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Bringing together six of Turgenev's best known stories in one volume, this collection includes "First Love," "Asya," "Mumu," "The Diary of a Superfluous Man," "Song of Triumphant Love," and "King Lear of the Steppes."

Mikhail Bulgakov's The Master and Margarita is a fiercely satirical fantasy that remained unpublished in its author's home country for over thirty years. This Penguin Classics edition is translated with an introduction by Richard Pevear and Larissa Volokhonsky, the acclaimed translators of Tolstoy's Anna Karenina. In Soviet Moscow, God is dead, but the devil - to say nothing of his retinue of demons, from a loudmouthed, gun-toting tomcat, to the fanged fallen angel Koroviev - is very much alive. As death and destruction spread through the city like wildfire, condemning Moscow's cultural elite to prison cells and body bags, only a madman, the Master, and Margarita, his beautiful, courageous lover, can hope to end the chaos. Written in secret during the darkest days of Stalin's reign and circulated in samizdat form for decades, when The Master and the Margarita was finally published it became an overnight literary phenomenon, signalling artistic freedom for Russians everywhere. This luminous translation from the complete and unabridged Russian text is accompanied by an introduction by Richard Pevear exploring the extraordinary circumstances of the novel's composition and publication, and how Bulgakov drew on carnivalesque folk traditions to create his ironic subversion of Soviet propaganda. This edition also contains a list of further reading and a note on the text. After finishing high school, Mikhail Bulgakov (1891-1940) entered the Medical School of Kiev University, graduating in 1916. He wrote about his experiences as a doctor in his early works Notes of a Young Country Doctor. His later works treated the subject of the artist and the tyrant under the guise of historical characters, but The Master and Margarita is generally considered his masterpiece. If you enjoyed The Master and Margarita, you might like Jonathan Swift's Gulliver's Travels, also available in Penguin Classics. 'One of the great novels of the 20th century, a scary, darkly comic allegory' Daily Telegraph

Andrey Tarkovsky, the genius of modern Russian cinema—hailed by Ingmar Bergman as "the most important director of our time"—died an exile in Paris in December 1986. In Sculpting in Time, he has left his artistic testament, a remarkable revelation of both his life and work. Since Ivan's Childhood won the Golden Lion at the Venice Film Festival in 1962, the visionary quality and totally original and haunting imagery of Tarkovsky's films have captivated serious movie audiences all over the world, who see in his work a continuation of the great literary traditions of nineteenth-century Russia. Many critics have tried to interpret his intensely personal vision, but he himself always remained inaccessible.In Sculpting in Time, Tarkovsky sets down his thoughts and his memories, revealing for the first time the original inspirations for his extraordinary films—Ivan's Childhood, Andrey Rublyov, Solaris, The Mirror, Stalker, Nostalgia, and The Sacrifice. He discusses their history and his methods of work, he explores the many problems of visual creativity, and he sets forth the deeply autobiographical content of part of his oeuvre—most fascinatingly in The Mirror and Nostalgia. The closing chapter on The Sacrifice, dictated in the last weeks of Tarkovsky's life, makes the book essential reading for those who already know or who are just discovering his magnificent work.

Just after the iron curtain fell on Eastern Europe John Steinbeck and acclaimed war photographer, Robert Capa ventured into the Soviet Union to report for the "New York Herald Tribune". This rare opportunity took the famous travelers not only to Moscow and Stalingrad - now Volgograd - but through the countryside of the Ukraine and the Caucasus. A "Russian Journal" is the distillation of their journey and remains a remarkable memoir and unique historical document. Steinbeck and Capa recorded the grim realities of factory workers, government clerks, and peasants, as they emerged from the rubble of World War II. This is an intimate glimpses of two artists at the height of their powers, answering their need to document human struggle.

Of all Russian writers, Chekhov is one of the best liked and most easily appreciated. Yet he is also one of the most elusive. Here Donald Rayfield reveals the layers of meaning on which the great dramatist's stories and plays are built. He examines his brief twenty-year creative life, from medical student supplementing his income by writing comic stories to his rapid rise as the father of twentieth-century drama and narrative prose. Understanding Chekhov is enriched by revelations from previously unexplored archival material, which deepen our understanding of Chekhov's sources, preoccupations, philosophy, and his relations with theater, with fellow writers, and with contemporary ideas.

