Empfehlungen basierend auf "Weird Horror #11"

“Coraline meets Monsters, Inc. in this delightfully entertaining offering from actor [Jason] Segel and co-author [Kirsten] Miller.” —Publishers Weekly, on book one in the seriesStay up late with the hilariously frightening middle-grade novel Nightmares! The Sleepwalker Tonic. If you snooze, you lose!Charlie Laird has a dream life.1) He has a weirdo stepmom who runs an herbarium.2) He lives in a purple mansion with a portal to the Netherworld.3) Since they escaped from the Netherworld, he and his best friends have been sleeping like babies.But Charlie can’t shake the feeling that something strange is afoot. Charlotte’s herbarium used to be one of the busiest stores in Cypress Creek. Now her loyal following is heading to Orville Falls for their herbal potions. Weirder, though, Orville Falls is suddenly filled with . . . zombies? At least, they sure look like the walking dead. Rumor has it that no one’s sleeping in Orville Falls. And Charlie knows what that means. Things are getting freaky again.Praise for the Nightmares!series“Charlie Laird, who learns fear will eat you alive if you feed it, makes an impression, and . . . readers will want to accompany him again.” —The New York Times Book Review“A touching comical saga . . . about facing things that go bump in the night.” —US Weekly“[Nightmares!] succeeds at scaring and amusing in equal measure. . . . [It’s] sweet, charming, and imaginative.” —Kirkus Reviews

What do horror films reveal about social difference in the everyday world? Criticism of the genre often relies on a dichotomy between monstrosity and normality, in which unearthly creatures and deranged killers are metaphors for society’s fear of the “others” that threaten the “normal.” The monstrous other might represent women, Jews, or Blacks, as well as Indigenous, queer, poor, elderly, or disabled people. The horror film’s depiction of such minorities can be sympathetic to their exclusion or complicit in their oppression, but ultimately, these images are understood to stand in for the others that the majority dreads and marginalizes.Adam Lowenstein offers a new account of horror and why it matters for understanding social otherness. He argues that horror films reveal how the category of the other is not fixed. Instead, the genre captures ongoing metamorphoses across “normal” self and “monstrous” other. This “transformative otherness” confronts viewers with the other’s experience―and challenges us to recognize that we are all vulnerable to becoming or being seen as the other. Instead of settling into comforting certainties regarding monstrosity and normality, horror exposes the ongoing struggle to acknowledge self and other as fundamentally intertwined.Horror Film and Otherness features new interpretations of landmark films by directors including Tobe Hooper, George A. Romero, John Carpenter, David Cronenberg, Stephanie Rothman, Jennifer Kent, Marina de Van, and Jordan Peele. Through close analysis of their engagement with different forms of otherness, this book provides new perspectives on horror’s significance for culture, politics, and art.

It's the end of the ride--for now! Fright-master R.L. Stine saves the most shocking surprises for last as all of HorrorLand's secrets are revealed! The kids who are trapped in HorrorLand thought they had reason enough to panic. That was before they reached Panic Park. It seemed like the only way to escape the mysterious villain who's playing puppet-master with their lives. But Panic Park is a perilous place, and it makes HorrorLand seem like HappyLand! Now they must face their greatest fears--and team up with the unlikeliest allies--in this shocking conclusion to the ride of a lifetime.

How to know a Psychotronic Movie:These films can commonly be identified by their use of exploitation elements and their interest in humanity's lower common demoninators.They occur throughout the world, but are particuarly common at midnight movie festivals and in video stores' cult sections, they are especially frequent at that beloved and dying institution, the drive-in.Their packaging is commonly deceptive. They almost always appear on videocassette.Among their kind are biker films, sci-fi series, quickie biopics, gimmick films, teen sex comedies, blaxploitation films, stalkers, slashers, snoozers, shrudderers, and anything starring Lynda Blair, david Carradine, Shannon Tweed or Drew Barrymore.And they're all here in the Psychotronic Video Guide.From Abby to Zontar, this book covers more than nine thousand amazing movies from the turn of the century right up to today's golden age of video, all described with Michael Weldon's dry wit. More than 450 rare and wonderful illustrations round out the book, making it a treasure trove of cinematic lore and essential for every fan of filmdom's finest offerings.

Previously published in the print anthology Weddings From Hell, with New York Times bestsellers Jeaniene Frost, Maggie Shayne, and Kathryn Smith. Nicki Styx sees dead people. Worse, she's a replacement bridesmaid forced to wear a hideously yellow dress that makes her look like a pineapple. If only the chatty ghost of the original bridesmaid would just leave her alone, Nicki may just survive this ceremony yet. From the RITA-winning author of Dead Girls Are Easy, an unforgettable tale of unholy matrimony and the wedding guests in attendance . . . living or otherwise.

In the tradition of Stephen King's Salem's Lot, Cirque Du Freak is the frightening saga of a young boy whose visit to a mysterious freak show leads him on a journey into a dark world of vampires. Filled with grotesque creatures, murderous vampires, and a petrifying ending, Cirque Du Freak chills, thrills, and leaves readers begging for more.

