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Based on the popular TEDx talk and the New York Times best-selling book, Chimamanda Ngozi Adichie’s guided journal contains her most inspiring quotes, writing prompts, and an exclusive introductory essay. This beautifully illustrated hardcover journal is destined to empower and challenge, and help readers discover their own feminist journeys.“Feminism for me has been about unlearning and learning. About daring—to want, to take, to be. About choosing to live with the belief that I fully matter. It is a process, a lifelong journey.” —Chimamanda Ngozi AdichieNow, in this beautiful journal, Adichie’s most inspirational words encourage you to find your own voice, to reflect on what feminism means to you, and to tell your own story. Featuring:A series of guided writing prompts Powerful and inspiring quotes Important events in the history of feminism Gorgeous illustrationsHer award-winning novels, including Half of a Yellow Sun and Americanah; her stirring calls to arms We Should All Be Feminists and Dear Ijeawele; her collaboration with Beyoncé; sharing the stage with Michelle Obama—each of these accomplishments has contributed to best-selling author and global feminist icon Chimamanda Ngozi Adichie becoming one of the most important feminist figures of our time. We Should All Be Feminists: A Guided Journal promises to give readers the tools to both understand feminism and help them succeed at becoming better, more confident writers and communicators. The perfect gift for everyone—including yourself!

A revised edition of Whitney Chadwick’s seminal work on the women artists who shaped the Surrealist art movement. This pioneering book stands as the most comprehensive treatment of the lives, ideas, and art works of the remarkable group of women who were an essential part of the Surrealist movement. Leonora Carrington, Frida Kahlo, and Dorothea Tanning, among many others, embodied their age as they struggled toward artistic maturity and their own “liberation of the spirit” in the context of the Surrealist revolution.Their stories and achievements are presented here against the background of the turbulent decades of the 1920s, ’30s, and ’40s and the war that forced Surrealism into exile in New York and Mexico. Whitney Chadwick, author of the highly acclaimed Women, Art, and Society, interviewed and corresponded with most of the artists themselves in the course of her research. Women Artists and the Surrealist Movement, now revised with a new foreword by art historian Dawn Ades, contains a wealth of extracts from unpublished writings and numerous illustrations never before reproduced. Since this book was first published, it has acquired the undeniable status of a classic among artists, art historians, critics, and cultural historians. It has inspired and necessitated a revision of the story of the Surrealist movement. Illustrated throughout

‘An important contribution to our recent history’ ANDREW MARR‘Absorbing and important’ JOAN BAKEWELL‘One of my favourite reads of 2021’ GARETH RUSSELLPoignant and inspiring, Women in the War tells the first-hand stories of ten of the last surviving female members of Britain's 'Greatest Generation'.Whether flying Spitfires to the frontline, aiding code breaking at Bletchley Park, plotting the Battle of the Atlantic or working with Churchill in the Cabinet War Rooms, each of these women made a crucial contribution to the conflict overseas and helped to buttress the home front.Here they recount their remarkable experiences during the Second World War, recalling how their formative years were shaped by danger and trauma, and how friendship and romance fortified their spirits.Drawing on the insight that comes with age, they contemplate how the conflict helped women prove their worth, transforming society and sparking the later battles for equal rights.With a reporter’s eye for detail, Lucy Fisher artfully weaves together moving contemporary interviews with gripping wartime diaries and letters. This is a vivid oral history that will stay with you long after you've put it down.

A Waterstones Best Memoir of 2024An Independent and Stylist Best Non-Fiction Book for 2024 The captivating true story of an underdog business – a feminist bookshop founded in Thatcher’s Britain – from a woman at the heart of the women’s liberation movement.

Finalist for the Los Angeles Press Club Book Award, muse to a Givenchy fashion collection, and recommended by the The New York Times, The Skimm, US Weekly, The Washington Post, The Boston Globe, Refinery 29, Book Riot, Bitch Media, and more."Yarrow’s biting autopsy of the decade scrutinizes the way society reduced — or “bitchified” — women at work, women at home, women in court, even women on ice skates . . . Direct quotes from politicians, journalists and comedians about the women provide the most jarring, oh-my-god-that-really-happened portions of Yarrow’s decade excavation." — Pittsburg Post-GazetteThe nostalgic, smart, and shocking account of how the 90s set back feminism, undermined girls and women, and shaped the millennial generation from award-winning journalist, Allison Yarrow.To understand how we got here, we have to rewind the VHS tape. 90s Bitch tells the real story of women and girls in the 1990s, exploring how they were maligned by the media, vilified by popular culture, and objectified in the marketplace.Trailblazing women like Hillary Clinton, Anita Hill, Madeleine Albright, Janet Reno, and Marcia Clark, and were undermined. Newsmakers like Britney Spears, Monica Lewinsky, Tonya Harding and Lorena Bobbitt were shamed and misunderstood. The advent of the 24-hour news cycle reinforced society's deeply entrenched misogyny. Meanwhile, marketers hijacked feminism, sold “Girl Power,” and poisoned a generation.Today echoes of 90s “bitchification” still exist everywhere we look. To understand why, we must revisit and interrogate the 1990s—a decade in which empowerment was twisted into objectification, exploitation, and subjugation.Yarrow’s thoughtful, juicy, and timely examination is a must-read for anyone trying to understand 21st century sexism and end it for the next generation.

