. Throughout his life Riley looked back wistfully and sentimentally upon his childhood days, turning the longings and unfulfilled dreams of youth into verse. So celebrated was he in Indiana that in many public elementary schools, students were required to memorize and recite one of his poems every week for admiring audiences of visiting parents.

A beautiful and inspiring collection of poetry by Maya Angelou, author of I KNOW WHY THE CAGED BIRD SINGS and 'a brilliant writer, a fierce friend and a truly phenomenal woman' (BARACK OBAMA).'I write about being a Black American woman, however, I am always talking about what it's like to be a human being. This is how we are, what makes us laugh, and this is how we fall and how we somehow, amazingly, stand up again' Maya AngelouMaya Angelou's poetry - lyrical and dramatic, exuberant and playful - speaks of love, longing, partings; of Saturday night partying, and the smells and sounds of Southern cities; of freedom and shattered dreams.'Her poetry is just as much a part of her autobiography as I Know Why the Caged Bird Sings and the volumes that follow.' Kirkus'It is true poetry she is writing . . . it has an innate purity about it, unquenchable dignity' M. F. K. Fisher

National bestseller An ALA Notable Book Three-term poet laureate Joy Harjo offers a vivid, lyrical, and inspiring call for love and justice in this contemplation of her trailblazing life. Joy Harjo, the first Native American to serve as U.S. poet laureate, invites us to travel along the heartaches, losses, and humble realizations of her "poet-warrior" road. A musical, kaleidoscopic, and wise follow-up to Crazy Brave, Poet Warrior reveals how Harjo came to write poetry of compassion and healing, poetry with the power to unearth the truth and demand justice. Harjo listens to stories of ancestors and family, the poetry and music that she first encountered as a child, and the messengers of a changing earth—owls heralding grief, resilient desert plants, and a smooth green snake curled up in surprise. She celebrates the influences that shaped her poetry, among them Audre Lorde, N. Scott Momaday, Walt Whitman, Muscogee stomp dance call-and-response, Navajo horse songs, rain, and sunrise. In absorbing, incantatory prose, Harjo grieves at the loss of her mother, reckons with the theft of her ancestral homeland, and sheds light on the rituals that nourish her as an artist, mother, wife, and community member. Moving fluidly between prose, song, and poetry, Harjo recounts a luminous journey of becoming, a spiritual map that will help us all find home. Poet Warrior sings with the jazz, blues, tenderness, and bravery that we know as distinctly Joy Harjo.

Winner of the 1981 Yale Series of Younger Poets competition. "David Wojahn's poems concern themselves with emotive basics: leaving home, watching those we love age and die, the inescapable drone of our mortality. Yet as poems, they are far from usual. They help us welcome inside, again and again, the most personal of feelings." -Richard Hugo, Poet and Judge of the Competition

Richard Kenney's The Evolution of the Flightless Bird, the winning volume in the 1983 Yale Series of Younger Poets competition, was selected from among 650 entries in this annual competition. All of one species whose origin is the sonnet, Kenney's poems ring many changes through that form, reflecting, as they do, a personal evolution in the poet's life. "The Hours of the Day"--the first of four chapters--is a long meditative sequence set in Vermont; here the square-shaped poems become the crown glass windowpanes of the farmhouse itself. "First Poems" follows next, a group of eight lyrics, ending with the poem that titles the book. "Heroes," a narrative quartet, with two poems from history and two from life, concerns itself with the shaping of all tales, from source to first telling. Finally, "Notes from Greece" chronicles certain thoughts and adventures there, notably a visit to the Byzantine monastic communities that ring the peninsula of Mt. Athos. Born in Glens Falls, New York, in 1948, Richard Kenney received his B.A. from Dartmouth College in 1970. His poems have appeared in numerous magazines, including The New Yorker, The Atlantic Monthly, Hudson Review, American Scholar, Poetry, The Yale Review, Carolina Quarterly, and New England Review.

The photographs of Walker Evans tell stories of ordinary people living in America in the extraordinary time of the Great Depression. Cynthia Rylant’s poetry about the photographs offers a new voice in the telling, celebrating the beauty of life lived in extreme circumstances.

"Myles speaks with one of the essential voices in American poetry." —New York Times A collection of new and selected past work from one of America’s most celebrated poets Eileen Myles's poetry and prose are known for their blend of reality and fiction, the sublime and the ephemeral, in which readers can peer into existent places, like the East Village of Myles's iconic Chelsea Girls. But they are also lifted into dreams, through writing that has the vividness and energy of fantasy. I Must Be Living Twice brings selections from the poet’s previous work together with a set of bold new poems, through which Myles continues to refine their sardonic, unapologetic, and fiercely intellectual literary voice. Steeped in the culture of New York City, Myles's stomping grounds and the home of their most well-known work, they provide a wide-open lens into radical life.

Cover -- Half-title -- Title -- Copyright -- Dedication -- Contents -- Introduction -- Chapter 1 A new century: from the genteel poets to Robinson and Frost -- Edwin Arlington Robinson -- Robert Frost -- Chapter 2 Modernist expatriates: Ezra Pound and T. S. Eliot -- Ezra Pound and the modernist image -- T. S. Eliot and the wasteland of modernity -- Chapter 3 Lyric modernism: Wallace Stevens and Hart Crane -- Wallace Stevens and the supreme fiction -- Hart Crane and the logic of metaphor -- Chapter 4 Gendered modernism -- Edna St. Vincent Millay and the feminist lyric -- Amy Lowell and Imagism -- H. D.'s revisionist mythmaking -- Marianne Moore and the poetics of gendered modernism -- Chapter 5 William Carlos Williams and the modernist American scene -- William Carlos Williams -- E. E. Cummings and Robinson Jeffers in the 1920s -- Objectivism in the 1930s -- Paterson and Williams' later poetry -- Chapter 6 From the Harlem Renaissance to the Black Arts movement -- The "New Negro" and African American poetry -- The Harlem Renaissance -- Women poets of the Harlem Renaissance -- The middle generation: Tolson, Hayden, and Brooks -- The Black Arts movement -- Chapter 7 The New Criticism and poetic formalism -- John Crowe Ransom -- Allen Tate -- The New Criticism and postwar poetry -- The New Formalism -- Chapter 8 The confessional moment -- Robert Lowell -- Sylvia Plath -- Anne Sexton -- John Berryman -- Elizabeth Bishop -- Chapter 9 Lyric as meditation -- Eliot's Four Quartets -- Theodore Roethke's "North American Sequence" -- Deep Image: Robert Bly and James Wright -- Gary Snyder and Galway Kinnell -- Chapter 10 The New American Poetry and the postmodern avant-garde -- The Beat Generation -- Robert Duncan and the San Francisco Renaissance -- The Black Mountain poets -- The New York school -- Language Poetry and the postmodern avant-garde.

Part of the award-winning New California Poetry Series, Sleeping with the Dictionary is the fifth volume of poetry by Harryette Mullen, a well-respected African American poet.