Chelsea Cain’s novels featuring Portland detective Archie Sheridan and serial killer Gretchen Lowell have captivated fans through two nail-biting entries, Heartsick and Sweetheart, both of them multiweek bestsellers in The New York Times, USA Today, and Publishers Weekly.Gretchen Lowell is still on the loose. These days, she’s more of a cause célèbre than a feared killer, thanks to sensationalist news coverage that has made her a star. Her face graces magazine covers weekly and there have been sightings of her around the world. Most shocking of all, Portland Herald reporter Susan Ward has uncovered a bizarre kind of fan club, which celebrates the number of days she’s been free.Archie Sheridan hunted her for a decade, and after his last ploy to catch her went spectacularly wrong, remains hospitalized months later. When they last spoke, they entered a détente of sorts---Archie agreed not to kill himself if she agreed not to kill anyone else. But when a new body is found accompanied by Gretchen’s trademark heart, all bets are off and Archie is forced back into action. Has the Beauty Killer returned to her gruesome ways, or has the cult surrounding her created a whole new evil?Chelsea Cain continues to deliver heart-stopping thrills and chills in the latest entry in this dynamic bestselling series.

Foreword by Stan Lee! This is the 3rd volume in Mr. Kaufman's hilarious, how-to series for hard-working self-starters and hard-laughing, cheeky filmmakers. "Sell Your Own Damn Movie!" covers everything you need to do to get your finished film seen by festival-goers, movie-goers, DVD-buyers and web-goers around the world. You will be lead through a primer on the history of film distribution to a discussion of the many ways you can get your film out there, either through a reputable distributor or all on your own. From the realities of distribution, to utilizing the internet to self-distribution, Mr. Kaufman tells you in his habitually lucid and off-the-wall way. Inserts include interviews and pointers from veteran distribution pros as well as directors and producers who share their own front-line stories. Mr. Kaufman recounts his own raucous stories of marketing pleasures and nightmares from 35 years of movie-making experience, creating a uniquely useful and entertaining read. Or, in Lloyd's inimitable words. The most asked question at my worldwide popular, legendary, renowned master class is, "How do I get my no-budget, zombie giraffe flick distributed? Well, have no fear, because the 3rd volume in Uncle Lloydie's how-to series of go-to guides for filmmakers reveals the secrets, methods and tricks (short of prostituting yourself and selling bodily organs) to getting your film distributed. With Troma, our legendary 35-year-old independent studio, Michael Herz and I have developed a low cost, high-impact method for low-budget film distribution, which has lead to a high-profile brand name and a catalog of over 800 titles! Now you can learn to get you movie out there, too. I will be your busty tour guide, sharing with you my hard-earned cinematic distribution know-how! -LEARN! How I achieved box office success with my fowl chicken zombie masterpiece Poultrygeist, and everyone's favorite super-human hero from New Jersey, the Toxic Avenger, for practically no money! -SMELL! The sewer that is mainstream distribution as I drag you through the muck, be-farting upon you the real scoop behind "indie and mainstream distribution deals. -MASTICATE! (No, not that kind of masticating) On the knowledge of DVD distribution as I es-chew the fat and get to the skinny of Do-It-Yourself DVD distribution. I will teach you the fundamentals of having a good website (like www.Troma.com) to boost your sales! -FEAST! On my golden brown chicken puns as I cleverly cluck your brain out with the irrefutable knowledge of how I sold over 10,000 units of the 3-disc limited-edition Poultrygeist DVD in a matter of months! YES! If you have any doubt that I will not be able turn your no-budget zombie giraffe opus into box-office gold, then put down this book proposal! No wait, pick it back up, pick it back up! This is a recession damnit, Troma needs all the money we can, er... I need to educate you filmmakers looking for distribution gold (brown)! After reading my book, any damn filmmaker will be able to "Sell Your Own Damn Movie! Featuring expert advice from those who have successfully sold their films: * David Cronenberg (Director of The Fly, Crash, A History of Violence) * Oren Peli (Director/Producer of Paranormal Activity) * Ted Hope (Producer of Crouching Tiger, Hidden Dragon, In the Bedroom, Happiness) * Brad Kembel (Executive Vice President of International Distribution at Summit Films; Twilight) * James Gunn (Writer/Director of Super, Dawn of the Dead, Slither) * Jonathan Wolf (Executive Vice President, Independent Film and Television Alliance and Managing Director, American Film Market) ... and many more who have sold their own damn movies!

Sometimes, being smart just isn't enough It's been a rough semester for Howard Boward, science genius. Not only is he having to dodge winter's most feared weapon (snowballs), his close friend, Winnie McKinney, is barely speaking to him. If that weren't enough, he's the favorite target of some bullies who seem determined to make life at Dolley Madison Middle School as miserable as possible. But then Howard learns about an upcoming robot-building contest--finally a chance to show off his science skills and beat archrival Gerald "G-Force" Forster! Unfortunately, the only way to win is by using his secret "monster goo," a formula that has terrifying side effects. Can Howard resist the temptation? Or will he unleash a robot rampage that could destroy the town--and ruin the school dance?

Learn about the scientists who discovered "Smashing Speed", Gruesome Gravity", and "Facts about Friction". Tons of interesting facts about the forces of nature are packed into this latest installment in the Horrible Science series.