'although He Feared Death, He Could Not Stop. 'if I Stopped Now, After Coming All This Way - Well, They'd Call Me An Idiot!' A Pair Of Short Stories About Greed, Charity, Life And Death From One Of Russia's Most Influential Writers And Thinkers. Introducing Little Black Classics: 80 Books For Penguin's 80th Birthday. Little Black Classics Celebrate The Huge Range And Diversity Of Penguin Classics, With Books From Around The World And Across Many Centuries. They Take Us From A Balloon Ride Over Victorian London To A Garden Of Blossom In Japan, From Tierra Del Fuego To 16th-century California And The Russian Steppe. Here Are Stories Lyrical And Savage; Poems Epic And Intimate; Essays Satirical And Inspirational; And Ideas That Have Shaped The Lives Of Millions. Leo Tolstoy (1828-1910). Tolstoy's Works Available In Penguin Classics Are Anna Karenina, War And Peace, Childhood, Boyhood, Youth,the Cossacks And Other Stories, The Kreutzer Sonata And Other Stories, What Is Art?, Resurrection, The Death Of Ivan Ilyich And Other Stories, Master And Man And Other Stories, How Much Land Does A Man Need? & Other Stories, A Confession And Other Religious Writings And Last Steps: The Late Writings Of Leo Tolstoy.

Kievan Russia was originally published in a clothbound edition in 1948 as volume two in George Vernadsky’s comprehensive series, A History of Russia. It is now available for the first time in a paperbound edition. At the time of its publication Kievan Russia received the following reviews:“The account of this little-know chapter of Russian history is based on a formidable mass of Slavic Byzantine, Germanic, and Oriental (notably Arabic and Persian_ sources. Much of this material is new, and the thorough utilization of all primary and secondary literature accumulated since Kluchevsky wrote his great history easily makes this volume the definitive study of the Kievan period in the English language. There is hardly an aspect of the life of Russia at that time which remains untouched, and the scope of the author’s interests and erudition is indeed impressive….When all is said, Vernadsky’s filling a definite gap in American historical literature.”―The Annals“This volume is an outstanding contribution to the understanding of an important period of Russian history. It is bound to have a marked influence on Western opinion about the years in Russian history it treats in such masterly manner.”―American Historical Review“If Professor Vernadsky has not written the definitive work on Kievan Russia, no such book could be written without being indebted to Professor Vernadsky’s encyclopedic erudition.”―American Historical ReviewGeorge Vernadsky is professor emeritus of Russian history at Yale University and the author of numerous books on Russian history.

Hailed universally as Russia's finest comic writer, and by many as its greatest writer of prose, Nikolai creates a unique Ukranian world, from the darkest Gothic to folkloric levity. Here, this extraordinary countryside is revealed in all its variety in his first two collections of short stories. The only translation available of this cycle of stories, this edition captures fully the spirit and vigor of his important early work for the first time.

In a major burst of creativity, Russian poet Alexander Pushkin during just three months in 1830 completed Eugene Onegin, composed more than thirty lyric poems, wrote several short stories and folk tales, and penned the four short dramas in verse that comprise the "little tragedies". The "little tragedies" stand among the great masterpieces of Russian literature, yet they were last translated into English a quarter-century ago, and have in recent years been out of print entirely. In this outstanding new translation, Nancy K. Anderson preserves the cadence and intensity of Pushkin's work while aligning it with today's poetic practices and freer approach to metrics. In addition she provides critical essays examining each play in depth, a discussion of her approach to translating the plays, and a consideration of the genre of these dramatic pieces and their performability.The four "little tragedies" -- Mozart and Salieri, The Miserly Knight, The Stone Guest, and A Feast During the Plague -- are extremely compressed dialogues, each dealing with a dominant protagonist whose central internal conflict determines both the plot and structure of the play. Pushkin focuses on human passions and the interplay between free will and fate: though each protagonist could avoid self-ruin, instead he freely chooses it.

I am a ridiculous man. They call me mad now. That would be a promotion in rank A delusional man whose strange dream changes his life; a self-justifying husband who causes his wife's suicide; a witness to a young girl's ruin; a writer who stretches out on a gravestone and listens to the gossip of the dead ... the narrators of these four confessional tales show how little we understand ourselves.