Empfehlungen basierend auf "What It Was"

Following City On Fire And City Of Dreams, City In Ruins Is The Explosive, Impossible To Put Down Conclusion To New York Times Bestselling Author Don Winslow's Epic, Genre-defining Crime Trilogy And The Final Book Of Winslow's Extraordinary Career. Sometimes You Have To Become What You Hate To Protect What You Love. Danny Ryan Is Rich. Beyond His Wildest Dreams Rich. The Former Dock Worker, Irish Mob Soldier And Fugitive From The Law Is Now A Respected Businessman - A Las Vegas Casino Mogul And Billionaire Silent Partner In A Group That Owns Two Lavish Hotels. Finally, Danny Has It All: A Beautiful House, A Child He Adores, A Woman He Might Even Fall In Love With. Life Is Good. But Then Danny Reaches Too Far. When He Tries To Buy An Old Hotel On A Prime Piece Of Real Estate With Plans To Build His Dream Resort, He Triggers A War Against Las Vegas Power Brokers, A Powerful Fbi Agent Bent On Revenge And A Rival Casino Owner With Dark Connections Of His Own. Danny Thought He Had Buried His Past, But Now It Reaches Up To Him From The Grave To Pull Him Down. Old Enemies Surface, And When They Come For Danny They Vow To Take Everything - Not Only His Empire, Not Just His Life, But All That He Holds Dear, Including His Son. To Save His Life And Everything He Loves, Danny Must Become The Ruthless Fighter He Once Was - And Never Wanted To Be Again. Ranging From The Gritty Back Rooms Of Providence, Ri To The Power Corridors Of Washington, Dc And Wall Street To The Golden Casinos Of Las Vegas, City In Ruins Is An Epic Crime Novel Of Love And Hate, Ambition And Desperation, Vengeance And Compassion.

The author of The Winter of Frankie Machine (“another instant classic”—Lee Child) is back with a razor-sharp novel as cool and unbridled as its California surfer heroes, as heart-stopping as a wave none of them sees coming.Boone Daniels lives to surf. Every morning he’s out in the break off Pacific Beach with the other members of The Dawn Patrol: four men and one woman as single-minded about surfing as he is. Or nearly. They have “real j-o-b-s”; Boone works as a PI just enough to keep himself in fish tacos and wet suits—and in the water whenever the waves are “epic macking crunchy.”But Boone is also obsessed with the unsolved case of a young girl named Rain who was abducted back when he was on the San Diego police force. He blames himself—just as almost everyone in the department does—for not being able to save her. Now, when he can’t say no to a gorgeous, bossy lawyer who wants his help investigating an insurance scam, he’s unexpectedly staring at a chance to make some amends—and take some revenge—for Rain’s disappearance. It might mean missing the most colossal waves he’s liable to encounter (not to mention putting The Dawn Patrol in serious harm’s way as he tangles with the local thuggery), but this investigation is about to give him a wilder ride than any he’s ever imagined.Harrowing and funny, righteous and outrageous, The Dawn Patrol is epic macking crunchy from start to finish.

A hit man defies the confines of a life sentence to avenge his sister's batterer.  An immaculately dressed man hires a street gang to extract his daughter from a Central American prison, for reasons as mysterious as they are deadly.  A two-bit graffiti artist with a taste for Nazi-ganda finds himself face-to-face with three punks out to make a mark of their own—literally—with a tattoo needle. From neo-noir master Andrew Vachss comes Everybody Pays, 38 white-knuckle rides into a netherworld of pederasts and prostitutes, stick-up kids and fall guys—where private codes of crime and punishment pulsate beneath a surface system of law and order, and our moral  compass spins frighteningly out of control. Here is the street-grit prose that has earned Vachss comparisons to Chandler, Cain, and Hammett--and the ingenious plot twists that transform the double-cross into an expression of retribution, the dark deed into a thing of beauty. Electrifying and enigmatic, Everybody Pays is a sojourn into the nature of evil itself—a trip made all the more frightening by its proximity to our front doorstep.

