Empfehlungen basierend auf "We Are Not Broken"

NATIONAL BOOK AWARD FINALISTSHORT-LISTED FOR THE MAN BOOKER PRIZEBrace yourself for the most astonishing, challenging, upsetting, and profoundly moving book in many a season. An epic about love and friendship in the twenty-first century that goes into some of the darkest places fiction has ever traveled and yet somehow improbably breaks through into the light. Truly an amazement—and a great gift for its readers.When four classmates from a small Massachusetts college move to New York to make their way, they're broke, adrift, and buoyed only by their friendship and ambition. There is kind, handsome Willem, an aspiring actor; JB, a quick-witted, sometimes cruel Brooklyn-born painter seeking entry to the art world; Malcolm, a frustrated architect at a prominent firm; and withdrawn, brilliant, enigmatic Jude, who serves as their center of gravity. Over the decades, their relationships deepen and darken, tinged by addiction, success, and pride. Yet their greatest challenge, each comes to realize, is Jude himself, by midlife a terrifyingly talented litigator yet an increasingly broken man, his mind and body scarred by an unspeakable childhood, and haunted by what he fears is a degree of trauma that he’ll not only be unable to overcome—but that will define his life forever.In rich and resplendent prose, Yanagihara has fashioned a tragic and transcendent hymn to brotherly love, a masterful depiction of heartbreak, and a dark examination of the tyranny of memory and the limits of human endurance.

The beloved perennial classic—named as one of the books of the twentieth century by the New York Public Library.Orville Prescott has called this American classic “one of the most dearly beloved and one of the finest books of our day.” Indeed, when A Tree Grows in Brooklyn was first published in 1943, four printing plants were required to keep up with the demand.Seventy years later, readers are still fascinated by Betty Smith’s moving portrayal of the Nolans, a poor family living in the Williamsburg slums of Brooklyn. A poignant tale of childhood and the ties of family, A Tree Grows in Brooklyn will transport the reader to the early 1900s where a little girl named Francie dreamily looks out her window at a tree struggling to reach the sky.

When Charlie Babbitt, a hustler, learns that his wealthy father has left everything to Charlie's autistic brother, Raymond, Charlie decides to kidnap his brother.

Seventeen-year-old Annika tries to cheer up her little brother Jeremy before his surgery to remove a cancerous tumor by bringing home his favorite television actor, Steve Raleigh, the star of "Teen Robin Hood."

What if you had just one chance, one letter you could leave behind for the person you love?What would you write?Stella Carey has good reason to only work nights at the hospice where she is a nurse. Married to a war veteran who has returned from Afghanistan brutally injured, Stella leaves the house each night as her husband Vincent, locks himself away, unable to sleep due to Post Traumatic Stress Disorder.During her nights at the hospice, Stella writes letters for her patients containing their final wishes, thoughts and feelings – from how to use a washing machine, to advice on how to be a good parent – and usually she delivers each letter to the recipient after he or she has died.That is until Stella writes one letter that she feels compelled to deliver in time to give her patient one final chance of redemption…

A little girl discovers the beauty in herself--and the beauty of the world around her--not by looking in the mirror but by looking in her Nana's eyes. Synthia Saint James's gloriously bright illustrations in this paperback edition show young readers how to see the beauty, and the accompanying CD of Sweet Honey In The Rock singing the song lets them hear it.

