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“Within These Lines is a moving story of love, hope, and family set against the dark history of Japanese internment in America. This book had me captivated!” —Maureen McQuerry, YALSA award-winning author of The PeculiarsEvalina Cassano’s life in an Italian-American family in 1941 is quiet and ordinary … until she falls in love with Taichi Hamasaki, the son of Japanese immigrants. Despite the scandal it would cause and the fact that interracial marriage is illegal in California, Evalina and Taichi vow they will find a way to be together. But anti-Japanese feelings erupt across the country after the attack on Pearl Harbor, and Taichi and his family are forced to give up their farm and are incarcerated in a Japanese internment camp.Degrading treatment at Manzanar Relocation Center is so difficult, Taichi doubts he will ever leave the camp alive. Treasured letters from Evalina are his sole connection to the outside world. Embracing the boldest action she can to help Taichi, Evalina begins to radically speak out at school and at home, shining a light on this dark and shameful racial injustice.With their future together on the line, Evalina and Taichi can only hold true to their values and believe in their love against all odds to have any hope of making it back to one another.Within These Lines is: A historical YA novel set against the backdrop of WWII and the shameful era of American injustice surrounding Japanese internment camps Told from the dual points of view of an Italian-American woman and Japanese-American man brought together by love then separated by war, injustice, and hatred As haunting and unflinching as it is hope-filled and love-driven Perfect for fans of Monica Hesse, Ruta Sepetys, and Elizabeth Wein

NAMED A BEST BOOK OF THE YEAR 2023 BY THE NEW YORKER WOMEN'S NATIONAL BOOK ASSOCIATION 2023 Great Group Read This extraordinary memoir shares an insight into the lives of the Uyghurs, a people and culture being systematically destroyed by China—and a woman who gave up everything to help her people. In February 2018, twenty-four members of Gulchehra Hoja's family disappeared overnight. Her crime – and thus that of her family – was her award-winning investigations on the plight of her people, the Uyghurs, whose existence and culture is being systematically destroyed by the Chinese government. A Stone is Most Precious Where it Belongs is Gulchehra’s stunning memoir, taking us into the everyday world of life under Chinese rule in East Turkestan (more formally known as the Xinjiang Autonomous Region of China), from her idyllic childhood to its modern nightmare. The grandchild of a renowned musician and the daughter of an esteemed archaeologist, Gulchehra grew up with her people’s culture and history running through her veins. She showed her gifts early on as a dancer, actress, and storyteller, putting her on a path to success as a major television star. Slowly though, she began to understand what China was doing to her people, as well as her own complicity as a journalist. As her rising fame and growing political awakening coincided, she made it her mission to expose the crimes Beijing is committing in the far reaches of its nation, no matter the cost. Reveling in the beauty of East Turkestan and its people – its music, its culture, its heritage, and above all its emphasis on community and family – this groundbreaking memoir gives us a glimpse beyond what the Chinese state wants us to see, showcasing a woman who was willing to risk not just her own life, but also that of everyone she loves, to expose her people’s story to the world.

SHORTLISTED FOR THE WOMEN'S PRIZESet against the backdrop of developing modern China, this mesmerizing literary debut is part coming-of-age tale, part family and social drama, as it follows two generations searching for belonging and opportunity in a rapidly changing world—perfect for readers of Behold the Dreamers, White Ivy, and The Leavers.Shanghai, 2007: Fourteen-year-old Alva has always longed for more. Raised by her American expat mother, she’s never known her Chinese father, and is certain a better life awaits them in America. But when her mother announces her engagement to their wealthy Chinese landlord, Lu Fang, Alva’s hopes are dashed, and so she plots for the next best thing: the American School in Shanghai. Upon admission, though, Alva is surprised to discover an institution run by an exclusive community of expats and the ever-wilder thrills of a city where foreigners can ostensibly act as they please.1985: In the seaside city of Qingdao, Lu Fang is a young, married man and a lowly clerk in a shipping yard. Though he once dreamed of a bright future, he is one of many casualties in his country’s harsh political reforms. So when China opens its doors to the first wave of foreigners in decades, Lu Fang’s world is split wide open after he meets an American woman who makes him confront difficult questions about his current status in life, and how much will ever be enough.In a stunning reversal of the east-to-west immigrant narrative and set against China’s political history and economic rise, River East, River West is an intimate family drama and a sharp social novel. Alternating between Alva and Lu Fang’s points of view, this is a profoundly moving exploration of race and class, cultural identity and belonging, and the often-false promise of the American Dream.

