Empfehlungen basierend auf "When It's A Jar"

A literary masterpiece by a Polish traveller, aristocratic adventurer, political activist, ethnographer and publisherAlphonse, a young Walloon officer, is travelling to join his regiment in Madrid in 1739. But he soon finds himself mysteriously detained at a highway inn in the strange and varied company of thieves, brigands, cabbalists, noblemen, coquettes and gypsies, whose stories he records over sixty-six days. The resulting manuscript is discovered some forty years later in a sealed casket, from which tales of characters transformed through disguise, magic and illusion, of honour and cowardice, of hauntings and seductions, leap forth to create a vibrant polyphony of human voices. Jan Potocki (1761-1812) used a range of literary styles - gothic, picaresque, adventure, pastoral, erotica - in his novel of stories-within-stories, which, like the Decameron and Tales from the Thousand and One Nights, provides entertainment on an epic scale.For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.

Felix, a Jewish boy in Poland in 1942, is hiding from the Nazis in a Catholic orphanage. The only problem is that he doesn't know anything about the war, and thinks he's only in the orphanage while his parents travel and try to salvage their bookselling business. And when he thinks his parents are in danger, Felix sets off to warn them--straight into the heart of Nazi-occupied Poland. To Felix, everything is a story: Why did he get a whole carrot in his soup? It must be sign that his parents are coming to get him. Why are the Nazis burning books? They must be foreign librarians sent to clean out the orphanage's outdated library. But as Felix's journey gets increasingly dangerous, he begins to see horrors that not even stories can explain.Despite his grim suroundings, Felix never loses hope. Morris Gleitzman takes a painful subject and expertly turns it into a story filled with love, friendship, and even humor.

Brian Attebery's "strategy of fantasy" include not only the writer's strategies for inventing believable impossibiltes, but also the reader's strategies for enjoying, challenging, and conspiring with the text. Drawing on a number of current literary theories (but avoiding most of their jargon), Attebery makes a case for fantasy as a significant movement within postmodern literature rather than as a simple exercise of nostalgia. Attebury examines recent and classic fantasies by Ursula K. Le Guin, John Crowley, J.R.R. Tolkien, Diana Wynne Jones, and Gene Wolfe, among others. In both its popular and postmodern incarnations, fantasic fiction exhibits a remarkable capacity for reinventing narrative concentions. Attebery shows how plots, characters, settings, storytelling frameworks, gender divisions, and references to cultural texts such as history and science are all called into question the moment the marvelous is admited into a story.

Mitch Albom creates his most unforgettable fictional character—Frankie Presto, the greatest guitarist to ever walk the earth—in this magical novel about the bands we join in life and the power of talent to change our lives.In his most stunning novel yet, the voice of Music narrates the tale of its most beloved disciple, young Frankie Presto, a war orphan raised by a blind music teacher in a small Spanish town. At nine years old, Frankie is sent to America in the bottom of a boat. His only possession is an old guitar and six precious strings.But Frankie’s talent is touched by the gods, and his amazing journey weaves him through the musical landscape of the 20th century, from classical to jazz to rock and roll, with his stunning talent affecting numerous stars along the way, including Hank Williams, Elvis Presley, Carole King, Wynton Marsalis and even KISS.Frankie becomes a pop star himself. He makes records. He is adored. But his gift is also his burden, as he realizes, through his music, he can actually affect people’s futures—with one string turning blue whenever a life is altered.At the height of his popularity, Frankie Presto vanishes. His legend grows. Only decades later, does he reappear—just before his spectacular death—to change one last life.With its Forest Gump-like romp through the music world, The Magic Strings of Frankie Presto is a classic in the making. A lifelong musician himself, Mitch Albom delivers a remarkable novel, infused with the message that “everyone joins a band in this life” and those connections change us all.

Their eyes met across a crowded room. She was just a poor servant girl and he was the son of a rich industrialist. Er, no, this is a Christopher Brookmyre novel, although the eyes meeting across a crowded room part is true. Where it differs from the fairy tales is that the room in question was crowded with hostages and arme d bank-robbers, and his eyes were the only part of him she could see behind the mask. He is an art-thief par excellence and she is a connoisseur of crooks. Her job is to hunt him to extinction; his is to avoid being caught and he also has a secret agenda more valuable than anything he might steal. There are risks he can take without jeopardising his plans. He can afford to play cat-and-mouse with the female cop who's on his tail; it might even arguably be necessary. What he can't afford is to let her get too close: he could could end up in jail or, even more scary, he could end up in love

Dazzling, enchanting and epic, The Bells is the confession of a thief, kidnapper and unlikely lover — a boy with the voice of an angel whose exquisite sense of hearing becomes both his life's tragic curse and its greatest blessing.Moses Froben was born in a belfry high in the Swiss Alps, the bastard son of a deaf-mute woman banished to the church tower to ring each day the Loudest and Most Beautiful Bells in the land. His life is simple but he is content, until the day his father recognizes Moses's singular sense of hearing and its power to expose his sins. Cast into the world with only his ears to protect and guide him, Moses finds refuge in the choir of the great Abbey of St. Gall and becomes its star singer, only to endure the horrifying act of castration meant to preserve his angelic voice and turn him into a musico.In a letter to his son, Moses recounts his humble birth in eighteenth-century Switzerland and his life as a novice monk, and tells of the two noble friends — and a forbidden lover — whom he cherished during his chaotic years in Mozart's Vienna as apprentice to the great Gaetano Guadagni, and even as he ascended Europe's most celebrated stages as Lo Svizzero. But in this letter he will also reveal the astonishing secrets of his past and answer the question that has shadowed his fame: how did Moses Froben, world-renowned musico, come to raise a son who by all rights he could never have sired?