From daughter of musical visionary Frank Zappa, Moon Unit Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age as part of the MTV generation in the 1980s as the “Valley Girl,” and finding herself after losing her father, then her mother, and the fracturing of her longest relationships.I got my first journal when I was five, for Christmas, then every year after I’d get a new one. They were hardbound in black leather with gold embellishments on the cover and along the paper edges. So fancy. These books felt important. I believed I had a responsibility to do excellent work in them, to match their external beauty and honor the dead trees I held in my hands, a concept my mother had recently illuminated along with explaining hamburgers were deceased cows. Plus, the diaries were from Gail and Frank, my mother and my father, with the inscription to me in his handwriting, so I put undue pressure on myself to turn these blank nothings into weighty somethings, as I saw my idol dad doing on his large, butter-colored music paper.When I wasn’t writing short stories about my camels T’mershi Duween and Sinini, or about aliens or ballerinas or nuns, or alien ballerina nuns, I’d report on the happenings in the house or the world at large. I was political and wrote a letter to President Ford to get him to stop men from clubbing baby harp seals. I was ambitious and practiced signing my autograph in various handwriting styles. I was complimentary and wrote a letter to Tina Turner to let her know she is almost as good a dancer as me. I was boy crazy for Shawn Cassidy and wrote his name everywhere, followed by pages of scrawling my new name “Moon Unit Cassidy” in loopy cursive. I used my journals like a secret best friend I could tell anything to: “I’m sad. I wish my dad would take me with him to Europe.” When I still lived at home and had no privacy, I’d write in code about really secret stuff so I had somewhere safe to be the real me, to vent about my feelings with impunity.As time went on, I loosened the reins on my dad-comparing and perfectionism in my journals. And in life. I had no choice. Rightly or wrongly, I believed I would never be as good as my dad, so I had to learn to live with plain old me.For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in a sexually free, but also dysfunctional world in 1970s LA.And as we careen into the 1980s, the style and the music and the tone changes—but Moon remains the constant, trying to find herself in a very confusing, everchanging equation—that of her family and the relationship with fame.It is Moon’s deep sense of humor and humility that keeps her grounded, and keeps this memoir pinned to the ground. Earth to Moon is a creative, colorful, and wonderful lesson in growing into oneself.

When Emmett de Monterey is eighteen months old, a doctor diagnoses him with cerebral palsy. Words too heavy for his 25-year-old artist parents and their happy, smiling baby.Growing up in South East London in the 1980s, Emmett is spat at on the street and prayed over at church. At his mainstream school, teachers refuse to schedule his classes on the ground floor, and he loses a stone from the effort of getting up the stairs. At his Sixth Form College for disabled students, he's told he will be expelled if the rumours are true, if he's gay.And then Emmett is chosen for a first-of-its-kind surgery in America which he hopes will 'cure' him, enable him to walk unaided. He hopes for a to walk, to dance, to be able to leave the house when it rains. To have a body that's everyday beautiful, to hold hands in the street. But the 'miracle' doesn't occur, and Emmett must reckon with a world which views disabled people as invisible, unworthy of desire. He must fight to be seen.

Odran Yates enters Clonliffe Seminary in 1972 after his mother informs him that he has a vocation to the priesthood He goes in full of ambition and hope dedicated to his studies and keen to make friends Forty years later Odrans devotion has been challenged by the revelations that have shattered the Irish peoples faith in the church He has seen friends stand trial colleagues jailed the lives of young parishioners destroyed and has become nervous of venturing out in public for fear of disapproving stares and insulting remarks But when a family tragedy opens wounds from his past he is forced to confront the demons that have raged within a once respected institution and recognise his own complicity in their propagation It has taken John Boyne fifteen years and twelve novels to write about his home country of Ireland but he has done so now in his most powerful novel to date a novel about blind dogma and moral courage and about the dark places where the two can meet At once courageous and in

From the star of Broadway’s The Book of Mormon and Tony–nominated Gutenberg! The Musical!, the heartfelt and hilarious coming-of-age memoir of a Midwestern boy surviving bad auditions, bad relationships, and some really bad highlights as he chases his dreams in New York City—now with a new afterword “Candid, funny, crisp . . . honest and tender about lessons of the heart.”—Vogue ONE OF NPR’S BEST BOOKS OF THE YEAR When Andrew Rannells left Nebraska for New York City in 1997, he, like many young hopefuls, saw the city as a chance to break free. To start over. To transform the fiercely ambitious but sexually confused teenager he saw in the mirror into the Broadway leading man of his dreams. In Too Much Is Not Enough, Rannells takes us on the journey of a twentysomething hungry to experience everything New York has to offer: new friends, wild nights, great art, standing ovations. At the heart of his hunger lies a powerful drive to reconcile the boy he was when he left Omaha with the man he desperately wants to be. As Rannells fumbles his way towards the Great White Way, he also shares the drama of failed auditions and behind-the-curtain romances, the heartbreak of losing his father at the height of his struggle, and the exhilaration of making his Broadway debut in Hairspray at the age of twenty-six. Along the way, he learns that you never really leave your past—or your family—behind; that the most painful, and perversely motivating, jobs are the ones you almost get; and that sometimes the most memorable nights with friends are marked not by the trendy club you danced at but by the recap over diner food afterward. Honest and filled with charm, Too Much Is Not Enough is an unforgettable look at love, loss, and the powerful forces that determine who we become.