Sisters separated by war forge new identities as they are forced to choose between family, nation, and their own independence.Jun and Hong were scions of a once great southern Chinese family. Each other’s best friend, they grew up in the 1930s during the final days of Old China before the tumult of the twentieth century brought political revolution, violence, and a fractured national identity. By a quirk of timing, at the end of the Chinese Civil War, Jun ended up on an island under Nationalist control, and then settled in Taiwan, married a Nationalist general, and lived among fellow exiles at odds with everything the new Communist regime stood for on the mainland. Hong found herself an ocean away on the mainland, forced to publicly disavow both her own family background and her sister’s decision to abandon the party. A doctor by training, to overcome the suspicion created by her family circumstances, Hong endured two waves of “re-education” and internal exile, forced to work in some of the most desperately poor, remote areas of the country.Ambitious, determined, and resourceful, both women faced morally fraught decisions as they forged careers and families in the midst of political and social upheaval. Jun established one of U.S.-allied Taiwan’s most important trading companies. Hong became one of the most celebrated doctors in China, appearing on national media and honored for her dedication to medicine. Niece to both sisters, linguist and East Asian scholar Zhuqing Li tells her aunts’ story for the first time, honoring her family’s history with sympathy and grace. Daughters of the Flower Fragrant Garden is a window into the lives of women in twentieth-century China, a time of traumatic change and unparalleled resilience. In this riveting and deeply personal account, Li confronts the bitter political rivals of mainland China and Taiwan with elegance and unique insight, while celebrating her aunts’ remarkable legacies.

When three-month-old Lia Lee Arrived at the county hospital emergency room in Merced, California, a chain of events was set in motion from which neither she nor her parents nor her doctors would ever recover. Lia's parents, Foua and Nao Kao, were part of a large Hmong community in Merced, refugees from the CIA-run "Quiet War" in Laos. The Hmong, traditionally a close-knit and fiercely people, have been less amenable to assimilation than most immigrants, adhering steadfastly to the rituals and beliefs of their ancestors. Lia's pediatricians, Neil Ernst and his wife, Peggy Philip, cleaved just as strongly to another tradition: that of Western medicine. When Lia Lee Entered the American medical system, diagnosed as an epileptic, her story became a tragic case history of cultural miscommunication.Parents and doctors both wanted the best for Lia, but their ideas about the causes of her illness and its treatment could hardly have been more different. The Hmong see illness aand healing as spiritual matters linked to virtually everything in the universe, while medical community marks a division between body and soul, and concerns itself almost exclusively with the former. Lia's doctors ascribed her seizures to the misfiring of her cerebral neurons; her parents called her illness, qaug dab peg--the spirit catches you and you fall down--and ascribed it to the wandering of her soul. The doctors prescribed anticonvulsants; her parents preferred animal sacrifices.Winner of the National Book Critics Circle Award for Nonfiction.

"Remarkable...mesmerizing...compelling.... An entire world unfolds in Tolstoyan tide of event and detail....Give yourself over to the world Ms. Tan creates for you." —The New York Times Book ReviewWinnie and Helen have kept each other's worst secrets for more than fifty years. Now, because she believes she is dying, Helen wants to expose everything. And Winnie angrily determines that she must be the one to tell her daughter, Pearl, about the past—including the terrible truth even Helen does not know. And so begins Winnie's story of her life on a small island outside Shanghai in the 1920s, and other places in China during World War II, and traces the happy and desperate events that led to Winnie's coming to America in 1949. The Kitchen God's Wife is "a beautiful book" (Los Angeles Times) from the bestselling author of novels like The Joy Luck Club and The Backyard Bird Chronicles, and the memoir, Where the Past Begins.

