Empfehlungen basierend auf "WHAT MY BONES KNOW"

Are you an imperfect, trying-her-best mom? If you're over reading parenting advice, The Magic of Motherhood should be your next read. Motherhood can often feel overwhelming and isolating. Your feelings swing between joy and uncertainty, intense love and anxiety, laughter and tears. Ashlee Gadd and the writers behind the popular blog Coffee + Crumbs have written a beautiful reminder of your identity, both as a woman and a mother.The Magic of Motherhood is a curated collection of honest stories weaving together the love, joy, and magnificent heartache of motherhood. Instead of offering advice, the writers offer something even better: their hearts. You'll read essays about identity, adoption, body image, miscarriage, friendship, faith, and more.After reading, mothers will: Find joy in both beauty and mess Discover a renewed strength and sisterhood Be reassured that they are not alone Want to gift this book on Mother's Day, birthdays, baby showers, National Best Friend Day, and other holidaysNew and seasoned moms will enjoy The Magic of Motherhood. This book is a love letter to mothers everywhere. Essays from Ashlee Gadd of Coffee + Crumbs and its contributors will provide solidarity for all moms.

NATIONAL BESTSELLER • Soon to be a Hulu Original series • The internationally acclaimed author of Wild collects the best of The Rumpus's Dear Sugar advice columns plus never-before-published pieces. Rich with humor and insight—and absolute honesty—this "wise and compassionate" (New York Times Book Review) book is a balm for everything life throws our way. Life can be hard: your lover cheats on you; you lose a family member; you can’t pay the bills—and it can be great: you’ve had the hottest sex of your life; you get that plum job; you muster the courage to write your novel. Sugar—the once-anonymous online columnist at The Rumpus, now revealed as Cheryl Strayed, author of the bestselling memoir Wild—is the person thousands turn to for advice.

A groundbreaking novel exploring the intersection between race, class and mental health in the UK'A strong and humane work of fiction' Jackie Kay'That is the glory of being a mental patient. Nothing is impossible.'It is the 1990s, and Gloria is living in a London psychiatric ward. She is unapologetically loud, audacious and eternally on the brink of bursting into song.After several months of uninterrupted routine, she is joined by another young black woman - Merle - who is full of silences and fear.Unable to confide in their doctors, they agree to journal their pasts. Whispered into tape recorders and scrawled ferociously at night, the remarkable stories of their lives are revealed.In this tender, deeply-moving depiction of mental health, Roy creates a striking portrait of two women finding strength in their shared vulnerability, as they navigate a system that fails to protect them. Life-affirming and fearlessly hopeful, this is an unforgettable story.'This is a novel of daring - enjoyable, surprising and original.' Bernardine Evaristo'A striking commentary' Scotsman'A strong, humorous and moving piece of fiction . . . such is the life injected into the characters that by the end of the novel there remains that reluctance to part with people you have come to love' calabash'A joy' Pride'Unflinchingly told . . . harrowing but also shockingly funny' Big Issue

From the creator and star of Florida Girls comes a hilarious and profound memoir about family, happiness, and really aggressive acne.Despite having dirty-blonde hair and fair skin, Laura Chinn is mixed-race: the daughter of a Black father and a white mother, which on its own makes for some funny and insightful looks at identity. Laura’s parents were both Scientologists and nonconformists in myriad ways. They divorced early in Laura’s childhood, and she spent her teen years ping-ponging back and forth between Clearwater, Florida, and Los Angeles (with an extended stint in Tijuana for good measure).Laura lived alone and raised herself for long periods of time, but don’t worry! Her mom’s alcoholic boyfriend was always nearby to supervise. She also lost family members to horrific tragedies, started drinking alcohol and smoking cigarettes when she was eleven years old, and dropped out of school when she was fifteen, all the while completely obsessed with and scarred by her severe acne condition.This is not a sad story. There is Jell-O wrestling. There is an abnormal amount of dancing. There is information about whether you can drink gallons of sangria while taking unregulated Accutane acquired in Mexico. But mostly there is love, and ultimately there is redemption. Laura explores her trauma through anecdotes riddled with grit and humor, proving that in the face of unspeakable tragedy, it is possible to find success, love, and self-acceptance, zits and all.