After three years out of the LAPD, Harry Bosch returns, to find the department a different place from the one he left. A new Police Chief has been brought over from New York to give the place a thorough clean up from top to bottom. Working with his former partner, Kiz Rider, Harry is assigned to the department's Open-Unsolved Unit, working on the thousands of cold cases that haunt the LAPD's files. These detectives are the Closers - they put a shovel in the dirt and turn over the past. By applying new techniques to old evidence they aim to unearth some hidden killers and bring them to justice, for "a city that forgets its murder victims is a city lost." Harry and Kiz are given a politically sensitive case when a DNA match connects a white supremacist to the 1988 murder of Rebecca Verloren, a sixteen-year-old girl. Becky was of mixed race, and the case appears to have a racial angle. This was LA before the riots and Rodney King; the city was a powder keg waiting for a match. The detectives who worked the case all those years ago seem to have done a decent job, but something doesn't fit. Meanwhile Harry's nemesis, Deputy Chief Irving, is watching him. In the new "clean" LAPD Irving has been sidelined to a meaningless job. Compelled by vengeance, he hopes that Harry will make a slip.

Missouri native Allen Eskens' "stunning small-town mystery" (New York Times Book Review) is "a coming-of-age book to rival some of the best, such as Ordinary Grace." (Library Journal, starred review)A LIBRARY JOURNAL Mystery Pick of the MonthIn a small Southern town where loyalty to family and to "your people" carries the weight of a sacred oath, defying those unspoken rules can be a deadly proposition. After fifteen years of growing up in the Ozark hills with his widowed mother, high-school freshman Boady Sanden is beyond ready to move on. He dreams of glass towers and cityscapes, driven by his desire to be anywhere other than Jessup, Missouri. The new kid at St. Ignatius High School, if he isn't being pushed around, he is being completely ignored. Even his beloved woods, his playground as a child and his sanctuary as he grew older, seem to be closing in on him, suffocating him.Then Thomas Elgin moves in across the road, and Boady's life begins to twist and turn. Coming to know the Elgins -- a black family settling into a community where notions of "us" and "them" carry the weight of history -- forces Boady to rethink his understanding of the world he's taken for granted. Secrets hidden in plain sight begin to unfold: the mother who wraps herself in the loss of her husband, the neighbor who carries the wounds of a mysterious past that he holds close, the quiet boss who is fighting his own hidden battle.But the biggest secret of all is the disappearance of Lida Poe, the African-American woman who keeps the books at the local plastics factory. Word has it that Ms. Poe left town, along with a hundred thousand dollars of company money. Although Boady has never met the missing woman, he discovers that the threads of her life are woven into the deepest fabric of his world. As the mystery of her fate plays out, Boady begins to see the stark lines of race and class that both bind and divide this small town -- and he will be forced to choose sides.

Walter Mosley's indelible detective Easy Rawlins is back, with a new detective agency and a new mystery to solve. Picking up where his last adventures in Rose Gold left off in L.A. in the late 1960s, Ezekiel "Easy" Rawlins finds his life in transition. He's ready--finally--to propose to his girlfriend, Bonnie Shay, and start a life together. And he's taken the money he got from the Rose Gold case and, together with two partners, Saul Lynx and Tinsford "Whisper" Natly, has started a new detective agency. But, inevitably, a case gets in the way: Easy's friend Mouse introduces him to Rufus Tyler, a very old man everyone calls Charcoal Joe. Joe's friend's son, Seymour (young, bright, top of his class in physics at Stanford), has been arrested and charged with the murder of a white man from Redondo Beach. Joe tells Easy he will pay and pay well to see this young man exonerated, but seeing as how Seymour literally was found standing over the man's dead body at his cabin home, and considering the racially charged motives seemingly behind the murder, that might prove to be a tall order. Between his new company, a heart that should be broken but is not, a whole raft of new bad guys on his tail, and a bad odor that surrounds Charcoal Joe, Easy has his hands full, his horizons askew, and his life in shambles around his feet.