Winner of the National Book Award, a Newbery Honor, and a #1 New York Times bestseller!Inspired by the author's childhood experience as a refugee—fleeing Vietnam after the fall of Saigon and immigrating to Alabama—this coming-of-age debut told in verse has been celebrated for its touching child's-eye view of family and immigration.This Harper Classic edition includes an author's note explaining how and why Thanhha Lai translated her personal experiences into this book, an interview with the author, an activity you can do with your family, tips on writing poetry, and discussion questions.Hà has only ever known Saigon: the thrills of its markets, the joy of its traditions, and the warmth of her friends close by. But now the Vietnam War has reached her home. Hà and her family are forced to flee as Saigon falls, and they board a ship headed toward hope—toward America.Inside Out and Back Again is the moving story of one girl's year of change, dreams, grief, and healing. This book was named to multiple state lists, received four starred reviews, and was hailed as a best book of the year by Publishers Weekly, Kirkus, School Library Journal, and the Chicago Public Library.

For fans of Kelly Yang and Rebecca Stead, this touching middle grade novel maps one girl’s quest to remember her grandfather through his scavenger hunts; reconnect with her family; and fight for her community in her rapidly changing hometown. Winner of the APALA Youth Literature Award!Thanks to her Ye-Ye’s epic scavenger hunts, thirteen-year-old Ruby Chu knows San Francisco like the back of her hand. But after his death, she feels lost, and it seems like everyone—from her best friends to her older sister—is abandoning her.After Ruby gets in major trouble at school, her parents decide she has to spend the summer at a local senior center with her grandmother, Nai-Nai, and Nai-Nai’s friends for company. When a new boy from Ruby’s grade, Liam Yeung, starts showing up too, Ruby’s humiliation is complete.But Nai-Nai, her friends, and Liam all surprise Ruby. She finds herself working with Liam, who might not be as annoying as he seems, to help save a historic Chinatown bakery that’s being priced out of the neighborhood. And alongside Nai-Nai, who is keeping a secret that threatens to change everything, Ruby retraces Ye-Ye’s scavenger hunt maps in an attempt to find a way out of her grief—and maybe even find herself.

“Do you know what happens if you laugh while crying? Hair grows out of your butthole.”It was a constant truism Youngmi Mayer’s mother would say threateningly after she would make her daughter laugh while crying. Her mother used it to cheer her up in moments when she could tell Youngmi was overtaken with grief. The humorous saying would never fail to lighten the mood, causing both daughter and mother to laugh and cry at the same time. Her mother had learned this trick from her mother, and her mother had learned this from her mother before her: it had also helped an endless string of her family laugh through suffering.In I’m Laughing Because I’m Crying, Youngmi jokes through the retelling of her childhood as an offbeat biracial kid in Saipan, a place next to a place that Americans might know. She jokes through her difficult adolescence where she must parent her own parents: a mother who married her husband because he looked like white Jesus (and the singer of The Bee Gees). And with humor and irreverence and full-throated openness, she jokes even while sharing the story of what her family went through during the last century of colonialism and war in Korea, while reflecting how years later, their wounds affect her in New York City as a single mom, all the while interrogating whiteness, gender, and sexuality.Youngmi jokes through these stories in hopes of passing onto the reader what her family passed down to her: The gift of laughing while crying. The gift of a hairy butthole. Because throughout it all, the one thing she learned was one cannot exist without the other. And like a yin and yang, this duality is reflected in this whip-smart, heart-wrenching, and disarmingly funny memoir told by a bright new voice with so much heart and wisdom.

Yiyun Li’s remarkable, defiant work of radical acceptance as she considers the loss of her son James.“There is no good way to say this,” Yiyun Li writes at the beginning of this book.“There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.”There is no good way to say this―because words fall short. It takes only an instant for death to become fact, “a single point in a timeline.” Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: “doing the things that work,” including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.This is a book for James, but it is not a book about grieving or mourning. As Li writes, “The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.” Things in Nature Merely Grow is a testament to Li’s indomitable spirit.