When Matriarchs Begin To Disappear, There Is A Choice To Either Step Into The Places They Left Behind, Or To Craft A New Space. Helen Knott’s Debut Memoir, In My Own Moccasins, Wowed Reviewers, Award Juries, And Readers Alike With Its Profoundly Honest And Moving Account Of Addiction, Intergenerational Trauma, Resilience, And Survival. Now, In Her Highly Anticipated Second Book, Knott Returns With A Chronicle Of Grief, Love, And Legacy. Having Lost Both Her Mom And Grandmother In Just Over Six Months, Forced To Navigate The Fine Lines Between Matriarchy, Martyrdom, And Codependency, Knott Realizes She Must Let Go, Not Just Of The Women Who Raised Her, But Of The Woman She Thought She Was. Woven Into The Pages Are Themes Of Mourning, Sobriety Through Loss, And Generational Dreaming. Becoming A Matriarch Is Charted With Poetic Insights, Sass, Humour, And Heart, Taking The Reader Over The Rivers And Mountains Of Dane Zaa Territory In Northeastern British Columbia, Along The Cobbled Streets Of Antigua, Guatemala, And Straight To The Heart Of What Matriarchy Truly Means. This Is A Journey Through Pain, On The Way To Becoming.

"One summer day, nine-year-old Keira Ball was in a terrible car accident and suffered catastrophic brain injuries. As the rest of her body began to shut down, her heart continued to beat. In an act of extraordinary generosity, Keira's parents and siblings immediately agreed that she would have wanted to be an organ donor. Meanwhile nine-year-old Max Johnson had been in a hospital for nearly a year, valiantly fighting the virus that was causing his young heart to fail. When Max's parents received the call they had been hoping for, they knew it came at a terrible cost to another family-in what Clarke calls "the brutal arithmetic of transplant surgery." The act of Keira's heart resuming its rhythm inside Max's body was a medical miracle. But this was only part of the story. While waiting on the transplant list, Max had become the hopeful face of a campaign to change the UK's laws around organ donation. Following his successful surgery, Keira's mother saw the little boy beaming on the front page of the newspaper and knew it was the same boy whose parents had recently sent her an anonymous letter overflowing with gratitude for her daughter's heart. The two mothers began to exchange messages and eventually decided to meet"--Provided by publisher.

NEW YORK TIMES BESTSELLER • NAMED A NOTABLE BOOK OF THE YEAR BY THE NEW YORK TIMES AND THE WASHINGTON POST • How does the greatest writer of our time tell her own story? "The most spectacular, hilarious, and generous autobiography of the last quarter century–or ever."—The Boston Globe Raised by scientifically minded parents, Margaret Atwood spent most of each year in the wild forest of northern Quebec: a vast playground for her entomologist father and independent, resourceful mother. It was an unfettered and nomadic childhood, sometimes isolated but also thrilling and beautiful. From this unconventional start, Atwood unfolds the story of her life, linking key moments to the books that have shaped our literary landscape, from the cruel school year that would become Cat’s Eye to the unease of 1980s Berlin, where she began The Handmaid’s Tale. In pages alive with the natural world, reading and books, major political turning points, and her lifelong love for the charismatic writer Graeme Gibson, we meet poets, bears, Hollywood stars, and larger-than-life characters straight from the pages of an Atwood novel. As she explores her past, Atwood reveals more and more about her writing, the connections between real life and art—and the workings of one of our very greatest imaginations.