In The Golden Cat, Gabriel King continues the enchanting quest that began with The Wild Road—the novel the San Francisco Chronicle crowned “mythical,” and Richard Adams, author of Watership Down, deemed “absolutely magical. . .” The ancient prophecy speaks of a golden cat whose coming will heal the troubled world. But the Queen of Cats has three golden kittens—and when two are stolen away, the distraught parents turn to Tag, the brave young cat who is the protector of the magical Wild Road.The desperate search moves from the water-lit Oceanarium and sun-dappled Tintagel to the distant Louisiana bayous and the pyramids of Egypt. As Tag and his friends struggle on, so does a terrifying, unearthly force—a preternatural vortex threatening the Wild Road, tearing at the very fabric of existence. But Tag is disastrously unprepared for the powerful darkness that threatens to consume everything in its wake . . .

Is Hitchcock a superficial, though brilliant, entertainer or a moralist? Do his films celebrate the ideal of romantic love or subvert it? In a new interpretation of the director's work, Richard Allen argues that Hitchcock orchestrates the narrative and stylistic idioms of popular cinema to at once celebrate and subvert the ideal of romance and to forge a distinctive worldview-the amoral outlook of the romantic ironist or aesthete. He describes in detail how Hitchcock's characteristic tone is achieved through a titillating combination of suspense and black humor that subverts the moral framework of the romantic thriller, and a meticulous approach to visual style that articulates the lure of human perversity even as the ideal of romance is being deliriously affirmed. Discussing more than thirty films from the director's English and American periods, Allen explores the filmmaker's adoption of the idioms of late romanticism, his orchestration of narrative point of view and suspense, and his distinctive visual strategies of aestheticism and expressionism and surrealism.

London, 1840: Wagner's latest opera plays to packed houses while disgruntled workers gather in crowded pubs to eat ice cream and plan the downfall of the bourgeoisie. Meanwhile, the Pirate Captain finds himself incarcerated at Scotland Yard, in a case of mistaken identity.Discovering that his doppelgänger is none other than Karl Marx, the Captain and his crew are unwittingly caught up in a sinister plot that involves intellectual giants, enormous beards, and a quest to discover whether ham might really be the opium of the people.Includes, at no additional charge, The Wit and Wisdom of the Pirate Captain—a Major Philosophical Work.On the Matter of Love:If you're off to fight in a battle, snap a ship's biscuit in half and give your girlfriend the other half. When you meet again, they will match—like two halves of a single soul! Hopefully, this will stop her sleeping with other men.On Life in General:Life is like a big shanty. Everything will be fine so long as everyone sings in harmony. But if someone plays a duff note on the accordion or tries to break-dance at a sensitive bit, then there will be all sorts of trouble, mark my words.

London, 1840: Wagner's latest opera plays to packed houses while disgruntled workers gather in crowded pubs to eat ice cream and plan the downfall of the bourgeoisie. And the Pirate Captain--his disguise proving something of a letdown--finds himself incarcerated at Scotland Yard, in a case of mistaken identity. Discovering that his doppelganger is none other than Karl Marx, the Captain and his crew are unwittingly caught up in a sinister plot that involves a red-eyed monster, stolen waxworks, and a sack of pretend kittens. From the gloomy streets of Soho to the leafy boulevards of Paris, The Pirates! In an Adventure with Communists is a story of intellectual giants, enormous beards, volcanoes and valkyries, doubloons and dancing girls, and a quest to discover whether ham might really be the opium of the people. This volume also includes, at no additional charge, "The Wit and Wisdom of the Pirate Captain--a Major Philosophical Work"On the Matter of Love: If you're off to fight in a battle, snap a ship's biscuit in half and give your girlfriend the other half. When you meet again, they will match--like two halves of a single soul! Hopefully, this will stop her sleeping with other men. On the Question of Gravy Stains: It is my opinion that the best way to get gravy stains out of cotton or wool is to soak the fabric in vinegar for half an hour. . . . If this doesn't work, try burning the gravy off with a match or getting a hungry dog to lick it off. On Life in General: Life is like a big shanty. Everything will be fine so long as everyone sings in harmony. But if someone plays a duff note on the accordion or tries to break-dance at a sensitive bit, then there will be all sorts of trouble, mark my words.