In two previous New York Times bestselling novels, Jefferson Bass enthralled readers with ripped-from-the-headlines forensic cases, memorable characters, and plots that "rival Kathy Reichs and Patricia Cornwell" (Seattle Post-Intelligencer). Drawing on research at the Body Farm—three acres of land in the backwoods of Tennessee, where bodies are left to the elements to illuminate human decomposition—Bass has moved fiction to a fascinating new realm, with forensics expertise drawn from his five decades of work as the world's leading forensic anthropologist. But this latest novel cements Jefferson Bass as one of the finest writers of suspense working today, and in a work of drama, cunning, and heartbreak, thrills the reader with fiction that feels all too real. A woman's charred body has been found inside a burned car perched atop a hill in Knoxville. Is it accidental death, or murder followed by arson? Forensic anthropologist Bill Brockton's quest for answers prompts an experiment straight from Dante's Inferno: In the dark of night, he puts bodies to the torch, researching how fire consumes flesh and bone. In the meantime, Brockton is sent a mysterious package—a set of cremated remains that looks entirely unreal. With the help of a local crematorium, he investigates and discovers a truth too horrifying to believe: A facility in another state has not been disposing of bodies properly, instead scattering them all around the grounds.Little does Brockton know that his research is about to collide with reality—with the force of a lit match meeting spilled gasoline. En route to trial, his nemesis, medical examiner Garland Hamilton, has escaped from custody. What follows is a deadly game of cat and mouse, played for the ultimate stakes: Brockton's own life. With help from his loyal graduate assistant, Miranda, and ace criminalist Art Bohanan, Brockton eventually tracks Hamilton, but when the police arrive, they find only a smoldering ruin. Sifting through the ashes, Brockton finds the incinerated remains of Hamilton . . . or does he? The answer—along with Brockton's ultimate test—comes in a searing moment of truth.

"He desired women. All shapes, all sizes. He would fix on a woman and build imaginary stories around her. Some of the women he knew well, others not at all. Most of them faded quickly. Only a few became objects of desire. An art history professor and writer and cheerful pervert, James Qatar had a hobby: he took secret photographs of women and turned them into highly sexual drawings. One day, he took the hobby a step further and...well, one thing led to another, and he had to kill her. A man in his position couldn't be too careful, after all. And you know something? He liked it. Already faced with a welter of confusion in his personal life, Deputy Chief Lucas Davenport decides to take this case himself, hoping that some straightforward police work will clear his head, but as the trail begins to take some unexpected turns, it soon becomes clear that nothing is straightforward about this killer. The man is learning as he goes, Lucas realizes, taking great strides forward with each murder. He is becoming a monster--and Lucas may have no choice but to walk right into his lair..."--Provided by publisher.

Paris Minton doesn't want any trouble. He minds his used bookstore and his own business. But in 1950s Los Angeles, sometimes trouble finds him, no matter how hard he tries to avoid it. When the nephew of the wealthiest woman in L.A. is missing and wanted for murder, she has to get involved--no matter if she can't stand him. What will her church think? She hires Jefferson T. Hill, a former sheriff of Dawson, Texas, and a tough customer, to track him down and prove his innocence. When Hill goes missing too, she tricks his friend Fearless Jones and Paris Minton into picking up the case. Paris steps inside the world of the black bourgeoisie, and it turns out to be filled with deceit and corruption. It takes everything he has just to stay alive through a case filled with twists and turns and dead ends like he never imagined. Written with the voice and vision that have made Walter Mosley one of the most entertaining writers in America. FEAR ITSELF marks the return of a master at the top of his form.- The return of Easy Rawlins in Bad Boy Brawly Brown brought unprecedented attention to Mosley's mystery writing, was selected as a USA TODAY reading club pick, and has more than 175,000 copies in print.- Fearless Jones charted on bestseller lists nationwide, received rave reviews, and has sold over 230,000 combined copies to date.- Reviews prove time and again that Mosley is one of the most dazzlingly brilliant thriller writers at work today.

“Tanenbaum is one lawyer who can write with the best of them.”—Joseph Wambaugh, New York Times bestselling author of Hollywood Hills“Tanenbaum is one hell of a writer.”—New York Post“He has become a master of this genre, and Act of Revenge may be his most exciting and best effort to date.”—Vincent Bugliosi, New York Times bestselling author of Helter SkelterA classic, pulse-pounding thriller from the legendary Robert K. Tanenbaum, Act of Revenge plunges the popular author’s long-running series protagonists, New York City Chief Assistant District Attorney Butch Karp and family, into the lethal heart of a bloody turf war between the Mafia and ruthless Chinese gangsters.  An elite member of America’s contemporary crime fiction and thriller royalty—a master whose work stands tall among the novels of John Sanford, Lee Child, Robert Crais, and Brad Meltzer—Tanenbaum entertains magnificently, displaying true storytelling muscle with Act of Revenge.