"A haunting memoir of disarming honesty. . . a remarkable testament to the anguish and the beauty of foreign correspondence.”—Roger Cohen, New York Times Paris bureau chief and author of An Affirming Flame  From award-winning journalist Jane Ferguson, an unflinching memoir of ambition and war—from The Troubles to the fall of Kabul. Jane Ferguson has covered nearly every war front and humanitarian crisis of our time. She reported from Yemen as protests grew into the Arab Spring; she secured rare access to rebel-held Syria, where foreign journalists were banned, to cover its brutal civil war. When the Taliban claimed Kabul in 2021, she was one of the last Western journalists to remain at the airport as thousands of Afghans, including some of her colleagues, struggled to evacuate. Living with sectarian violence was nothing new to Ferguson. As a child in Northern Ireland in the 1980s and ‘90s, The Troubles meant bomb threats and military checkpoints on the way to school were commonplace. Books by Dervla Murphy and Martha Gellhorn offered solace from her turbulent family, and an opportunity to study Arabic in Yemen came as a relief—and a ticket to the life in journalism she imagined. Without family wealth or connections, her career in Middle East reporting began as a scrappy one-woman team, a borrowed camera often her only equipment. Networks told her she had the wrong accent, the wrong appearance, not enough “bang-bang shoot-‘em-up.” Still, Ferguson threw herself into harm’s way time and again, determined to give voice to civilian experiences of war. In the face of grave violence and suffering, this seemed a small act of justice, no matter the risks. Ferguson’s bold debut war correspondent memoir chronicles her unlikely journey from bright, inquisitive child to intrepid war correspondent. With an open-hearted humanity we rarely see in conflict stories, No Ordinary Assignment shows what it means to build an authentic career against the odds.  How does a girl from a turbulent childhood in Northern Ireland become one of the most respected female journalists of her generation? From The Troubles to the Front Lines: A raw look at a childhood shaped by sectarian violence in 1980s Northern Ireland and how it forged an intrepid future war correspondent. On-the-Ground Reporting: Experience the Arab Spring in Yemen, gain rare access to rebel-held Syria, and witness the final, chaotic days during the fall of Kabul from one of the last Western journalists on the ground. A Woman in Journalism: The story of building a career without connections, fighting against expectations of the "wrong accent" and "wrong appearance" to become a scrappy, respected one-woman reporting team. Unflinching Honesty: A compelling memoir that goes beyond the headlines to explore the personal toll and open-hearted humanity required to give voice to the civilian experiences of war.

THE INSTANT SUNDAY TIMES #1 BESTSELLER 'Typically exposing, brilliantly written' VOGUE 'Its quick hits of wit are like sniffs from an oxygen mask' NEW YORK TIMES 'Few people are willing to be as human as Lena Dunham' OBSERVER 'A generational voice' FINANCIAL TIMES In this rowdy, frank reflection on illness, fame, sex, and everything in between, the remarkable mind behind the hit series Girls and the bestselling author of Not That Kind of Girl asks whether fulfilling her creative ambitions has been worth the pain. For the last decade, as she's spent countless hours in doctor's waiting rooms searching for diagnoses, treatments, and relief, being the owner and operator of Lena Dunham's body has felt, as she puts it, 'like towing a wrecked car across town at midnight.' It's not easy dragging a wrecked car anywhere, much less to the Met Gala while sewn into a gold lamé corset. Or to the set of the hit show that you - as a twenty-five-year-old - are writing, directing, producing, and starring in. Or to the White House, the Golden Globes, or your publicist's office to discuss the latest internet disaster. But Dunham does it - even if it means interminable hospital stays, vomiting in the bathroom when she's meant to be meeting Oprah, or terrifying those closest to her - because she can no longer tell the difference between fighting to do what she loves and being a servant to her own ambition. All the while, she is holding out for a love that can withstand her personal and public challenges and, more than anything, yearning to feel like herself again - if only she could remember who that self was. As Dunham takes us through her journey, tracking her rise to fame - from selling the pilot of Girls to the present - in three acts, it becomes clear that the spotlight casts long shadows, distorting the relationships she once held dear and isolating everyone in its glare. When an endless supply of drugs can't protect you from pain - and begins to control your every move - being famous doesn't stand a chance against the darker corners of the human experience. In Famesick, Dunham asks herself what the cost of fulfilling her dreams has really been, and whether it was worth it. What she finds is deeper than physical relief, and more lasting, as she learns to live with what she can't change and turn her regrets into wisdom that can carry her forward, as she reconnects to what, and who, she loves.

Libby Cataldi was the head of a private school and prided herself on being attuned to the problems her students endured. So how was it that she missed her own son Jeff's descent into addiction, even as he escalated to more and more dangerous drugs? How did Jeff, a loving brother and son, and a star athlete, start using in the first place? And how could Libby help him without risking the rest of her family?"Stagli vicino", an Italian recovering addict told the author. "Stay close—never leave him, even when he is most unlovable." This is not a book about how to save a child. It is a book about what it means to stay close to a loved one gripped by addiction. It is about one son who came home and one mother who never gave up hope.Stay Close is one mother's tough, honest, and intimate tale that chronicles her son's severe drug addiction, as it corroded all relationships from the inside out. It is a story of deep trauma and deep despair, but also of deep hope—and healing. He told her, "Mom, never quit believing." And she didn't.