A Good Morning America Book Pick The author of the international bestseller How to Be a Woman returns with another "hilarious neo-feminist manifesto" (NPR) in which she reflects on parenting, middle-age, marriage, existential crises--and, of course, feminism. A decade ago, Caitlin Moran burst onto the scene with her instant bestseller, How to Be a Woman, a hilarious and resonant take on feminism, the patriarchy, and all things womanhood. Moran's seminal book followed her from her terrible 13th birthday through adolescence, the workplace, strip-clubs, love, and beyond--and is considered the inaugural work of the irreverent confessional feminist memoir genre that continues to occupy a major place in the cultural landscape. Since that publication, it's been a glorious ten years for young women: Barack Obama loves Fleabag, and Dior make "FEMINIST" t-shirts. However, middle-aged women still have some nagging, unanswered questions: Can feminists have Botox? Why isn't there such a thing as "Mum Bod"? Why do hangovers suddenly hurt so much? Is the camel-toe the new erogenous zone? Why do all your clothes suddenly hate you? Has feminism gone too far? Will your To Do List ever end? And WHO'S LOOKING AFTER THE CHILDREN? As timely as it is hysterically funny, this memoir/manifesto will have readers laughing out loud, blinking back tears, and redefining their views on feminism and the patriarchy. More Than a Woman is a brutally honest, scathingly funny, and absolutely necessary take on the life of the modern woman--and one that only Caitlin Moran can provide.

In this well-structured, fluent and lively account, Paula Bartley uses new archival material to assess whether Pankhurst should be seen as a heroine or a tyrant, a conservative or a progressive.Emmeline Pankhurst was the most prominent campaigner for the women's right to vote and was transformed into a popular heroine of the early twentieth century. Early in life she was attracted to socialism, she grew into an entrenched and militant suffragette and ended up as a Conservative Party candidate.This new biography examines the guiding principles that underpinned all of Emmeline Pankhurst's actions, and places her achievements within a wider social and political context.

Gender equality and the responsibility of husbands and fathers: issues that loom large today had currency in Renaissance Venice as well, as evidenced by the publication in 1600 of The Worth of Women by Moderata Fonte. Moderata Fonte was the pseudonym of Modesta Pozzo (1555–92), a Venetian woman who was something of an anomaly. Neither cloistered in a convent nor as liberated from prevailing codes of decorum as a courtesan might be, Pozzo was a respectable, married mother who produced literature in genres that were commonly considered "masculine"—the chivalric romance and the literary dialogue. This work takes the form of the latter, with Fonte creating a conversation among seven Venetian noblewomen. The dialogue explores nearly every aspect of women's experience in both theoretical and practical terms. These women, who differ in age and experience, take as their broad theme men's curious hostility toward women and possible cures for it. Through this witty and ambitious work, Fonte seeks to elevate women's status to that of men, arguing that women have the same innate abilities as men and, when similarly educated, prove their equals. Through this dialogue, Fonte provides a picture of the private and public lives of Renaissance women, ruminating on their roles in the home, in society, and in the arts. A fine example of Renaissance vernacular literature, this book is also a testament to the enduring issues that women face, including the attempt to reconcile femininity with ambition.

Winner of The Green Prize for Sustainable Literature A Finalist for the PEN/Bograd Weld Prize for Biography Four influential women we thought we knew well—Jane Jacobs, Rachel Carson, Jane Goodall, and Alice Waters—and how they spearheaded the modern progressive movement This is the story of four visionaries who profoundly shaped the world we live in today. Together, these women—linked not by friendship or field, but by their choice to break with convention—showed what one person speaking truth to power can do. Jane Jacobs fought for livable cities and strong communities; Rachel Carson warned us about poisoning the environment; Jane Goodall demonstrated the indelible kinship between humans and animals; and Alice Waters urged us to reconsider what and how we eat.  With a keen eye for historical detail, Andrea Barnet traces the arc of each woman’s career and explores how their work collectively changed the course of history. While they hailed from different generations, Carson, Jacobs, Goodall, and Waters found their voices in the early sixties. At a time of enormous upheaval, all four stood as bulwarks against 1950s corporate culture and its war on nature. Consummate outsiders, each prevailed against powerful and mostly male adversaries while also anticipating the disaffections of the emerging counterculture. All told, their efforts ignited a transformative progressive movement while offering people a new way to think about the world and a more positive way of living in it.   

The Living Goddesses crowns a lifetime of innovative, influential work by one of the twentieth-century's most remarkable scholars. Marija Gimbutas wrote and taught with rare clarity in her original—and originally shocking—interpretation of prehistoric European civilization. Gimbutas flew in the face of contemporary archaeology when she reconstructed goddess-centered cultures that predated historic patriarchal cultures by many thousands of years.This volume, which was close to completion at the time of her death, contains the distillation of her studies, combined with new discoveries, insights, and analysis. Editor Miriam Robbins Dexter has added introductory and concluding remarks, summaries, and annotations. The first part of the book is an accessible, beautifully illustrated summation of all Gimbutas's earlier work on "Old European" religion, together with her ideas on the roles of males and females in ancient matrilineal cultures. The second part of the book brings her knowledge to bear on what we know of the goddesses today—those who, in many places and in many forms, live on.